Here are 100 books that The Artistic Anatomy of Trees fans have personally recommended if you like
The Artistic Anatomy of Trees.
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My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Disney animator Ken Hultgren shares an approach to drawing animals that emphasizes the unique characteristics of all the major types of mammals. His style features action poses ranging from straight to cartoony. His pen-and-ink drawings are usually accompanied by a skeletal analysis to help students see the hidden structure. He never loses sight of the lines of action flowing through a pose, something that both realist painters and cartoonists can benefit from.
"You'll learn everything there is to learn about drawing animals." — Collectors' Corner This thoughtful and incisive guidebook, written by a former animator for Walt Disney Studios, will help artists at many skill levels improve their ability to draw a wide variety of animal forms both realistically and as caricatures. You'll learn why the author considers construction, action analysis, and caricature all-important for a clear understanding of animal anatomy and movement. You'll also benefit from Mr. Hultgren's expert advice and tips on catching the essential movement and character of animals and avoiding the stiff, wooden poses that are the frequent…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Bridgman's legendary figure drawing demonstrations at the Art Students League of New York have inspired generations of artists, from Norman Rockwell to Frank Frazetta. His dynamic, chunky form analysis reminds students of the big shapes and how they interlock with each other, which is easy to overlook when faced with the subtleties of the actual figure.
Life Drawing is not so much a unique system of drawing the human form as it is a new way of conceptualizing it. To draw the figure, the artist must "have an idea of what the figure to be drawn is doing" — he must "sense the nature and condition of the action, or inaction." In this book, Mr. Bridgman, who for nearly 50 years lectured and taught at the Art Students League of New York, explains in non-technical terms and illustrations in hundreds of finely rendered anatomical drawings how best to find the vitalizing forces in human forms and…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
Vanderpoel was JC Leyendecker‘s teacher in Chicago. You can’t go wrong by going back to the source. Underneath JC’s style, is rock solid form and structure. With slightly archaic language that takes a while to understand, this book offers huge insight into the structural thinking of how to draw and interpret the human figure.
This great classic is still unrivalled for its clear, detailed presentation of thousands of fundamental features of the human figure. Every element of the body (such as the overhang of the upper lip; the puckering at the corners of the mouth; the characteristic proportions of the head, trunk, limbs, etc.; the tension between connected portions of the body; etc.) is carefully and concisely pointed out in the text. Even more helpful are the 430 pencil and charcoal drawings that illustrate each feature so that you are, in effect, shown what to look for by a master teacher. The result is…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
This is a useful reference book, dominated by large and carefully drawn plates. The animal kingdom is represented by a small number of familiar domesticated mammals: horse, dog, cow, and goat, together with a lion. Each animal is shown in neutral poses in side, top, and front views, with skeletal and muscular dissections for comparison.
"Highly recommended as one of the very few books on the subject worthy of being used an an authoritative guide." — Design "Illustrators, sculptors, and taxidermists who draw or model animals will welcome this new revised edition." — Natural History Here are 288 remarkably lifelike drawings of animals, furnishing artists and students with an easy-to-follow method of instruction in the drawing of horses, dogs, lions, cows and bulls, stags, and goats. So detailed and so accurate are these drawings that this book has long been a classic work of its kind. The animals are shown in three ways: external full…
I have always loved to draw ever since my Dad used to sit drawing with me at the kitchen table when I was little. At Art School we had to spend the first six weeks doing a daily life drawing class before being allowed to pick up a paintbrush! I then studied graphic design setting up my own business, at a time when, without computers, drawing was essential for presenting layout and design. Nowadays, I’m constantly instilling in my students the importance of drawing and sketching. Having been a professional artist all my working life, drawing has been a fundamental element in every way, and all the way.
This comprehensive guide to drawing landscapes includes six step-by-step as well as many examples of Margaret’s work. With her wonderful drawing ability she is able to create stunning landscapes, some with incredible detail, some much looser, maintaining compositional balance throughout. I recommend this book to the beginner and more experienced alike as I think it has something for everyone. For anyone who wants some guidance for drawing landscapes, this book will inspire whatever your level of ability.
Artists of all skill levels will find much to inspire them in this detailed and practical guide to drawing landscapes. Margaret Eggleton guides you through easy-to-follow drawing stages, and gives advice on using sketchbooks, line and tone, perspective and more. She shows how to draw elements of the landscape such as trees and foliage, hills and mountains, skies, water and buildings, and there are practical, step-by-step exercises throughout to help you practise the techniques.
Margaret then guides you carefully through each stage of six stunning projects, each culminating in a beautiful landscape drawing you'll be proud of. Suitable for beginners…
I have always loved to draw ever since my Dad used to sit drawing with me at the kitchen table when I was little. At Art School we had to spend the first six weeks doing a daily life drawing class before being allowed to pick up a paintbrush! I then studied graphic design setting up my own business, at a time when, without computers, drawing was essential for presenting layout and design. Nowadays, I’m constantly instilling in my students the importance of drawing and sketching. Having been a professional artist all my working life, drawing has been a fundamental element in every way, and all the way.
