Here are 100 books that David Hockney fans have personally recommended if you like
David Hockney.
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I've taught Drawing in universities since 1985. Currently, I work at IADE-Universidade Europeia in Lisbon, Portugal. Long before that, at the age of five, I drew a volcano. A mountain exploding on the top as a delirious shiny crown and lava running from its flanks making a pattern of vibrant reddish-yellow. Proudly, I showed it to my mother. She exclaimed: What a beautiful pineapple! I only retained the word ‘beautiful’ and never stopped drawing. Trained as an architect, I discovered the virtue of drawing what we see, while experiencing the act of being there. I also became a compulsive reader, perhaps to experience the act of being elsewhere.
John Berger taught us to see art in a new way. His acclaimed BBC series changed the way art was shown on TV. Contemplating art included looking around and finding remarkable images being used in plain situations. In his book, Here is where we meet he placed a heart-touching short story in Lisboa, my adored city. I realised that we had often crossed the same roads and parks,enjoyed the same views. I was conquered. In Bento’s Sketchbook, Berger searches for the mind of Baruch (Bento) Spinoza, one of the most enigmatic philosophers of the 17th century. It is nice to follow this book by reading Antonio Damásio’s Looking for Spinoza, Joy, Sorrow, and the Feeling Brain. Berger also mentions Damásio, describing what goes on in his mind and body when drawing. The Dutch Philosopher, a member of the Portuguese Jewish community in Amsterdam,had a rich work…
The seventeenth-century philosopher Baruch Spinoza-also known as Benedict or Bento de Spinoza-spent the most intense years of his short life writing. He also carried with him a sketchbook. After his sudden death, his friends rescued letters, manuscripts, notes-but no drawings.
For years, without knowing what its pages might hold, John Berger has imagined finding Bento's sketchbook, wanting to see the drawings alongside his surviving words. When one day a friend gave him a beautiful virgin sketchbook, Berger said, "This is Bento's!" and he began to draw, taking his inspiration from the philosopher's vision.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I've taught Drawing in universities since 1985. Currently, I work at IADE-Universidade Europeia in Lisbon, Portugal. Long before that, at the age of five, I drew a volcano. A mountain exploding on the top as a delirious shiny crown and lava running from its flanks making a pattern of vibrant reddish-yellow. Proudly, I showed it to my mother. She exclaimed: What a beautiful pineapple! I only retained the word ‘beautiful’ and never stopped drawing. Trained as an architect, I discovered the virtue of drawing what we see, while experiencing the act of being there. I also became a compulsive reader, perhaps to experience the act of being elsewhere.
Where else can we find 159 sheep and 49 lambs sketched by a celebrated modern sculptor?This flock is a treatise of graphic easiness and uncompromising observation exercises. A must-see for anyone armed with a ballpoint pen and a rural disposition. There are also texts by Moore himself and Kenneth Clark, the art historian dethroned by Berger as the great British Broadcasting cultural oracle. Although Clark suggests that Moore’s drawings show some love for the sheep, the latter’s text is a love letter to drawing, simply.
In February 1972 Henry Moore's sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition in Florence. He retreated to a small studio overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as four-legged balls of wool, but his vision changed as he explored what they were really like - the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations,…
There are things expressed only in writing, never spoken aloud in our culture. We can find them in books, in the honesty and insights of those willing to take the time and make the effort to say what they feel and think. Another reason to read is for the sheer joy of a story well told, one that can open both the mind and the heart. I have published 7 novels and a collection of short stories, have just retired from teaching creative writing at the university level. My life has been spent among books. Simply, I am in awe of the ones recommended here.
This novel is the story of William Stoner, raised on a US midwestern farm, who becomes an English professor at the University of Missouri. It follows his life throughout, in simple prose, becoming both moving and profound. It was introduced to me by a knowledgeable NY city book dealer back in the 90s. I pick it up every few years for another reading experience. It’s become a bit of an obscure classic.
'It's the most marvellous discovery for everyone who loves literature' Ian McEwan, BBC Radio 4
Colum McCann once called Stoner one of the great forgotten novels of the past century, but it seems it is forgotten no longer - in 2013 translations of Stoner began appearing on bestseller lists across Europe. Forty-eight years after its first, quiet publication in the US, Stoner is finally finding the wide and devoted readership it deserves. Have you read it yet?
William Stoner enters the University of Missouri at nineteen to study agriculture. A seminar on English literature…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I've taught Drawing in universities since 1985. Currently, I work at IADE-Universidade Europeia in Lisbon, Portugal. Long before that, at the age of five, I drew a volcano. A mountain exploding on the top as a delirious shiny crown and lava running from its flanks making a pattern of vibrant reddish-yellow. Proudly, I showed it to my mother. She exclaimed: What a beautiful pineapple! I only retained the word ‘beautiful’ and never stopped drawing. Trained as an architect, I discovered the virtue of drawing what we see, while experiencing the act of being there. I also became a compulsive reader, perhaps to experience the act of being elsewhere.
This is probably the book, in the entire history of publishing, in which the author repeatedly apologizes for having it published. Of course, this is entirely false modesty. Ware is one of the more acclaimed and creative graphic tellers of our time. This is a facsimile of his sketchbooks from 1986 to 1995. A second one would follow but this is the first and, consequently, closer to the source of his creative origins. But my main reason for suggesting this book in this context is the way he draws by observing what is around him as a sort of breathing exercise that keeps him alive and going.
