Here are 100 books that How to Render fans have personally recommended if you like
How to Render.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
What I like about this book is that it gives me a different perspective on a subject that I know well—light—but it comes at it from a different angle: that of a painter using traditional media. Starting from the history and tradition of painting, topics such as color are tackled by merging scientific and artistic elements, drawing from the history of color theory to create a comprehensive whole.
Of course, the text is greatly enhanced by the dozens of wonderful illustrations created by James Gurney, which offer beautiful demonstrations of the subject matter.
A researched study on two of art's most fundamental themes, Colour and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of under appreciated masters who perfected the use of colour and light, the book examines how light reveals form, the properties of colour and pigments, and the wide variety of atmospheric effects. Gurney cuts through the confusing and contradictory dogma about colour, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensable tool for any artist.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
This was a book I wanted for a long time but it was out of print for decades. Finally, back in print in 2012, this has long been considered the bible for illustrators and visual artists of all stripes. Packed to the brim with useful and unique insights, this book covers figurative art comprehensively. From lighting to shadows, mood, and composition, it’s all here and explained in the clearest and most insightful way imaginable.
If ever there was a truly timeless book that explained the core principles of visual art, this is it. For me, it is an academy in itself. A book that will give you a lifetime of enjoyment and reward you with fresh insights every time you pick it up.
"Creative Illustration" is considered Loomis' magnum opus, which is aimed primarily at the professional-level illustrator. It's divided into seven sections: Line, Tone, Color, Telling the Story, Creating Ideas, Fields of Illustration, and Experimenting and Studies. The book is filled with instructions, tips, insider experiences, and incredible illustrations.
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
When I couldn’t truly see light, I couldn’t really understand it. There is a reason why we don’t notice the subtleties of light in our everyday lives, and it’s because our brains filter it out. This book gave me a key that unlocked the art of seeing so that I could see the world as it really is rather than the simplified version that my brain presented me with.
A must for any visual artist, this book gave me the most fundamental insight that I could ever hope for: it taught me to see the world as I’d never seen it before. This was a life-changing gift.
'You will quickly amaze and delight yourself. Hands down the best and most life-enhancing thing I've done in lockdown' India Knight, Sunday Times
Drawing on the Right Side of the Brain is the world's most widely used drawing instruction book. Whether you are a professional, a student, or enjoy art as a hobby, Betty Edwards' practical step-by-step guide will give you greater confidence in your ability, deepen your artistic perception and provide a new way to appreciate the way you perceive the world around you.
This groundbreaking guide includes: - Expert advice on materials…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
I love this book because it is as easy on the eye as it is insightful, with beautiful illustrations that perfectly complement the written content. Light and shadow are tackled with a noir aesthetic that is unique and very compelling.
Aside from the incredible visuals, what this book imparts most of all is how to use light as a storytelling and compositional device. And it does it in such style that I enjoy coming back to it again and again.
The ultimate guide to visual storytelling! How to make the audience ""feel"" the story while they are ""reading"" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.
After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train…
I have always loved to draw ever since my Dad used to sit drawing with me at the kitchen table when I was little. At Art School we had to spend the first six weeks doing a daily life drawing class before being allowed to pick up a paintbrush! I then studied graphic design setting up my own business, at a time when, without computers, drawing was essential for presenting layout and design. Nowadays, I’m constantly instilling in my students the importance of drawing and sketching. Having been a professional artist all my working life, drawing has been a fundamental element in every way, and all the way.
I love sketching and encourage my students to do as much as possible to improve both drawing techniques and observation. In this comprehensive book, Peter guides us through many different aspects of sketching using pencil, pen, and pen & wash, demonstrating his S-E-T method, reminding us constantly to consider Shapes, Edges, and Tones. His drawings and pen and wash studies are a feast for the eyes; he guides the reader through simple step-by-step drawings as well as larger projects, and everything is conveyed in an easy-to-understand way, making it a pleasure to dip into this book.
From the author of the best-selling art book, Pure Watercolour Painting and guest judge on Channel 5's Watercolour Challenge, Peter Cronin.
Sketching is more than just drawing quickly. It is training your eye and hand to work together, to respond immediately and naturally to the scene before you.
