100 Books Like The Short Story of Art

This book is my top recommendation for any art newbie that comes to me asking for book ideas. Where should I start if I want to learn about art history? Start right here! The Annotated Mona Lisa is easy to read, and educational yet entertaining, and it'll help you discover everything from what cave paintings actually mean, to the difference between Expressionism and Abstract Expressionism (hint: it's right there in the name), and even how contemporary artists make work out of miscellaneous objects. Great for preteens on up.

This one is a little bit headier. Gombrich is one of the big names in art history (take any graduate level course in art history methodology, and he’s one of the first names mentioned). But there’s a reason that’s he’s one of the biggies: his information is thorough. For the bookish newbie, this one is a real win.

For an art or art history newbie, all those “isms” can be really overwhelming: what is Cubism? What is Impressionism? What does Post-Impressionism mean, other than it came along after Impressionism? This is a readable book that will help casual viewers understand art without getting bogged down in the academic details. It’s art history and art appreciation mixed together, without pain or boredom!

It is a great question, right? For your curious child (or anyone that especially likes a giggle), this is the perfect “art history, explained” reader. I’m a big fan of this one. The book is structured around twenty-two questions, and some are straightforward, like the title question, while others ("Why is everything so flat in Egyptian art?" or "Are stick men art?") might make grown-ups think differently, too. Whether you're a longtime art lover or just setting foot into a museum for the first time, I guarantee that this book will teach you something new.

This was the first book compiled by Cathy and Arnie Fenner on the art of grandmaster fantasy artist Frank Frazetta. My first thought was to choose the Ballantine collection of his work because of its nostalgic quality (I was fifteen when I bought it), but this much later Underwood collection went way beyond a simple collection of art due to the care and love put into the production by the Fenner’s, who knew frank personally and admired his art. It's a big art book and the images fill the pages. If I have one gripe about art books in general it’s that the images are nearly always too small, not so here, this is a beautiful showcase that I have treasured and re-read hundreds of times.

This book answers the excruciating question: Where are the antinomic antipodes of Los Angeles located? The British master of Pop Art, a long-time inhabitant of LA from 1964 to 2019, filled this sketchbook in his native England. There are no words in this book except for an apocryphal introduction and Hockney’s hand brushed “Yorkshire April 04”. If Henry Moore masters the ballpoint pen, David Hockney excels in watercolor. But the brush is not primarily used to fill in surfaces but to draw. The colorful water flows in fast gestures easy and attentive. “I could do this,” one thinks. Only if I had my own Yorkshire and my faraway LA. The book is also a prequel to Hockney’s most recent work, fully bucolic, produced in Normandy, France where, according to him, people know how to live. Hockney pretends to do everything unassumingly. Of course we know that this is not… show more.

No book has influenced my study of intellectual history more than Hauser’s work. His Social History is an enormous undertaking and is divided into four volumes. It covers the period from cave art to early movies.

Dip into it to read about Shakespeare, Rembrandt, or Tolstoy. What I find so impressive is the nuanced and convincing way Hauser relates changes in society to artistic creation. 

As a career coach and artist advocate, I was curious about what the author had to say about the inner workings of the art world. Quite happily, I read an insightful and humorous probe from a writer who sincerely wanted to understand art and its importance.

Bosker is not afraid of naming names when discussing critics, gallery owners, curators, collectors, and artists. She goes undercover, so to speak, and writes about her experiences as a gallery assistant, an artist’s assistant, a museum security guard, and a sales assistant at Art Basel Miami. And to add to her experiences, she tackles the use of the foreign language of “art speak.”   

This short book is not about architecture, but about the supremely ‘architectural’ painter, Paul Cézanne, who almost literally ‘built’ his paintings brushstroke by brushstroke.

The author, Rilke, was a great poet and the book consists of a series of letters he wrote home to his wife after almost daily visits to the great memorial exhibition of Cézanne’s work held in Paris 1907, the year after his death. At first he struggled to understand Cézanne’s work, but by the end he offers one of the most profound meditations on aesthetic values I know.

His discovery of Cézanne was, Rilke declared, the most important influence on his poetry and changed his life. These letters changed mine, and I cannot recommend them too highly. 

This book is a great choice for anyone looking to dive deeper into the creative process and find inspiration for their own artistic journey. The book, written by the well-known art critic and historian Jerry Saltz, offers practical advice and thought-provoking insights into the nature of art and the role of the artist in society. One of the key themes in the book is the idea that every piece of art you create has the potential to make an impact, no matter how big or small, and that it is your responsibility as an artist to keep creating, even if your work may not always be perfect. Overall, this book is a must-read for anyone looking to deepen their understanding of the creative process and find the motivation to keep pursuing their passions.