100 Books Like Icon

Once again I could have chosen the old Ballantine Edition, ‘the art of Boris’ for nostalgic reasons but this was the book I drooled over most as a young working illustrator. The fact that a living artist could paint in oils with such finesse was astonishing to me. One of those rare books I bought multiple copies to study from over the years (I cut the pages out and tape them to my easel for inspiration). Decades later Boris would graciously write the foreword to my first book ‘sci-fi and fantasy oil painting techniques’, which was the honour of a lifetime.

Although all the other books on this list feature American artists this pick is by an astonishing Welsh artist. As a young illustrator in London, I was aware of Jim's incredible work and still own a well-worn copy of his first art book from that period. Unlike his American counterparts, Jim worked mostly in acrylics with some airbrush, and he greatly influenced me with his sense of atmosphere and the scale of his imagination. The fact that we both worked in London at the same time, In the same field, and never met until recently makes me a little melancholy. They say you shouldn't meet your heroes; I find this not to be true. Once again Nice big full-page images, as all art books should be!

Jeff Jones was a giant of fantasy illustration who followed in the footsteps of Frank Frazetta with great success, although the two men couldn't have been further apart in personality. Tired of restrictive art direction Jeff left illustration to evolve his style into fine art. He was one of those rare fantasy artists whose later works were stronger than his early works.

I was privileged to see firsthand these two Disney Legends and their passions for the craft of storytelling through animation. I worked with Frank and Ollie as a young animation trainee. I learned the basics of animation by ‘in-betweening’ scenes primarily for Frank. In addition to ‘in-betweening’ for Frank, he would give me scenes to animate under his supervision. The principles and philosophy of the ‘Disney way’ are explained within the pages of this book and I was fortunate to have absorbed them firsthand.

Applying the principles of animation that Frank and Ollie presented has had a tremendous effect on all aspects of my art. My book, my personal award-winning illustrations, and a 38-year career with the Disney Studio bear witness of putting these principles into practice.

Sarah Urist Green's You Are an Artist is a beacon of inspiration filled with engaging and thought-provoking assignments that push the boundaries of conventional art-making.

Each challenge in this book compels you to explore uncharted territories, urging you to experiment with novel ideas and mediums. Far more than just prompts, Urist Green guides you on a journey into the heart of contemporary art, inspiring a renaissance of thought and technique in every artist willing to embrace its teachings.

The book instantly transported me back to art school, with assignments that truly spawn productive growth. I found myself eagerly anticipating each new page, propelled Green’s warm, encouraging, yet daringly innovative approach. This book is a must-have for anyone seeking to break free from creative blocks and embark on a journey of artistic discovery.

Before reading this book, I had never heard of Mary Sully. I’m thrilled that I now know about her stunning “personality prints,” abstract designs arranged in horizontal triptychs. Sully, who was born on the Standing Rock reservation in 1896, was largely a self-taught artist who never achieved wide recognition. Philip Deloria, a professor of history and a relative of Sully’s, delves into the complexities of what it meant to be a Dakota Sioux woman artist working with an innovative style of abstract art that didn’t fit into neat categories. This mirrors, Deloria says, the “scramble for survival” that an “Indian” woman had to navigate in a “difficult world.” That difficult world is still with us today, making this story a throughline to the present and a must-read.

This short book is not about architecture, but about the supremely ‘architectural’ painter, Paul Cézanne, who almost literally ‘built’ his paintings brushstroke by brushstroke.

The author, Rilke, was a great poet and the book consists of a series of letters he wrote home to his wife after almost daily visits to the great memorial exhibition of Cézanne’s work held in Paris 1907, the year after his death. At first he struggled to understand Cézanne’s work, but by the end he offers one of the most profound meditations on aesthetic values I know.

His discovery of Cézanne was, Rilke declared, the most important influence on his poetry and changed his life. These letters changed mine, and I cannot recommend them too highly. 

Not much in common between Gombrich and Berger, ideologically—so I would presume. Yet Berger’s social history of Western art, woven into the rise of capitalism, advertising, and mass media, is similarly direct in style.

It irritates me; it’s supposed to irritate. Given its radical energy, the book seems surprisingly undated. First published in 1972, it also still seems adventurous in design—the art book as a work of art.

This book is my top recommendation for any art newbie that comes to me asking for book ideas. Where should I start if I want to learn about art history? Start right here! The Annotated Mona Lisa is easy to read, and educational yet entertaining, and it'll help you discover everything from what cave paintings actually mean, to the difference between Expressionism and Abstract Expressionism (hint: it's right there in the name), and even how contemporary artists make work out of miscellaneous objects. Great for preteens on up.

This one is a little bit headier. Gombrich is one of the big names in art history (take any graduate level course in art history methodology, and he’s one of the first names mentioned). But there’s a reason that’s he’s one of the biggies: his information is thorough. For the bookish newbie, this one is a real win.