Here are 100 books that Horizontal Vertigo fans have personally recommended if you like
Horizontal Vertigo.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
This book by Barbara Mundy, an art historian, challenges the idea that the Aztec capital of Tenochtitlan was instantly transformed into Spanish Mexico City following the conquest in 1521. Using indigenous and Spanish maps, Nahua codices, and archaeological evidence, Mundy shows that many aspects of urban life remained in indigenous hands for nearly a century after the Spanish and their indigenous allies toppled Montezuma and his empire. The book is beautifully illustrated, and Mundy’s writing brings the spaces and rhythms of the sixteenth-century city to life.
Winner, Book Prize in Latin American Studies, Colonial Section of Latin American Studies Association (LASA), 2016 ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016
The capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan's power, which extended over much of Central Mexico, Hernando Cortes and his followers conquered the city. Cortes boasted to…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Douglas Cope’s book is a wonderful work of social history that explores how issues of race and class impacted the lives of working people in colonial Mexico City. Cope shows that Spain’s so-called “caste system” was more ideal than reality. A person’s physical appearance, occupation, and social milieu shaped perceptions of their race and ethnicity far more than their lineage, which was not something most people documented in this era. The book combines quantitative and qualitative analysis to provide a rich description of everyday life, bringing readers into artisans’ workshops, market vendors’ stalls, and other spaces where people lived and worked in the seventeenth and eighteenth centuries.
In this distinguished contribution to Latin American colonial history, Douglas Cope draws upon a wide variety of sources—including Inquisition and court cases, notarial records and parish registers—to challenge the traditional view of castas (members of the caste system created by Spanish overlords) as rootless, alienated, and dominated by a desire to improve their racial status. On the contrary, the castas, Cope shows, were neither passive nor ruled by feelings of racial inferiority; indeed, they often modified or even rejected elite racial ideology. Castas also sought ways to manipulate their social "superiors" through astute use of the legal system. Cope shows…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Frances “Fanny” Calderón de la Barca offers a rare first-person account of mid-nineteenth-century Mexico through a series of letters she wrote between 1839 and 1842. Calderón was an upper-class Scottish woman who was married to Spain’s ambassador to Mexico, and her views of Mexico’s people and customs certainly reflect her privilege. She was also a splendid writer with an attention to detail that few other English-language sources from this era offer. While she is often cited for her commentary on Mexico’s turbulent politics in the mid-nineteenth century, the book is equally fascinating for her descriptions of the sights, sounds, and foods that she encountered in and around Mexico City.
The book Life in Mexico consists of 54 letters Fanny Calderón wrote during her sojourn in Mexico from October 1839 to February 1842. In terms of content, Calderón's book includes her personal experiences of Mexico from the standpoint of an aristocratic lady, the wife of a Spanish diplomat, a position that allowed her unique immersion into Mexican culture. Her account covers both public and private life as well as the topics of politics, people, and landscape of Mexico.
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Few scholars have done more to demystify the nature of crime in Mexico than Pablo Piccato. His book City of Suspectsis a nuanced history that reveals that the very meaning of crime was contested in early twentieth-century Mexico City. While Mexican elites tried to define criminals as a social class, the urban poor, who experienced crime as a part of their everyday lives, saw crime as an individual phenomenon. This book, like the others on this list, is also a story about the ways people used and thought about public space. At a time when Mexico’s government sought to transform the capital into a modern metropolis along the lines of Paris or New York, the poor resisted efforts to exclude them from that future.
In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners' letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system. By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing…
Joy Porter is an Irish writer who grew up in war (The Troubles). She is intrigued by how we relate to one another culturally and by what makes peace and conflict happen. She researches Indigenous, environmental, and diplomatic themes in an interdisciplinary context and co-leads the Treatied Spaces Research Group at The University of Hull. U.K. Fascinated by the mind, by what makes us love, persevere, transcend and escape the legacies of conflict, her work exposes how culture impacts the world.
Philipp Blom has an exceptional mind. This book looks at the fourteen years prior to the outbreak of the First World War with a depth and breadth you won’t find anywhere else. It somehow captures the broad, transdisciplinary rush to knowledge, to comprehend the new, that at a deep level characterized this period. You learn something or get a fresh perspective on almost every page and you begin to understand the pre-war years for what they were - a powderkeg of change ready to burst across almost every established boundary.
Europe, 1900-1914: a world adrift, a pulsating era of creativity and contradictions. The major topics of the day: terrorism, globalization, immigration, consumerism, the collapse of moral values, and the rivalry of superpowers. The twentieth century was not born in the trenches of the Somme or Passchendaele,but rather in the fifteen vertiginous years preceding World War I. In this short span of time, a new world order was emerging in ultimately tragic contradiction to the old. These were the years in which the political and personal repercussions of the Industrial Revolution were felt worldwide: Cities grew like never before as people…
I did not use to believe in human progress, but thought there must have been good old days behind us – until I studied history and understood that my ancestors did not live ecologically, they died ecologically, at an early age. Since then I’ve been obsessed with progress, what makes it possible and how we can spread it to more people. I am a historian of ideas from Sweden, the host of a video series on innovations in history, New and Improved, and the writer of many books on intellectual history and global economics, translated into more than 25 languages.
