Here are 92 books that Cities by Contract fans have personally recommended if you like
Cities by Contract.
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I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
In this book we learn that our actions are shaped by that of others or by our expectation of what others will do.
If, for example, a white neighbor leaves the neighborhood upon seeing a minority family move in, other white neighbors are likely to follow suit if they expect more white neighbors to move out and more minorities to move in. If a critical mass of white neighbors adopts this behavior, the result is a segregated neighborhood.
Applied this idea to the study of mass atrocities, we understand mass participation in mass atrocities as not a result of moral failure, but a social phenomenon driven by imitating nature and belonging need of the humankind. This understanding humanizes the mass perpetrators of an atrocity and opens space for reconciliation.
"Schelling here offers an early analysis of 'tipping' in social situations involving a large number of individuals." -official citation for the 2005 Nobel Prize
Micromotives and Macrobehavior was originally published over twenty-five years ago, yet the stories it tells feel just as fresh today. And the subject of these stories-how small and seemingly meaningless decisions and actions by individuals often lead to significant unintended consequences for a large group-is more important than ever. In one famous example, Thomas C. Schelling shows that a slight-but-not-malicious preference to have neighbors of the same race eventually leads to completely segregated populations.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
As a social scientist, I've always been interested in how the communities we live in shape our values, priorities, and behavior. I also care about how institutional change—from small things like a college offering a new major to big things like a town choosing to incorporate—can shape communities. Each of these books has changed my thinking about how we influence, and are influenced by, the communities we live in, for better or worse. I'm a professor in the departments of Political Science and Quantitative Theory and Methods at Emory University in Atlanta, and I hold a Ph.D. in the Social Sciences from Caltech.
In 2004, sociologists Elizabeth Armstrong and Laura Hamilton set up camp in a dorm at Indiana University with the aim of writing an ethnography of the girls on the floor. They tracked the girls for five years, documenting their education, social lives, and post-college outcomes. As the product of a flagship state university myself, this book floored me. Armstrong and Hamilton document a process whereby administrators attract wealthy full-tuition students by subsidizing Greek life and creating legitimate-sounding but low-value majors. Far from being an equalizer, the rich leave university employed and debt-free, while the poor leave with staggering debt and few job prospects. For those of us in higher ed, this book articulates the discomfort many of us have felt in recent decades as universities have become increasingly consumer-oriented.
Two young women, dormitory mates, embark on their education at a big state university. Five years later, one is earning a good salary at a prestigious accounting firm. With no loans to repay, she lives in a fashionable apartment with her fiance. The other woman, saddled with burdensome debt and a low GPA, is still struggling to finish her degree in tourism. In an era of skyrocketing tuition and mounting concern over whether college is "worth it," Paying for the Party is an indispensable contribution to the dialogue assessing the state of American higher education. A powerful expose of unmet…
As a social scientist, I've always been interested in how the communities we live in shape our values, priorities, and behavior. I also care about how institutional change—from small things like a college offering a new major to big things like a town choosing to incorporate—can shape communities. Each of these books has changed my thinking about how we influence, and are influenced by, the communities we live in, for better or worse. I'm a professor in the departments of Political Science and Quantitative Theory and Methods at Emory University in Atlanta, and I hold a Ph.D. in the Social Sciences from Caltech.
Much of what we do in the social sciences requires articulating what it is that people want. What do people find beautiful, valuable, and correct? A cultural anthropologist, Shweder details the remarkable differences in how humans make meaning of their lives, and the different conceptions of morality, modesty, and normality found in different cultures. The book's most provocative chapter, "What About Female Genital Mutilation?," can be read as a qualified defense of the practice, arguing that using state coercion to enforce our own Western conceptions of correctness can constitute a form of liberal imperialism. Regardless of whether you find Shweder's case for FGM persuasive, the argument that tolerance requires seriously engaging with beliefs that may be alien and distressing is particularly welcome in these divided times.
Why do American children sleep alone instead of with their parents? Why do middle-aged Western women yearn for their youth, while young wives in India look forward to being middle-aged? In these provocative essays, one of the most brilliant advocates of cultural psychology reminds us that cultural differences in mental life lie at the heart of any understanding of the human condition.
