100 Books Like Drawing on the Right Side of the Brain

First of all, how could anyone not love a book with an author’s name like that?

This book was on display mere inches from me while I was signing books at an exceptionally enchanting indie bookstore called Sudden Fiction in Castle Rock, Colorado. I couldn’t wait for the signing to be over so I could get a copy for myself. And it did not disappoint, the contents being as beguiling as the cover. 

Sheldrake describes not only the incredible and seemingly irrepressible capacity fungi have for survival and thrival (yep, I made that word up), but also encourages us to practice the same spells. I may have to become a mycologist in my next iteration – it’s good to remake oneself every few months, I think.

Meadows, a pioneer in this arena, had an extraordinary gift for making complex systems thinking accessible without dumbing it down.

She left us all too soon. I do return to this book, especially her concept of "leverage points": places within systems where small shifts create disproportionate change. Her insight that changing paradigms proves more powerful than adjusting surface parameters directly informed my research on organizational edges.

What I treasure most is how she wrote with both rigour and humility. She acknowledged that systems are messy, that we can't predict everything, that unintended consequences are inevitable; yet she shows us how to work with complexity rather than against it.

When I'm helping organizations navigate transformation, her frameworks help me identify where to intervene for maximum impact. The chapter on system traps and opportunities has probably saved me from dozens of well-intentioned but ultimately counterproductive interventions.

This is the book I gift… show more.

What I like about this book is that it gives me a different perspective on a subject that I know well—light—but it comes at it from a different angle: that of a painter using traditional media. Starting from the history and tradition of painting, topics such as color are tackled by merging scientific and artistic elements, drawing from the history of color theory to create a comprehensive whole.

Of course, the text is greatly enhanced by the dozens of wonderful illustrations created by James Gurney, which offer beautiful demonstrations of the subject matter.

This was a book I wanted for a long time but it was out of print for decades. Finally, back in print in 2012, this has long been considered the bible for illustrators and visual artists of all stripes. Packed to the brim with useful and unique insights, this book covers figurative art comprehensively. From lighting to shadows, mood, and composition, it’s all here and explained in the clearest and most insightful way imaginable.

If ever there was a truly timeless book that explained the core principles of visual art, this is it. For me, it is an academy in itself. A book that will give you a lifetime of enjoyment and reward you with fresh insights every time you pick it up.

In this 376-page drawing “bible”, all aspects of drawing are covered in great detail, from portraits and figure studies to still life and landscapes. After the first chapter on materials and equipment, Giovanni illustrates the bone structure, musculature, and features of the head, hands, and feet using pencil, ink, and charcoal. It’s the most comprehensive approach I’ve seen in any portrait book.

Further chapters on shadows, shading, composition, sketching, perspective, and aerial perspective are also extremely helpful. This book is a mine of information, and one I turn to when in need of technical know-how for portraiture.

I love sketching and encourage my students to do as much as possible to improve both drawing techniques and observation. In this comprehensive book, Peter guides us through many different aspects of sketching using pencil, pen, and pen & wash, demonstrating his S-E-T method, reminding us constantly to consider Shapes, Edges, and Tones. His drawings and pen and wash studies are a feast for the eyes; he guides the reader through simple step-by-step drawings as well as larger projects, and everything is conveyed in an easy-to-understand way, making it a pleasure to dip into this book.

This comprehensive guide to drawing landscapes includes six step-by-step as well as many examples of Margaret’s work. With her wonderful drawing ability she is able to create stunning landscapes, some with incredible detail, some much looser, maintaining compositional balance throughout. I recommend this book to the beginner and more experienced alike as I think it has something for everyone. For anyone who wants some guidance for drawing landscapes, this book will inspire whatever your level of ability.

Perspective is essential for good drawing but something that a lot of people find a struggle. Tim has treated every aspect of perspective in a simple and interesting way so that anyone can understand it. As well as buildings and landscapes, Tim also covers topics not so obvious - people, animals, boats and reflections, and more. He also shows how perspective applies to curved objects and inclined planes, and suggests how to correct common mistakes as well as moving on from rigid rules to a freer and more instinctive way of drawing. 

I love this book because it is as easy on the eye as it is insightful, with beautiful illustrations that perfectly complement the written content. Light and shadow are tackled with a noir aesthetic that is unique and very compelling.

Aside from the incredible visuals, what this book imparts most of all is how to use light as a storytelling and compositional device. And it does it in such style that I enjoy coming back to it again and again.

This little book from 1973 made me realize I wrongly believed that all technological advancement was progress. Why should it be? With every invention that promises to make life easier, ask this question, says Illich: "Will this make me a more independent, capable human being? Or will human qualities be made obsolete?"

In the Middle Ages, people built cathedrals without burning fuel. We have since lost this ability. Is that progress? Ivan Illich introduces the concept of radical monopolies: industrial processes that make non-industrial activities impossible. "Cars can [...] monopolize traffic [...] practically ruling out locomotion on foot or by bicycle in Los Angeles." Likewise, funeral systems rule out the possibility of burying a loved one ourselves.

Illich is a radical philosopher of thin books, best read slowly.