This 1974 book, by the founder of one of the world’s great picture libraries, was a real eye-opener to me when I first read it. We are all nostalgic and look at the past through rose-tinted glasses, and so do I. But then we forget about the hunger and the crime, tuberculosis, smallpox and heaps of trash on the streets, the child labor, and the despair of the aged. This richly illustrated book, with its multitude of stories, set me straight. For instance, did you know that New York had 150,000 horses in 1900, each producing around 20 pounds of manure a day? The past stank. It makes you deeply grateful for science, technology, and economic growth.
The Good Old Days—were they really good? On the surface they appear to be so—especially the period to which this term is most often applied, the years from the end of the Civil War to the early 1900’s. This period of history has receded into a benevolent haze, leaving us with the image of an ebullient, carefree America, the fun and charm of the Gilded Age, the Gay Nineties.
But this gaiety was only a brittle veneer that covered widespread turmoil and suffering. The good old days were good for but the privileged few. For the farmer, the laborer, the…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
There are so many histories of fin de siècle Vienna that this book is a welcome, long-awaited postlude. It explains how the city’s creativity did not die with the fall of the Habsburgs but became the source of everything we think of today as “modern”, from shopping, to cooking, to economics, to housing, education and the interaction of state and society.
Berlin may have been livelier in the 1920s, but the new ideas that would take root across the world and shape modern society were still coming out of Vienna.
How can one European capital be responsible for most of the West's intellectual and cultural achievements in the twentieth century?
Viennese ideas saturate the modern world. From California architecture to Hollywood Westerns, modern advertising to shopping malls, orgasms to gender confirmation surgery, nuclear fission to fitted kitchens-every aspect of our history, science, and culture is in some way shaped by Vienna.
The city of Freud, Wittgenstein, Mahler, and Klimt was the melting pot at the heart of a vast metropolitan empire. But with the Second World War and the rise of fascism, the dazzling coteries of thinkers who squabbled, debated,…
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
An endlessly fascinating and extensive compendium of reproductions of photographs, diagrams, charts, maps, paintings – bizarre, sublime, caustic, illuminating – from the ancients to the modern era. Each image retains something of its historical context, yet they are arrayed with a compelling visual logic by a brilliant visual editor.
An exploration of echoes and resonances across two millennia of visual culture, celebrating ten years of The Public Domain Review.
Gathering a remarkable collection of over 500 public domain images, Affinities is a carefully curated visual journey illuminating connections across more than two thousand years of image-making. Drawing on a decade of archival immersion at The Public Domain Review, the book has been assembled from a vast array of sources: from manuscripts to museum catalogues, ship logs to primers on Victorian magic. The images are arranged in a single captivating sequence which unfurls according to a dreamlike logic, through a…
I love reading about life experiences, however raw or unflinching they get. Many of the books on this list inspired me to be just as honest in my own creative work. While writing Alligator Meat, which began as my English honors thesis and became my memoir, I kept coming back to these books for guidance.
This book remains the pinnacle of memoirs, in my opinion.
Didion’s ability to weave biting social commentary with vivid, unforgettable anecdotes continues to inspire me. I’m grateful to my creative nonfiction professor, Michael Hofmann, for assigning this book. Her language is rich, precise, and full of wit, and it kept me hanging on every word until the very end.
Joan Didion's hugely influential collection of essays which defines, for many, the America which rose from the ashes of the Sixties.
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea.
In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson's girls. She and her reader emerge, cauterized, from…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I am an avid lover of all cultures, especially travel memoirs. I had a goal to travel to 30 countries in 30 years, and I wrote a memoir, Traveling in Wonder. I have thoroughly enjoyed meeting both the author and side characters in all of these books, as each brings something extraordinary to the story. I also loved the descriptions in these memoirs, which brought me back to my memories!
Eric does a fantastic job of connecting Nordic and Scandinavian cultures with the Minnesotan and American cultures within my state. Living in Minnesota, I’m always interested in books that discuss cultural or societal norms like the ones I interact with on a daily basis.
I truly enjoyed broadening my knowledge on this search!
Growing up with Swedish and Norwegian grandparents with a dash of Danish thrown in for balance, Eric Dregni thought Scandinavians were perfectly normal. Who doesn't enjoy a good, healthy salad (Jell-O packed with canned fruit, colored marshmallows, and pretzels) or perhaps some cod soaked in drain cleaner as the highlights of Christmas? Only later did it dawn on him that perhaps this was just a little strange, but by then it was far too late: he was hooked and a dyed-in-the-wool Scandinavian himself.
But what does it actually mean to grow up Scandinavian-American or to live with these Norwegians, Swedes,…
