Here are 88 books that I Am Not Sidney Poitier fans have personally recommended if you like
I Am Not Sidney Poitier.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
This National Book Award-winning novel is the story of an unnamed writer negotiating life in a Black skin that pre-empts most people from seeing him as an individual human being. And it has one of the funniest (pee-in-your-pants) first chapters I’ve ever read.
I not only laughed, but I so identified with the writer (and I think most readers will, no matter what your race—that is the genius of this writing), that I lived every moment of this crazy quest to be seen in a world that absolutely refuses to drop its projections.
But ultimately, the person who needs to see this man as a human being, accepting all of his history, hurt, and uniqueness, is the unnamed writer himself. This is a combination of crazy humor and pain.
Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, and the 2021 Aspen Words Literary Prize shortlist
A Read With Jenna Today Show Book Club Pick!
An Ebony Magazine Publishing Book Club Pick!
One of Washington Post's 50 Notable Works of Fiction | One of Philadelphia Inquirer's Best Books of 2021 | One of Shelf Awareness's Top Ten Fiction Titles of the Year | One of TIME Magazine’s 100 Must-Read Books | One of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
Not only did I laugh all the way through this rollicking novel, but I felt as if author Steve Toltz is a brother writer from a cousin muse to my own.
Angus Mooney, the protagonist, is a thief, a romantic, and a philosopher who is dedicated to the easier path of not learning or understanding anything. And, not a spoiler, he dies.
If you console yourself that a better life awaits you in heaven, or if you're resigned to life being painful, but after all, it's only temporary, and once it's over, it'll be over, think again.
In this shockingly inventive, wildly funny epic about one man's life, death, and beyond, you may have some epiphanies about existence in general and how you want to spend or squander your time.
A wildly inventive, savagely funny and topical novel about love, mortality and the afterlife, by the Booker-shortlisted author of A Fraction of the Whole.
Angus is a reformed ne'er-do-well looking forward to the birth of his first child when he's murdered by a man who is in love with his pregnant wife Gracie. Having never believed in God, heaven or hell, Angus finds himself in the afterlife - a place that provides more questions than answers. As a worldwide pandemic finally reaches the shores of Australia, the afterlife starts to get…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
How I love to laugh at the same time that I’m feeling all the raw pain of being a human—in this case a human woman who runs away from home. The beginning of this book—about a housewife, cooking ware saleswoman's trip to hell and back, is belly-laugh-inducing, causing one to cough and gasp in joy. But there’s more: Gilman writes real, complicated characters, complete with pain and delusions. And the reason they are so deeply funny is that Gilman is self-aware enough to know and show their flaws better than they know them.
Titular protagonist Donna Koczynski may inhabit a particular era (one when trendiness reigns), but she is rooted in her own psychology, which includes equal parts compassion, open-minded curiosity, lunatic-level denial, and crazed she-wolf rage.
Donna Koczynski is a failed punk rocker, recovering alcoholic, and suburban mother of two teenagers whose relatively peaceful existence suddenly detonates when she comes home early from a sales conference in Vegas to find the surprise of a lifetime. Suddenly realizing that life can be more than the rut of middle-aged motherhood, she sets off on an impulsive quest to reclaim everything she believes she sacrificed since her wild youth: Friendship, great love, and art. But as she flees her family and drives across the U.S. on what she calls an "emotional scavenger hunt"(and others might call a midlife crisis),…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
Hint: You have to read a hard copy of this book because the comedy is designed into the fonts and layout, which could never be translated into an ebook.
This is a free-for-all bumper car ride between people and their ids, filled with abrupt and perfect transitions that are so logical in their illogic that they are funny.
But not only is it unique and funny, but it is founded on a profound understanding of silence—its essential healing and our inability to find it.
This book is so inventive I’m kind of amazed (1) that it got published and (2) that author Nicola Barker and this book appear to be wildly popular in the U.K.
__________________________________________ 'One of the funniest, most finely achieved comic novels, even by her own standard ... I think it's a masterpiece.' ALI SMITH
'I think Nicola Barker is incapable of a dull page. [Her work] is unified by its spirit of adventure.' KEVIN BARRY
Charles, a forty-year-old boutique teddy bear maker and wearer of ironic t-shirts, is trying - and failing - to sell his small, characterless house in Llandudno. His estate agent Avigail, whose name is definitely not Abigail, is trying - in vain - to rein in Charles's most unhelpful eccentricities, especially his repeated recounting to prospective buyers…
I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I loved this beautifully written book for its depiction of how the death penalty worked in the Jim Crow South. I loved the compassion shown by the characters, both black and white, and the attempt by Gaines to reveal the complexity of crime and punishment in an era that may not be so different from our own.