Outtakes Of An American Genius Acclaimed cartoonist Chris Ware reveals the outtakes of his genius in these intimate, imaginative, and whimsical sketches collected from the years during which he completed his award-winning graphic novel Jimmy Corrigan: The Smartest Kid On Earth (Pantheon). This book is as much a companion volume to Jimmy Corrigan - one of the great crossover success stories - as a tremendous art collection from of one of America's most interesting and popular graphic artists. Ware has a passion for drawing that is surprisingly wideranging in style and subject. This book surprises the reader on every page…
I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
I adore David Hockney. He draws so beautifully, and in so many different ways, and is always inventive in his art-making. He makes me see more through his art and was a major inspiration for me when I was starting out as an editorial illustrator years ago. This book is a 2020 pandemic conversation between Hockney, now living in Normandy, and his good friend, the art critic Martin Gayford in the UK. It really speaks to the devotion that artists have to observing life and creating something beautiful from it. I love the joy Hockney brings to his work and see that as a powerful energy to create from.
'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.'
DAVID HOCKNEY
Praise for Spring Cannot be Cancelled:
'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking'…
As a fantasy and science fiction artist, or imaginative realist, I have always gravitated toward works of imagination and own many books on artists in this field, and love them all. Having met many of my artistic heroes this was a tough call so I picked the five that books that resonated with me during my early life and exploration of this most fantastic form of expression. I hope they fill you with the same wonder as they did with me.
This was the first book compiled by Cathy and Arnie Fenner on the art of grandmaster fantasy artist Frank Frazetta. My first thought was to choose the Ballantine collection of his work because of its nostalgic quality (I was fifteen when I bought it), but this much later Underwood collection went way beyond a simple collection of art due to the care and love put into the production by the Fenner’s, who knew frank personally and admired his art. It's a big art book and the images fill the pages. If I have one gripe about art books in general it’s that the images are nearly always too small, not so here, this is a beautiful showcase that I have treasured and re-read hundreds of times.
This volume follows the work of fantasy artist, Frank Frazetta. Born in Brooklyn in 1928, he absorbed the colourful pulp adventures of Tarzan and Flash Gordon, and in the 50s he excited the next generation of fantasy lovers with his illustrations of Vampirella and Conan the Barbarian.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
I love this book! Like the idea of The Annotated Mona Lisa but don’t want quite so much detail? This one is great— let’s take 50 works of art throughout art history and tell you exactly why they are important. Easy peasy, and filled with humor and joy, too.
The Short Story of Art is a new and innovative introduction to the subject of art. Simply constructed, the book explores 50 key works, from the wall paintings of Lascaux to contemporary installations, and then links these to sections on art movements, themes and techniques.
The design of the book allows the student or art enthusiast to easily navigate their way around key periods, artists and styles. Accessible and concise, it simplifies and explains the most important and influential concepts in art, and shows how they are connected.
The book explains how, why and when art changed, who introduced certain…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I don’t know why there aren’t more books like this – England on Fire comprises twelve visual essays that span 2,000 years of English art, from a Celtic sculpture of a head from c.100–300AD (that looks like a Modigliani) to new work by Cathy de Monchaux, Claire Partington and George Shaw.
Themes are broad, such as ‘Myth, Magic and Ritual’ and 'Rebellious Nature’ and chapters include folk rituals, landscape vistas, photographic tableaux, stained glass, and prints.
It picks a romantic path through time, with multiple works by William Blake, Samuel Palmer, and Frederick H. Evans, and it is a great way to view different interpretations of the English landscape.
Forget the tired rogues' gallery of lords and ladies, forget the tall ships and haywains. These images cut to the heart of England's psychic landscapes to portray an Albion unhinged, where magic and rebellion and destruction are the horses to which the country is hitched. On these fabled shores we are all castaways, whether our family has lived here for four thousand years or for four.
Here you will find depictions of ancient trackways, chalk carvings and standing stones, of animal-masked community rituals, of streets set ablaze in protest, of…
I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.
A wise man once said to me, “if you can say it, you can see it." This magical book of art, poetry, and nature is a response to the removal of nature words such as “acorn,” “wren,” and “dandelion,” from a children’s dictionary. His gorgeous writing encourages us to wonder at the forgotten and to behold the ordinary by uttering nature words as a conjuring thing. During a time of environmental loss, grief, and forgetting, McFarlane lets us fall in love again with the greater-than-human world through language and therefore, to renew our capacity to marvel at the living landscape and our own inner landscape.
Beautiful books make unforgettable gifts. This pocket-sized treasure is the perfect gift for fans of nature, language and rich artwork, adult and child alike!
Kindred in spirit to The Lost Words but fresh in its form, The Lost Spells introduces a beautiful new set of natural spell-poems and artwork by beloved creative duo Robert Macfarlane and Jackie Morris.
Each "spell" conjures an animal, bird, tree or flower -- from Barn Owl to Red Fox, Grey Seal to Silver Birch, Jay to Jackdaw -- with which we share our lives and landscapes. Moving, joyful and funny, The Lost Spells above all…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a graphic designer, writer, and brand consultant. I work with clients of all sizes, from multinationals to companies of one. Since opening my business in 2005 I’ve created logos and visual identities for brands in more than 30 countries. I run two design blogs Logo Design Love and Identity Designed. They resulted in publishing deals to write their accompanying books, and their pages now get millions of views each year.
If any book can explain why there’s always more than one way to solve a visual problem, this is it. The book shares a compendium of 13 experimental projects, each designed to teach conceptual thinking and problem solving to art and design students.
The Process is a compendium of 17 experimental art and design projects geared toward teaching college art students what is needed to become an artist.
The projects, created by Judith Wilde and Richard Wilde, focus on developing formal excellence and a strong sense of aesthetics, along with the ability to generate new ideas.