Drawing on ethnographic studies of the distinctive modes of psychological functioning in communities around the world, Richard Shweder explores ethnic and cultural differences in ideals of gender, in the life of the emotions, in conceptions of mature adulthood…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m an associate professor of economics at Grove City College, where I love introducing students to the economic point of view. My first book, listed below, pursues the relentless logic of tradeoffs. My second book (co-authored with Art Carden), Mere Economics: Lessons for and from the Ordinary Business of Life, is due out in early 2025. It examines how human beings expand their options through cooperation. For me, internalizing the economic point of view is a lifelong project. I think it will become yours, too, if you try these books!
Whether you instantly recognize this book as economics depends on whether you internalized the last quarter of Kirzner’s The Economic Point of View. Economics is not merely about human behavior in one narrow domain (say, traditional markets using traditional money).
Wherever human beings make choices, economics applies. Read this book, and marvel as your economic intuition expands with every page.
Pack your cutlass and blunderbuss - it's time to go a-pirating! "The Invisible Hook" takes readers inside the wily world of late seventeenth- and early eighteenth-century pirates. With swashbuckling irreverence and devilish wit, Peter Leeson uncovers the hidden economics behind pirates' notorious, entertaining, and sometimes downright shocking behavior. Why did pirates fly flags of Skull & Bones? Why did they create a 'pirate code'? Were pirates really ferocious madmen? And what made them so successful? "The Invisible Hook" uses economics to examine these and other infamous aspects of piracy. Leeson argues that the pirate customs we know and love resulted…
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
This is a memoir about being a writer—and failing. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing, complete with a lovely tribute to his mother, a failed screenwriter. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it.
"[An] absorbing and revealing book. . . . nestling in the fruitful terrain between memoir and criticism." ―Geoff Dyer, author of Out of Sheer Rage
Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment.
In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood…
I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.
This is a personal favourite as it’s the Ellroy novel that carries the biggest emotional punch. Although it didn’t match the sales of its predecessorThe Black Dahlia, The Big Nowhere is a more accomplished novel. The setting is LA, 1950. A murder plot is interweaved with the politics of the Red Scare, and a Hollywood milieu at the height of the film noir age. This is the novel that proved Ellroy was a literary writer, and not just a genre one.
The D. A.'s brass, a sheriff's deputy, and a rough-and-tumble bagman are unknowingly chasing a nightmare in this thrilling novel from the author of "some of the most powerful crime novels ever written" (New York Times). Los Angeles, 1950 Red crosscurrents: the Commie Scare and a string of brutal mutilation killings. Gangland intrigue and Hollywood sleaze. Three cops caught in a hellish web of ambition, perversion, and deceit. Danny Upshaw is a Sheriff's deputy stuck with a bunch of snuffs nobody cares about; they're his chance to make his name as a cop...and to sate his darkest curiosities. Mal Considine…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am an international bestselling author of Strays and a London-based journalist for The Guardian, The Observer, The Sunday Times, and other publications. I've written about animals, conservation, and volunteered at sanctuaries around the world, from tending big cats and baboons in Namibia to wild mustangs in Nevada—a labour of love that has inspired features for The Guardian, The Independent, and Condé Nast Traveller. I've raised hundreds of thousands of dollars for many charities through my investigative animal-cruelty stories; as an activist, I helped shut down controversial breeders of laboratory animals in the UK. I also created Catfestlondon, a sell-out boutique festival that rescues and rehomes Moroccan street kittens in the UK.
I absolutely loved this book. One of the most beautiful stories I’ve ever read, it’s heartfelt and hilarious. After running his own bookshop in Seattle, Andrew Bloomfield moves to Hollywood to become a screenwriter and discovers a colony of feral cats living in his backyard. He was not a cat person. After witnessing one too many raccoon and coyote attacks and hungry, crying kittens, he and his two female housemates intervene and start caring for these wild yet vulnerable cats who transform his life. With his sharp wit and keen eye for detail, Bloomfield is a brilliant storyteller. I got completely caught up in the soap-opera dramas and death-defying moments of these cats, along with the heartaches and triumphs of rescuing them.
