Here are 81 books that Color and Light fans have personally recommended if you like
Color and Light.
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I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
This was a book I wanted for a long time but it was out of print for decades. Finally, back in print in 2012, this has long been considered the bible for illustrators and visual artists of all stripes. Packed to the brim with useful and unique insights, this book covers figurative art comprehensively. From lighting to shadows, mood, and composition, it’s all here and explained in the clearest and most insightful way imaginable.
If ever there was a truly timeless book that explained the core principles of visual art, this is it. For me, it is an academy in itself. A book that will give you a lifetime of enjoyment and reward you with fresh insights every time you pick it up.
"Creative Illustration" is considered Loomis' magnum opus, which is aimed primarily at the professional-level illustrator. It's divided into seven sections: Line, Tone, Color, Telling the Story, Creating Ideas, Fields of Illustration, and Experimenting and Studies. The book is filled with instructions, tips, insider experiences, and incredible illustrations.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
When I couldn’t truly see light, I couldn’t really understand it. There is a reason why we don’t notice the subtleties of light in our everyday lives, and it’s because our brains filter it out. This book gave me a key that unlocked the art of seeing so that I could see the world as it really is rather than the simplified version that my brain presented me with.
A must for any visual artist, this book gave me the most fundamental insight that I could ever hope for: it taught me to see the world as I’d never seen it before. This was a life-changing gift.
'You will quickly amaze and delight yourself. Hands down the best and most life-enhancing thing I've done in lockdown' India Knight, Sunday Times
Drawing on the Right Side of the Brain is the world's most widely used drawing instruction book. Whether you are a professional, a student, or enjoy art as a hobby, Betty Edwards' practical step-by-step guide will give you greater confidence in your ability, deepen your artistic perception and provide a new way to appreciate the way you perceive the world around you.
This groundbreaking guide includes: - Expert advice on materials…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
I love this book because it is as easy on the eye as it is insightful, with beautiful illustrations that perfectly complement the written content. Light and shadow are tackled with a noir aesthetic that is unique and very compelling.
Aside from the incredible visuals, what this book imparts most of all is how to use light as a storytelling and compositional device. And it does it in such style that I enjoy coming back to it again and again.
The ultimate guide to visual storytelling! How to make the audience ""feel"" the story while they are ""reading"" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.
After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
When I needed some practical insights into how to apply my theoretical knowledge this is the book I turned to. Light is what gives objects their form, and so it’s at the heart of this guide to rendering with both traditional and digital media by Scott Robertson. Very detailed and highly technical, this book gave me all the practical tools and techniques I needed to depict light and form accurately.
Any questions I had on how to depict lighting effects accurately were answered comprehensively in this book. From how to plot cast shadows, or create realistic surfaces made from a wide range of materials from wood, to cloth, or different types of metal, it’s all in here.
This book is about the fundamentals of light, shadow and reflectivity; the focus is firmly on helping to improve visual understanding of the world around and on techniques for representing that world. Rendering is the next step after drawing to communicate ideas more clearly. Building on what Scott Robertson and Thomas Bertling wrote about in How To Draw: Drawing and Sketching Objects and Environments from Your Imagination, this book shares everything the two experts know about how to render light, shadow and reflective surfaces. This book is divided into two major sections: the first explains the physics of light and…
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
Another odd choice for this category and an unusual but nonetheless compelling book. Elkins talks about painting in terms of medieval alchemy. The point, however, is right down my street: it is about the materiality of painting.
Put aside the meaning of a finished artwork and think about the acts behind its making, from creating paint from various pigments and oils to brushing them on stretched canvas. This helped me understand the lives of people who work with materials, things, and stuff, including scientists and engineers. What they think is important, but so is what they do and their facility in doing it.
In this classic text, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a strange language to explore what it is a painter really does in the studio-the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colors will mix, and how they will look. Written from the perspective of a painter-turned-art historian, this anniversary edition includes a new introduction and preface by Elkins in which he further reflects on the experience of painting and its role in the study of art today.
As a career coach and artist-advocate, who had a successful career as an artist, I am always on the lookout for books to recommend to clients that offer excellent guidance about facets of developing a career as an artist, including the innerworkings of the artworld. I am very picky! Each book that I recommend contains advice, and/or observations that can help artists make wise career plans and decisions, develop realistic expectations, and soothe anxieties.
