Here are 46 books that I Am Sovereign fans have personally recommended if you like
I Am Sovereign.
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I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
This National Book Award-winning novel is the story of an unnamed writer negotiating life in a Black skin that pre-empts most people from seeing him as an individual human being. And it has one of the funniest (pee-in-your-pants) first chapters I’ve ever read.
I not only laughed, but I so identified with the writer (and I think most readers will, no matter what your race—that is the genius of this writing), that I lived every moment of this crazy quest to be seen in a world that absolutely refuses to drop its projections.
But ultimately, the person who needs to see this man as a human being, accepting all of his history, hurt, and uniqueness, is the unnamed writer himself. This is a combination of crazy humor and pain.
Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, and the 2021 Aspen Words Literary Prize shortlist
A Read With Jenna Today Show Book Club Pick!
An Ebony Magazine Publishing Book Club Pick!
One of Washington Post's 50 Notable Works of Fiction | One of Philadelphia Inquirer's Best Books of 2021 | One of Shelf Awareness's Top Ten Fiction Titles of the Year | One of TIME Magazine’s 100 Must-Read Books | One of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
Not only did I laugh all the way through this rollicking novel, but I felt as if author Steve Toltz is a brother writer from a cousin muse to my own.
Angus Mooney, the protagonist, is a thief, a romantic, and a philosopher who is dedicated to the easier path of not learning or understanding anything. And, not a spoiler, he dies.
If you console yourself that a better life awaits you in heaven, or if you're resigned to life being painful, but after all, it's only temporary, and once it's over, it'll be over, think again.
In this shockingly inventive, wildly funny epic about one man's life, death, and beyond, you may have some epiphanies about existence in general and how you want to spend or squander your time.
A wildly inventive, savagely funny and topical novel about love, mortality and the afterlife, by the Booker-shortlisted author of A Fraction of the Whole.
Angus is a reformed ne'er-do-well looking forward to the birth of his first child when he's murdered by a man who is in love with his pregnant wife Gracie. Having never believed in God, heaven or hell, Angus finds himself in the afterlife - a place that provides more questions than answers. As a worldwide pandemic finally reaches the shores of Australia, the afterlife starts to get…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
How I love to laugh at the same time that I’m feeling all the raw pain of being a human—in this case a human woman who runs away from home. The beginning of this book—about a housewife, cooking ware saleswoman's trip to hell and back, is belly-laugh-inducing, causing one to cough and gasp in joy. But there’s more: Gilman writes real, complicated characters, complete with pain and delusions. And the reason they are so deeply funny is that Gilman is self-aware enough to know and show their flaws better than they know them.
Titular protagonist Donna Koczynski may inhabit a particular era (one when trendiness reigns), but she is rooted in her own psychology, which includes equal parts compassion, open-minded curiosity, lunatic-level denial, and crazed she-wolf rage.
Donna Koczynski is a failed punk rocker, recovering alcoholic, and suburban mother of two teenagers whose relatively peaceful existence suddenly detonates when she comes home early from a sales conference in Vegas to find the surprise of a lifetime. Suddenly realizing that life can be more than the rut of middle-aged motherhood, she sets off on an impulsive quest to reclaim everything she believes she sacrificed since her wild youth: Friendship, great love, and art. But as she flees her family and drives across the U.S. on what she calls an "emotional scavenger hunt"(and others might call a midlife crisis),…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
I’ve read this book twice and probably will read it a few more times before I die. It’s that good.
The story of a young Black man (named Not Sidney Poitier) traversing the U.S.A. is a picaresque, hilarious, heart-breaking tale about trying to find yourself.
Eighteen-year-old Not Sidney is surrounded by people who only see his race or his wealth, or conversely by geniuses who have succeeded despite themselves and, although they see Not Sidney without the cultural labels, are of little help in his quest to find his mission in life.
The first time I read this book, I was spitting coffee laughing. The second time, my heart broke. I am curious what my next read will evoke.
Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation. Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth.
Cultivating connections is Debra Fine’s passion. Her previous life as an engineer and introvert left her longing for connections. Inspired to learn and then teach, Debra’s programs and books are designed to supply the tools and skills for great conversations, networking, and building relationships. Now the author of the bestselling book The Fine Art of Small Talk How to Start a Conversation, Keep It Going, Build Networking Skills- and Leave a Positive Impression Debra delivers keynote programs and training workshop to hundreds of clients both face-to-face and virtually.
This book inspires the reader to connect their mind with movement. The author has filled the days of the year with practice prompts, ideas to help boost self-awareness and push past adversity, and wisdom from artists and scholars as well. Sole to Soul motivated me to connect with nature, my own stillness, and with others. A great daily devotional. And a great gift especially during these tough times.
"From Sole to Soul: A Daily Prescription For Moving Forward In Your Life" is a daily invitation to step forward in life. Dr. Audrey Boxwell has filled the days of the year with practice prompts, ideas to help boost self-awareness and push past adversity, and wisdom from artists and scholars who have motivated her and hundreds of clients over the years. There is no better prescription for joy and well-being than daily movement. Sole to Soul gets readers up on their feet, ready to seize the days one step at a time.