As a law clerk in the 1980s in the Deep South, I witnessed the legacy of the system that Gaines describes.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
I’m often asked if my Worst-Case Scenario books are serious or humorous. And my answer is always the same: “Yes!” While inspired by pop culture and the survival situations we see again and again in movies and on TV, the information in my books is real. I spend a lot of time seeking out experts to interview—the people who actually have done this stuff—and then distilling their survival wisdom into the form you see in the books. As humans, we want to be prepared for life’s twists and turns. Even if it’s, you know, when the aliens arrive. I’ve been a survival writer and humorist for 25 years and I ain’t stopping now!
I vividly remember reading Native Son in high school, and to this day it remains one of my favorites (as well as one of the best novels of the 20th Century).
So, when I heard a few years ago that Richard Wright’s lost-lost novella was going to be published nearly thirty years after his death, I picked up a copy. Wow. It’s the story of a Black man, accused of a crime he didn’t commit, who evades capture by (yes, as the title says) living underground in the sewers.
The survival aspects, including his ingenuity and the break-ins into buildings and basements he plans to get supplies, are fascinating. But above all this is a story about injustice and what one person is forced to do to survive in an unequal society. A great read!
New York Times Bestseller • One of the Best Books of the Year by Time magazine, the Chicago Tribune, the Boston Globe, and Esquire, and one of Oprah’s 15 Favorite Books of the Year
From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.
This in-depth account of the infamous Tuskegee Syphilis Study is considered a classic in the field of medical ethics. Though Greg Dober and I have recently discovered the true origins of the Public Health Service’s “non-treatment study” and former Surgeon General Thomas Parran’s critical role in the ugly saga, Jones’s book is still the best chronicle available, and lays out a devastating narrative of how a sophisticated but uncaring and racist scientific establishment could annually examine and not treat hundreds of unschooled Alabama sharecroppers suffering from a deadly disease.
From 1932 to 1972, the United States Public Health Service conducted a non-therapeutic experiment involving over 400 black male sharecroppers infected with syphilis. The Tuskegee Study had nothing to do with treatment. It purpose was to trace the spontaneous evolution of the disease in order to learn how syphilis affected black subjects. The men were not told they had syphilis; they were not warned about what the disease might do to them; and, with the exception of a smattering of medication during the first few months, they were not given health care. Instead of the powerful drugs they required, they…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
I have not read a book like Melissa Valentine's The Names of All the Flowers, which is a beautiful, painful, and exquisitely written narrative about her brother Junior, who was gunned down on the streets of Oakland when he was 19. "Say his name, say her name," we chant when yet another one of our brothers or sisters is killed. In this memoir, Valentine gives us not only Junior's name but an intimate look into his head, his heart, his fears, his dreams, his joy.
Set in rapidly gentrifying 1990s Oakland, this memoir—"poignant, painful, and gorgeous" (Alicia Garza)—explores siblinghood, adolescence, and grief in a family shattered by loss.
Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family…
Since I was a tween, I’ve been fascinated by romance. That happily ever after has always taken my breath away. Growing up in Detroit, Michigan, suspense and mystery have always surrounded my life, and intertwining these two elements in my own stories was a norm, but reading them was required and loved. I’m a part of several groups that focus on these genres and I share my readings with them along with my own group on Facebook. I know you will enjoy reading these books as much as I have.
As a long-time fan of this author, I always find myself in his characters and very much engrossed in the story.
This story was filled with deep suspense wrapped around a good romance, and it kept me turning pages until the end. I received this book at a conference from the author and I was so engrossed in this book I finished it by the time I was home from the event.
This masterpiece by celebrated New York Times bestselling author Walter Mosley is the mysterious story of a young Black man who agrees to an unusual bargain to save the home that has belonged to his family for generations.
The man at Charles Blakey's door has a proposition almost too strange for words. The stranger offers him $50,000 in cash to spend the summer in Charles's basement, and Charles cannot even begin to guess why. The beautiful house has been in the Blakey family for generations, but Charles has just lost his job and is behind on his mortgage payments. The…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I am a professional historian and have published both nonfiction and fiction. I present research in my academic books and spin that research into stories in my novels, but sometimes I wonder whether it doesn’t come out to the same thing–I interpret the evidence in light of my own experiences and look at it through the narrow lens of contemporary values. Is that so very different from making it up? That’s why I like to write (and read) novels that inquire into the nature of our conceptions and raise the question of whether there is such a thing as Truth with a capital T.
Percival Everett’s bookspeaks to me because it challenges the trite rule that a black author must write about the (stereotypical) black life–so, by extension, I must write about white women?
It’s a concept that goes against the very definition of a novel and denies a writer’s ability to be creative. Everett’s perfect satire of a writer’s life ridicules this bogus concept of authenticity. It’s a serious topic, but I couldn’t stop laughing.
Percival Everett's Erasure is a blistering satire about race and writing
Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies—his aged mother is fast succumbing to Alzheimer's, and he still grapples with the…
