Here are 100 books that You Are an Artist fans have personally recommended if you like
You Are an Artist.
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My journey into art began as a serendipitous discovery that unfolded through curiosity. As a “can’t-be-tamed” creative, I understand the tug-of-war artists feel – craving to learn skills and create “quality” pieces, while also thumbing the snooze-fest of sticking to one thing. Been there, done that, got the paint-splattered t-shirt. This has ignited a passion for encouraging others to find their own creative voice, as I've navigated the same path while building a multifaceted career in watercolor, gouache, line drawing, urban sketching, brush lettering, and calligraphy…need I go on? The thing is, I will because there is still so much to be explored.
I can't recommend this book highly enough, and here's why: it completely shattered my misconceptions about originality in the creative process. Kleon's candid and approachable narrative made me realize that all art is, in some form, a reinterpretation or recombination of what already exists.
This book came into my life at a pivotal moment, just when I was grappling with the dreaded "impostor syndrome" and the paralyzing belief that everything I created needed to be unprecedented. Kleon's perspective is liberating. He argues that embracing influences and integrating them into your work is not only acceptable but essential for creativity.
When asked to talk to students at Broome Community College in upstate New York in the spring of 2011, Austin Kleon wrote a simple list often things he wished he'd heard when he was their age: 'Steal like an artist; Don't wait until you know who you are to start making things; Write the book you want to read; Use your hands; Side projects are important; Do good work and put it where people can see it; Geography is no longer our master; Be nice (the world is a small town.); Be boring (it's the only way to get work…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
A part of me is reluctant to recommend books on art. The same part of me is reluctant to write books on art. After all, a work of art should speak for itself. Then I remembered that for most contemporary art shows, a catalog is produced, and that catalog typically features an explanatory essay by some sympathetic scholar or critic. If the art of today requires verbal elaboration, how much more will the art of the past—especially the remote past—require such commentary? These recommendations are a selection of some favorite texts about how art comes into being—and is part of our being.
Not much in common between Gombrich and Berger, ideologically—so I would presume. Yet Berger’s social history of Western art, woven into the rise of capitalism, advertising, and mass media, is similarly direct in style.
It irritates me; it’s supposed to irritate. Given its radical energy, the book seems surprisingly undated. First published in 1972, it also still seems adventurous in design—the art book as a work of art.
"Seeing comes before words. The child looks and recognizes before it can speak.""But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."John Berger's "Ways of Seeing" is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about…
When I was in middle school, I’d spend much of my time in class daydreaming. Imagining myself in, say, a debate with someone I disagree with and going through a litany of scenarios where I’d try to convince that other person to change their mind. It’s a lot of fun. (My teachers would likely disagree.) When I grew older, I did more of that on my daily walks, and then about 11 years ago, I decided to start writing about creative ways to teach someone something they’re vehemently opposed to or just ambivalent about. I’ve published four books since then on this topic.
I bought this book when I first got into the field of data visualization. I wasn’t planning on learning how to create comics; I just wanted to see how someone from a different discipline—a comic artist—thought about position, color, meaning, and communicating a whole lot of things in a compact format.
The bestselling international classic on storytelling and visual communication "You must read this book." - Neil Gaiman Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
For me, art is a journey of relentless questioning, exploring, and introspection. As an artist, author, and educator, I have relied on each book in this collection to further my creative journey. The titles that I've selected offer unique perspectives on the transformative power of art and have had the biggest effect on my students, my peers, and my own artistic growth. I believe that art is a language that is and should be for everyone, providing a conduit for individual expression, problem-solving, and innovation. Each of these titles has offered pivotal "aha" moments while igniting my passion, and I hope they allow you to unlock your creative potential.
One of the questions most asked by my students is, “How do you find your voice, your style, your essence.”
This title by Lisa Congdon is one that I always recommend, as it addresses the quintessential challenge every artist faces: finding and honing their unique voice. Masterfully combining personal anecdotes with practical advice, Congdon makes the journey of artistic self-discovery less daunting and more exhilarating.
Her wisdom and experience act as a gentle guide, encouraging readers to explore and embrace their unique style. Reading this book is like having a heart-to-heart with a wise friend who knows the struggles and triumphs of being an artist.
Congdon’s approach is not about quick fixes; it’s about a deep, sustained exploration of what makes your art uniquely yours. More than instructional, it's a transformative read, imbued with the kind of sincere, heartfelt guidance that can only come from someone who's walked the path…
An artist's unique voice is their calling card. It's what makes each of their works vital and particular. But developing such singular artistry requires effort and persistence. Bestselling author, artist, and illustrator Lisa Congdon brings her expertise to this guide to the process of artistic self-discovery. Featuring advice from Congdon herself and interviews with a roster of established artists, illustrators, and creatives, this one-of-a-kind book will show readers how to identify and nurture their own visual identity, navigate the influence of artists they admire, push through fear and insecurity, and appreciate the value of their personal journey.