Filled with many humorous pages of ridicule about the modern art world, one big reason that I love this book is Wolfe’s attack on “art speak,” the nauseating language used by critics and artists alike. He smugly suggests that in today’s world, visual art only exists to illustrate the text!
Pretentious prose has become a norm in art world communication. Although artists vehemently criticize this style of writing, unfortunately, many believe that their work will not be taken seriously unless they imitate what they despise.
Reissued for today's reader with a redesigned cover by the renowned artist Seymour Chwast, Tom Wolfe trains his satirical eye on Modern Art in this “masterpiece” (The Washington Post).
What has become of art?
In his dazzling and controversial book The Painted Word, Tom Wolfe explores this question and more as he investigates early trends in Modern Art and critiques the critics who dominated the art world during the 1960s and '70s. Wolfe addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. He bring into question the…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
Wollheim teaches that this is largely, if tacitly, a philosophical interest, in particular, an interest in philosophy in mind, depth psychology, and meaning. That is why pictures fascinate us in the way they do. It is the very opposite of deconstructionism; the facts of history, artistic intention, psychoanalysis, and perception make something urgently real out of painting.
One of the twentieth century's most influential texts on philosophical aesthetics
Painting as an Art is acclaimed philosopher Richard Wollheim's encompassing vision of how to view art. Transcending the traditional boundaries of art history, Wollheim draws on his three great passions-philosophy, psychology, and art-to present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrieving-almost reenacting-the creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring a much richer conception of human psychology than they have in the past. This…
There is something so magical about creating art and bringing an idea to life. As a writer and an art teacher, I love watching artists of any age find their own inspiration and joy in creating. I have used these books to launch all kinds of projects, from paintings to pottery, for every age and stage of artist. I hope you will find inspiration in these pages, too!
This is one of those books that entranced me and my students. By the last pages, we were holding our breath to see what would happen. It is full of magical realism but based on a real artist from history.
This is a lovely stand-alone book, but it is also a great introduction and inspiration for brush painting. It’s especially fun to try painting with bamboo brushes after seeing the ones depicted in the beautiful watercolor illustrations of this story.
This gorgeous picture book biography, according to Kirkus Reviews in a starred review, is "a cheerful introduction not only to Wu Daozi, but to the power of inspiration."
Who wants to learn calligraphy when your brush is meant for so much more? Wu Daozi (689-758), known as China's greatest painter and alive during the T'ang Dynasty, is the subject of this stunning picture book. When an old monk attempts to teach young Daozi about the ancient art of calligraphy, his brush doesn't want to cooperate. Instead of characters, Daozi's brush drips dancing peonies and flying Buddhas! Soon others are admiring…
I am a lifelong art appreciator. When I connect with a piece of art, I want to know more about the art, the time period, and the artist. I read history and biography to learn facts, but when I want to experience the art at the heart-level, I dive into historical fiction. I'm especially interested in the connection between love and creativity. As a writer, I know firsthand that love is what fuels me. I love it when I encounter stories that show I'm not alone in this; others across history have also been inspired to create by their own great emotions, whether love or anger or something else.
I was immediately drawn into Artemisia's world and imagined myself as her—a young woman artist struggling to create in a man's world. I ached for her and rooted for her and enjoyed every minute of the beautiful language and emotion of this telling.
Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint.
She chose paint.
By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I wholeheartedly believe that kindness is the single most powerful thing that we can teach our children. One of the best ways to instil kindness in children is by talking to them about it, and one of the most effective ways to start the conversation is through stories that highlight kindness. These stories don’t just get kids talking—they also help shape the values of the next generation.
This was such a blast to read with my kids! I loved how interactive it was and the creative rhyming used. It didn’t just keep their attention, but it also included a fun activity to do together afterward with stickers (included in the book), which made the experience even more fun for us to do together!
The illustrations are playful and unique, really bringing the story to life in a way that keeps everyone engaged. Even after five years of having it on our shelf, it’s still my go-to book for storytime.
Scribble, the book's main character, never thought he was different until he met his first drawing. Then, after being left out because he didn't look like everyone else, Scribble teaches the drawings how to accept each other for who they are. Which enables them to create amazing art.
This book not only has illustrations that any child can personally recognize but it also addresses inclusion without boundaries so that anyone can relate to it. Each book comes with 100 stickers so that children can create their very own Scribble. They will be able to…