I love sketching and encourage my students to do as much as possible to improve both drawing techniques and observation. In this comprehensive book, Peter guides us through many different aspects of sketching using pencil, pen, and pen & wash, demonstrating his S-E-T method, reminding us constantly to consider Shapes, Edges, and Tones. His drawings and pen and wash studies are a feast for the eyes; he guides the reader through simple step-by-step drawings as well as larger projects, and everything is conveyed in an easy-to-understand way, making it a pleasure to dip into this book.
From the author of the best-selling art book, Pure Watercolour Painting and guest judge on Channel 5's Watercolour Challenge, Peter Cronin.
Sketching is more than just drawing quickly. It is training your eye and hand to work together, to respond immediately and naturally to the scene before you.
Starting from a clear, simple method to bring all the senses into play, successful author and acclaimed artist Peter Cronin shows the reader how to bring artistry and economy to their sketching; making for swift and impressive results. Whether sketching as the basis for painting, or simply for pleasure, this book teaches…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I am a children’s book illustrator who has been passionate about illustration and art from a young age, and I am fortunate to have illustrated over 30 books for publishers worldwide. I have always believed drawing is for everyone and that you should not stop after childhood. Drawing can improve your mental health, enhance your way of visually communicating ideas, or just be a new way to have fun. I hope that my book and the books I have recommended inspire at least one person to pick up a pencil and have a go!
365 Days of Drawing is such a positive and personal book. It feels like an art diary that I can take in my bag for whenever I get a quiet moment between hectic moments of life. You can look back on your year through the prompts and see how much you have improved, whilst taking some time to practice your craft and to do something that you enjoy.
It is perfect for those who want to draw more but don’t know where to begin.
Get lost in your creativity with 365 Days of Drawing, a thoughtful and inspiring art journal designed to help you carve out moments of self-expression.
Lorna shows you that drawing does not have to be scary - it can be done with any materials, in any colour, in any style and can be done anywhere.
Each activity has been given a loose category: imagination, tutorial, relaxation, colour theory, and observational, so that you can practice a broad range of drawing skills. Each 'theme' is designed to expand your creative skills and spark the artist within.
A couple of years ago, in my late 50s, I learned I had ADHD. It was a huge discovery to finally understand why I daydreamed while being lectured and had so many thoughts racing through my mind. When I was younger, I assumed that there was a level playing field between my classmates and me when it came to basic brain function. So, I always felt extra frustrated and sad when I didn’t learn the same way as others. Only recently have I come to the new understanding about what was going on then—that my brain has always worked a little differently.
This book gave me goosebumps. Which then inspired me to draw that feeling.
Niko reminded me of myself observing the world and trying to capture it on paper, but Niko takes it a step further as he draws the “ring-a-ling” of the ice cream truck and the warmth of the sun on his face.
This is another book that all children will relate to, but a special select few will feel inspired, as I did.
Niko loves to draw his world: the ring-a-ling of the ice cream truck, the warmth of sun on his face.
But no one appreciates his art. Until one day, Niko meets Iris . . .
This imaginative and tender story explores the creative process, abstract art, friendship, and the universal desire to feel understood.
A Junior Library Guild selection, Charlotte Zolotow Honor Book, Children's Book Committee at Bank Street College Best Children's Book of the Year, Chicago Public Library Best of the Best Books, Cooperative Children's Book Center Choice, Midwest Connections Pick, NCTE Notable Children's Book in the Language Arts,…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
The Practice and Science of Drawing is one of the few books worth reading every page of. I thumbed through it for years before finally reading it. The author breaks down drawing into two major categories, that of line and that of mass, and how they are distinct from one another, yet how they are intertwined in their ability to render form. An awareness of both concepts is crucial to a full education of the artist.
Much of the learning to practice as well as to appreciate art is concerned with understanding the basic principles. One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts. In this…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
This was a book I wanted for a long time but it was out of print for decades. Finally, back in print in 2012, this has long been considered the bible for illustrators and visual artists of all stripes. Packed to the brim with useful and unique insights, this book covers figurative art comprehensively. From lighting to shadows, mood, and composition, it’s all here and explained in the clearest and most insightful way imaginable.
If ever there was a truly timeless book that explained the core principles of visual art, this is it. For me, it is an academy in itself. A book that will give you a lifetime of enjoyment and reward you with fresh insights every time you pick it up.
"Creative Illustration" is considered Loomis' magnum opus, which is aimed primarily at the professional-level illustrator. It's divided into seven sections: Line, Tone, Color, Telling the Story, Creating Ideas, Fields of Illustration, and Experimenting and Studies. The book is filled with instructions, tips, insider experiences, and incredible illustrations.