I have always been fascinated by beauty and art. As a child growing up in India, I sketched frequently. Later, I became obsessed with photography. In 1999, I moved from my first academic job to join the newly forming Center of Cognitive Neuroscience at the University of Pennsylvania.The move was an opportunity to rethink my research program. In addition to studying spatial cognition, attention, and language, I decided to investigate the biological basis of aesthetic experiences. At the time there was virtually no scholarship in the neuroscience of aesthetics. It has been an exciting journey to watch this field grow. And, it has been exhilarating to start the Penn Center for Neuroaesthetics, the first research center of its kind in the US.
If you read one book on the psychology of art, make it this one. Winner gives us a book that celebrates the importance of art even as she remains grounded in experimental data and avoids hyperbole. She asks deceptively simple questions. What is art? Why do we make art? Does art make us better people? The clarity of her logic and the elegance of her prose as she answers these and other incisive questions make this book a delight to read.
There is no end of talk and of wondering about 'art' and 'the arts.' This book examines a number of questions about the arts (broadly defined to include all of the arts). Some of these questions come from philosophy. Examples include:
* What makes something art? * Can anything be art? * Do we experience "real" emotions from the arts? * Why do we seek out and even cherish sorrow and fear from art when we go out of our way to avoid these very emotions in real life? * How do we decide what is good art? Do aesthetic…
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
No book has influenced my study of intellectual history more than Hauser’s work. His Social History is an enormous undertaking and is divided into four volumes. It covers the period from cave art to early movies.
Dip into it to read about Shakespeare, Rembrandt, or Tolstoy. What I find so impressive is the nuanced and convincing way Hauser relates changes in society to artistic creation.
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.
This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
This short book is not about architecture, but about the supremely ‘architectural’ painter, Paul Cézanne, who almost literally ‘built’ his paintings brushstroke by brushstroke.
The author, Rilke, was a great poet and the book consists of a series of letters he wrote home to his wife after almost daily visits to the great memorial exhibition of Cézanne’s work held in Paris 1907, the year after his death. At first he struggled to understand Cézanne’s work, but by the end he offers one of the most profound meditations on aesthetic values I know.
His discovery of Cézanne was, Rilke declared, the most important influence on his poetry and changed his life. These letters changed mine, and I cannot recommend them too highly.
Rilke's prayerful responses to the french master's beseeching art
For a long time nothing, and then suddenly one has the right eyes.
Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life.
Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne's impact on him could not be…
With over 20 years of experience as a professional artist and a successful track record of earning six figures a year from my art, I know firsthand what it takes to build a thriving artistic career. As the host of the Inspiration Place podcast, and founder of the Artist Incubator program, I’ve dedicated my life’s work to helping artists everywhere achieve their full potential and reach their goals. When you overcome the common challenges and mindset blocks that hold so many artists back and learn the practical tools and strategies you need for selling your art, you too find the same success.
This book is a great choice for anyone looking to dive deeper into the creative process and find inspiration for their own artistic journey. The book, written by the well-known art critic and historian Jerry Saltz, offers practical advice and thought-provoking insights into the nature of art and the role of the artist in society. One of the key themes in the book is the idea that every piece of art you create has the potential to make an impact, no matter how big or small, and that it is your responsibility as an artist to keep creating, even if your work may not always be perfect. Overall, this book is a must-read for anyone looking to deepen their understanding of the creative process and find the motivation to keep pursuing their passions.
From the Pulitzer Prize winner and bestselling author of How to Be an Artist: a deliciously readable survey of the art world in turbulent times
Jerry Saltz is one of our most-watched writers about art and artists, and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice: witty and provocative, he has attracted contemporary readers to fine art as few critics have. An early champion of forgotten and overlooked women artists, he has also celebrated the pioneering work of African American, LGBTQ+, and other long-marginalized creators.…
As a fantasy and science fiction artist, or imaginative realist, I have always gravitated toward works of imagination and own many books on artists in this field, and love them all. Having met many of my artistic heroes this was a tough call so I picked the five that books that resonated with me during my early life and exploration of this most fantastic form of expression. I hope they fill you with the same wonder as they did with me.
This was the first book compiled by Cathy and Arnie Fenner on the art of grandmaster fantasy artist Frank Frazetta. My first thought was to choose the Ballantine collection of his work because of its nostalgic quality (I was fifteen when I bought it), but this much later Underwood collection went way beyond a simple collection of art due to the care and love put into the production by the Fenner’s, who knew frank personally and admired his art. It's a big art book and the images fill the pages. If I have one gripe about art books in general it’s that the images are nearly always too small, not so here, this is a beautiful showcase that I have treasured and re-read hundreds of times.
This volume follows the work of fantasy artist, Frank Frazetta. Born in Brooklyn in 1928, he absorbed the colourful pulp adventures of Tarzan and Flash Gordon, and in the 50s he excited the next generation of fantasy lovers with his illustrations of Vampirella and Conan the Barbarian.
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
This one is a little bit headier. Gombrich is one of the big names in art history (take any graduate level course in art history methodology, and he’s one of the first names mentioned). But there’s a reason that’s he’s one of the biggies: his information is thorough. For the bookish newbie, this one is a real win.
The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.
For the first time in many years the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been…