Children feel all their emotions, but I learned to suppress many emotions to avoidcriticism. The youngest, I learned to not trust my intuition. I was taught that the mind wasthe path to success. In my chosen medical profession, physicians use intellect to healbodies. The interconnection of thoughts, emotions, energy as well as interconnectionsbetween people and the environment are ignored.This separation from all of me was sapping me of the joy of living a full life.During my self healing integration journey: I uncovered limiting beliefs, reconnected withmy heart, and dove deep into the source of my pleasure. Bringing this awareness to lightshould be healing.
This book encourages young children to believe in their thoughts, their ideas, their inner knowing.
This book encourages creativity, self-compassion, motivation, and action. It encourages young children to persevere and not give up hope, even if others cannot appreciate their ideas and their goals. It reminds children that a “NO” is not a failure, but just an opportunity to pivot or change tactics.
A New York Times Best Seller and award-winning book, What Do You Do With an Idea? is for anyone who's ever had a big idea. This is the story of one brilliant idea and the child who helps to bring it into the world. As the child's confidence grows, so does the idea itself. And then, one day, something amazing happens. This is a story for anyone, at any age, who's ever had an idea that seemed a little too big, too odd, too difficult. It's a story to inspire you to welcome that idea, to give it some space…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
The central theme connecting the books on my list is the idea that our personal growth comes from creativity, straight talk, and honest reflection. All of these books are first-person accounts, which gives them credibility and authority, and they are quite inspiring. They encourage bravery, curiosity, resilience, and healing.
I wrote Morning Leaves as a way of processing the loss of my younger sister. I leaned into creativity and writing as a way of clarifying my thoughts, prioritizing, and ultimately healing from the grief. This collection of books taught me to trust my instincts, nurture my creative impulses, and find a path to joy.
This book by Melody Beattie sits by my bed and is usually the last thing I read at night.
I love that it is structured as daily entries, and her topics help me think about subjects I might otherwise not have considered. The way she writes is both very personal and quite spiritual.
I feel that I have learned how to better express myself by listening to her voice. She is clear and open and powerful. I find her work to be grounding and centering, especially in times of stress and uncertainty. It's the perfect way to transition from busy days into more peaceful nights.
In the spirit of her bestselling "The Language of Letting Go", America's most beloved inspirational writer guides us on a sacred journey as we learn to expand our creativity, embrace our powers, and open our hearts. Writing with the same warmth, honesty, and compassion that has attracted such a loyal following, Melody Beattie now charts a new path toward spiritual growth and renewal. In 365 insightful and delightfully warm daily reflections, "Journey to the Heart" will comfort and inspire us all as we begin to discover our true purpose in the world and learn to connect even more deeply with…
I always felt like books were mysterious and elusive works of art. When creating them occurred to me, I started to think, “What is a book, really, and what does it mean to publish one?” This over-analysis of books makes me appreciate authors who are able to step back and see books for what they really are–pages and ink. Distilling it down to that makes writing and publishing a book feel more accessible to me.
This book made such a clever use of the “gutter” in the middle of the book.
I have an irrational fear of picture book gutters and margins after formatting my first self-published book and making sure all the important stuff (including the text) stays in the frame.
This book gave me the feeling of ownership over the gutter that I never knew I needed.
In this wonderfully inventive book, Bella is taking her dog for a stroll across the page but halfway across, he disappears! Unable to quite believe what's just happened Bella watches, transfixed, with changing emotions of surprise, indignation, moments of renewed hope (as the authorities arrive to take control) followed by shock (as they too succumb to the book's inexplicable behaviour) and finally action when Bella marches toward the dangerous middle of the book . . . only to disappear herself! At this point, the book has consumed its characters and it's down to the reader to step in to help.…
I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
As the song goes: “It ain’t whacha say, it’s the way how’s ya say it.” And that’s what I love about all five of these books. It isn’t exactly the place, or the time, or a particular character; it’s the style.
Joyce’s early stories, though, do cast magic over a certain time and place and make them come alive as if they were written yesterday.
The Dead, probably the best known of them, and made into a touching movie (John Houston’s last), is a great example of the feeling Joyce could evoke in us, the readers, with the carefully chosen words of a poet.
A definitive edition of perhaps the greatest short story collection in the English language
James Joyce's Dubliners is a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as "Araby," "Grace," and "The Dead," delve into the heart of the city of Joyce's birth, capturing the cadences of Dubliners' speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate and collated from…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve always been deeply moved by how people of substantiative faith translate it into literature. After all, an important difference exists between Christian fiction and fiction by Christian authors. The author, who understands that this life is not everything, is able to infuse so much more depth, emotion, and truth into the narrative than his counterpart. Shortly after watching the movie The Song of Bernadettein Oxford, J.R.R. Tolkien wrote to his son in the RAF to say, “My mind and heart are still filled with Bernadette Soubirous, and long may they be so. Every quality of a ‘fairy story,’ plus truth and sanctity, is an overwhelming mixture.”
I absolutely love Flannery O’Connor’s short stories; they are like shining gems of literary perfection. She sees through all the meaningless masks and artifices that people put up to mislead and distract, and she describes the motivations at the heart of the conflict.
No two of her characters are the same, and she brings a clarity of thought and vision like few other authors can. Often, the characters within her short stories make jaw-dropping pronouncements about either themselves or issues of faith or morality. For example, in A Good Man is Hard to Find, the sudden turn of events can be shocking, but there is always a great value to every word she painstakingly wrote in her short life.
The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction.
There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.
O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death―is a…