Starting from a clear, simple method to bring all the senses into play, successful author and acclaimed artist Peter Cronin shows the reader how to bring artistry and economy to their sketching; making for swift and impressive results. Whether sketching as the basis for painting, or simply for pleasure, this book teaches…
I have always loved to draw ever since my Dad used to sit drawing with me at the kitchen table when I was little. At Art School we had to spend the first six weeks doing a daily life drawing class before being allowed to pick up a paintbrush! I then studied graphic design setting up my own business, at a time when, without computers, drawing was essential for presenting layout and design. Nowadays, I’m constantly instilling in my students the importance of drawing and sketching. Having been a professional artist all my working life, drawing has been a fundamental element in every way, and all the way.
In this 376-page drawing “bible”, all aspects of drawing are covered in great detail, from portraits and figure studies to still life and landscapes. After the first chapter on materials and equipment, Giovanni illustrates the bone structure, musculature, and features of the head, hands, and feet using pencil, ink, and charcoal. It’s the most comprehensive approach I’ve seen in any portrait book.
Further chapters on shadows, shading, composition, sketching, perspective, and aerial perspective are also extremely helpful. This book is a mine of information, and one I turn to when in need of technical know-how for portraiture.
This is an essential book for anyone learning to draw, or wishing to improve their drawing. Starting with the basics of drawing techniques, Civardi gives expert advice on drawing portraits, the clothed figure, hands and feet and scenery, finishing with a section on the importance of light and shade. Civardi's technical advice and practical tips, accompanied by his own outstanding drawings, make this an invaluable resource for any artist.
Previously published as Giovanni Civardi's Complete Guide to Drawing (9781844482061) and now includes The Nude (9781844482443).
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
This book is a good one to consult when one needs a reminder that not all trees look the same. Cole draws upon the Victorian tradition of close observation of nature, and he analyzes trees at the level of roots, branches, stems, blossoms, leaves, and foliage masses. The book transcends the limits of a botanical treatise by exploring artistic issues, such as the grouping of masses and the simplification of contours. The text is profusely illustrated with black-and-white explanatory drawings, as well as compositions by early masters.
"Monumental book . . . Mr. Vicat Cole is a born teacher." — Contemporary Review "Mr. Vicat Cole's ability as a landscape painter is well known, and he unites to his executive talents the qualifications of an accomplished teacher." — Connoisseur "The name of the author is itself a guarantee that the subject is adequately treated. It is handled in a systematic and lucid way, which the novice . . . can follow with ease." — Studio For years greatly admired and widely used, this excellent text by one of Britain's foremost art instructors has achieved the status of a…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
The Practice and Science of Drawing is one of the few books worth reading every page of. I thumbed through it for years before finally reading it. The author breaks down drawing into two major categories, that of line and that of mass, and how they are distinct from one another, yet how they are intertwined in their ability to render form. An awareness of both concepts is crucial to a full education of the artist.
Much of the learning to practice as well as to appreciate art is concerned with understanding the basic principles. One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts. In this…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
Hale’s book uses master drawings as the basis for his analysis. He shows the critical thinking that went behind the draftsmanship and offers a few choice words on conceiving a solid shape before trying to render it. Style is great but style without understanding is just a bad xerox of an idea. Hale offers a deeper dive into understanding what all those bumps and lumps are and more importantly, the hierarchy to where they sit and what to emphasize. Mindless rendering never helped anyone.
A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who's famed lectures and classes at New York City's Art Student League captivated artists and art educators from around the world.
Faithfully producing and methodically analyzing 100 master drawings-including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others-Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a children’s book illustrator who has been passionate about illustration and art from a young age, and I am fortunate to have illustrated over 30 books for publishers worldwide. I have always believed drawing is for everyone and that you should not stop after childhood. Drawing can improve your mental health, enhance your way of visually communicating ideas, or just be a new way to have fun. I hope that my book and the books I have recommended inspire at least one person to pick up a pencil and have a go!
365 Days of Drawing is such a positive and personal book. It feels like an art diary that I can take in my bag for whenever I get a quiet moment between hectic moments of life. You can look back on your year through the prompts and see how much you have improved, whilst taking some time to practice your craft and to do something that you enjoy.
It is perfect for those who want to draw more but don’t know where to begin.
Get lost in your creativity with 365 Days of Drawing, a thoughtful and inspiring art journal designed to help you carve out moments of self-expression.
Lorna shows you that drawing does not have to be scary - it can be done with any materials, in any colour, in any style and can be done anywhere.
Each activity has been given a loose category: imagination, tutorial, relaxation, colour theory, and observational, so that you can practice a broad range of drawing skills. Each 'theme' is designed to expand your creative skills and spark the artist within.