When aspiring screenwriter Andrew Bloomfield moved into a bungalow in Southern California he soon discovered that he shared the property with a large colony of feral cats — untamed, uninterested in human touch, not purring pets in waiting. But after a midnight attack by predators that decimated yet another litter of kittens, Bloomfield decided to intervene. He began to name and nurse, feed and house, rescue and neuter. Drawing on his time living in Asia among spiritual teachers, he takes us on the contemplative, humorous, and poignant journey of saving these cats, only to find it was they who saved…
I have been fascinated by cities—in all their glorious, polyglot, and all-too-human complexity—for more than 25 years. I’m a writer, community planner, and urban revitalization consultant who works to activate the potential of distressed places, and create strategies that support social, ecological, and economic vitality. Exploring the often overlooked ways we’ve unbuilt our cities has helped me see their powerful potential.
Great writing on cities is rarer than it should be. The late Mike Davis, using Los Angeles as his muse, showed me—and so many others—new ways of thinking about cities through his vividly and passionately argued prose. Weaving together strands of architecture, urban history, social justice, and ecology, Davis has inspired me like no other author to examine cities critically, from unexpected perspectives and with a fierce point of view. Underlying his outrage at the injustices of the unravelling metropolis is a mordant sense of humor—making him an unbeatable guide as we all ride shotgun through desperate times.
'Courageously broad in its scope, City of Quartz changes intellectual gear - from history to sociology to urban theory - often with consummate ease, and fits its diverse threads together in a sort of 'history noir' as gripping as any Chandler. ' Listener.
In this taut and compulsive exploration, Mike Davis recounts the story of Los Angeles with passion, wit and an acute eye for the absurd, the unjust and, often the dangerous. He tells a lurid tale of greed, manipulation, power and prejudice that has made Los Angeles one of the most cosmopolitan and most class-divided cities in the…
During my career in law enforcement, I worked in narcotics, violent crimes, criminal intelligence, hostage rescue, SWAT, and internal affairs, to name just a few. I am the recipient of many awards and commendations for heroism. The Sinister is the ninth novel in the best-selling Bruno Johnson Crime series, following The Disposables, The Replacements, The Squandered, The Vanquished, The Innocents, The Reckless, The Heartless, and The Ruthless. I live in the Los Angeles area with my wife, Mary.
Elroy wrote many other books before he took on this epic noir crime novel (one in a quartet). He made his bones in writing, and it's evident in his skill level, story, and prose. Elroy excels in this novel (and the other three) in voice. And voice is the Big Kahuna in writing, it’s the everything in writing and Elroy has it in spades.
Another great addition to the above is the length (because you don’t want this book to ever end) and that it’s a historical novel that absolutely captures the time period and adds the historical nuance to all the characters.
Christmas 1951, Los Angeles: a city where the police are as corrupt as the criminals. Six prisoners are beaten senseless in their cells by cops crazed on alcohol. For the three LAPD detectives involved, it will expose the guilty secrets on which they have built their corrupt and violent careers. The novel takes these cops on a sprawling epic of brutal violence and the murderous seedy side of Hollywood. One of the best (and longest) crime novels ever written, it is the heart of Ellroy's four-novel masterpiece, the LA Quartet, and an example of crime writing at its most powerful.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
A film noir in book form, Davis’ astute, visceral, and impassioned chronicle of Los Angeles at the turn of the millennium offers a dystopian view of future urban society.
I was recommended this book by my secondary school geography teacher shortly before starting university. Although my teacher did not know it, I had been questioning whether I’d made the right choice in choosing Geography for my degree, but this book captivated me like no other and assuaged my academic concerns.
Los Angeles is a world-famous city that means very different things to different people. Davis shows how Los Angeles is simultaneously a utopia and a dystopia, a place of gated communities and private police forces, where libraries look like fortresses and prisons, on the outside at least, resemble futuristic hotels.
Over three decades after the first edition’s publication, this book remains essential reading for anyone seeking a sobering peek into…
No metropolis has been more loved or more hated. To its official boosters, "Los Angeles brings it all together." To detractors, LA is a sunlit mortuary where "you can rot without feeling it." To Mike Davis, the author of this fiercely elegant and wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias.
