Here are 100 books that Horizontal Vertigo fans have personally recommended if you like
Horizontal Vertigo.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
This book by Barbara Mundy, an art historian, challenges the idea that the Aztec capital of Tenochtitlan was instantly transformed into Spanish Mexico City following the conquest in 1521. Using indigenous and Spanish maps, Nahua codices, and archaeological evidence, Mundy shows that many aspects of urban life remained in indigenous hands for nearly a century after the Spanish and their indigenous allies toppled Montezuma and his empire. The book is beautifully illustrated, and Mundy’s writing brings the spaces and rhythms of the sixteenth-century city to life.
Winner, Book Prize in Latin American Studies, Colonial Section of Latin American Studies Association (LASA), 2016 ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016
The capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan's power, which extended over much of Central Mexico, Hernando Cortes and his followers conquered the city. Cortes boasted to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Douglas Cope’s book is a wonderful work of social history that explores how issues of race and class impacted the lives of working people in colonial Mexico City. Cope shows that Spain’s so-called “caste system” was more ideal than reality. A person’s physical appearance, occupation, and social milieu shaped perceptions of their race and ethnicity far more than their lineage, which was not something most people documented in this era. The book combines quantitative and qualitative analysis to provide a rich description of everyday life, bringing readers into artisans’ workshops, market vendors’ stalls, and other spaces where people lived and worked in the seventeenth and eighteenth centuries.
In this distinguished contribution to Latin American colonial history, Douglas Cope draws upon a wide variety of sources—including Inquisition and court cases, notarial records and parish registers—to challenge the traditional view of castas (members of the caste system created by Spanish overlords) as rootless, alienated, and dominated by a desire to improve their racial status. On the contrary, the castas, Cope shows, were neither passive nor ruled by feelings of racial inferiority; indeed, they often modified or even rejected elite racial ideology. Castas also sought ways to manipulate their social "superiors" through astute use of the legal system. Cope shows…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Frances “Fanny” Calderón de la Barca offers a rare first-person account of mid-nineteenth-century Mexico through a series of letters she wrote between 1839 and 1842. Calderón was an upper-class Scottish woman who was married to Spain’s ambassador to Mexico, and her views of Mexico’s people and customs certainly reflect her privilege. She was also a splendid writer with an attention to detail that few other English-language sources from this era offer. While she is often cited for her commentary on Mexico’s turbulent politics in the mid-nineteenth century, the book is equally fascinating for her descriptions of the sights, sounds, and foods that she encountered in and around Mexico City.
The book Life in Mexico consists of 54 letters Fanny Calderón wrote during her sojourn in Mexico from October 1839 to February 1842. In terms of content, Calderón's book includes her personal experiences of Mexico from the standpoint of an aristocratic lady, the wife of a Spanish diplomat, a position that allowed her unique immersion into Mexican culture. Her account covers both public and private life as well as the topics of politics, people, and landscape of Mexico.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Few scholars have done more to demystify the nature of crime in Mexico than Pablo Piccato. His book City of Suspectsis a nuanced history that reveals that the very meaning of crime was contested in early twentieth-century Mexico City. While Mexican elites tried to define criminals as a social class, the urban poor, who experienced crime as a part of their everyday lives, saw crime as an individual phenomenon. This book, like the others on this list, is also a story about the ways people used and thought about public space. At a time when Mexico’s government sought to transform the capital into a modern metropolis along the lines of Paris or New York, the poor resisted efforts to exclude them from that future.
In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners' letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system. By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing…
Joy Porter is an Irish writer who grew up in war (The Troubles). She is intrigued by how we relate to one another culturally and by what makes peace and conflict happen. She researches Indigenous, environmental, and diplomatic themes in an interdisciplinary context and co-leads the Treatied Spaces Research Group at The University of Hull. U.K. Fascinated by the mind, by what makes us love, persevere, transcend and escape the legacies of conflict, her work exposes how culture impacts the world.
Philipp Blom has an exceptional mind. This book looks at the fourteen years prior to the outbreak of the First World War with a depth and breadth you won’t find anywhere else. It somehow captures the broad, transdisciplinary rush to knowledge, to comprehend the new, that at a deep level characterized this period. You learn something or get a fresh perspective on almost every page and you begin to understand the pre-war years for what they were - a powderkeg of change ready to burst across almost every established boundary.
Europe, 1900-1914: a world adrift, a pulsating era of creativity and contradictions. The major topics of the day: terrorism, globalization, immigration, consumerism, the collapse of moral values, and the rivalry of superpowers. The twentieth century was not born in the trenches of the Somme or Passchendaele,but rather in the fifteen vertiginous years preceding World War I. In this short span of time, a new world order was emerging in ultimately tragic contradiction to the old. These were the years in which the political and personal repercussions of the Industrial Revolution were felt worldwide: Cities grew like never before as people…
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
An endlessly fascinating and extensive compendium of reproductions of photographs, diagrams, charts, maps, paintings – bizarre, sublime, caustic, illuminating – from the ancients to the modern era. Each image retains something of its historical context, yet they are arrayed with a compelling visual logic by a brilliant visual editor.
An exploration of echoes and resonances across two millennia of visual culture, celebrating ten years of The Public Domain Review.
Gathering a remarkable collection of over 500 public domain images, Affinities is a carefully curated visual journey illuminating connections across more than two thousand years of image-making. Drawing on a decade of archival immersion at The Public Domain Review, the book has been assembled from a vast array of sources: from manuscripts to museum catalogues, ship logs to primers on Victorian magic. The images are arranged in a single captivating sequence which unfurls according to a dreamlike logic, through a…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I was born into the heart of American religious fundamentalism and spent years helping build the Religious Right before walking away from it. My book tells the story of that journey: from certainty to doubt, from dogma to paradox, from fear to love.
I’ve lived at the crossroads of faith, politics, family, and art—and these recommendations reflect the questions that still haunt me: How do we live with compassion in a divided world? How do we raise our children with tenderness in the absence of certainty? These books moved me because they don’t preach. They search. They speak in the voice of those of us who are done with black-and-white thinking, but still believe in grace.
Gerard’s reflections on a fractured America resonate so deeply with me.
He writes with the same kind of searching spirit I tried to bring to my book: an effort to find a moral center in a world that often seems to have lost its way.
Gerard’s book helped me see that even when everything feels like it’s falling apart, there are still spaces for wonder and decency to take root. And that’s what keeps me writing—and hoping.
AMERICAN BREAKDOWN dissects how, in the space of a generation, the pillars that sustained the once-dominant superpower have been dangerously eroded. From government to business, from media to medicine-the strength and security of the American experiment have been weakened by a widening gap between the elites who control these institutions and the public.
At the root of this breakdown is a precipitous fall in Americans' trust in their political, business and cultural leaders. As Baker writes, "This pathology of distrust across American society is eating the country away from the inside." Millions of Americans say they have little faith in…
I’m a historian who loves watching the Founding Fathers do not-so-Founding-Fatherish things, like John Adams and Thomas Jefferson bonding over how awful Alexander Hamilton was, James Madison reporting how the king of Spain liked to relieve himself daily by the same oak tree, and George Washington losing his temper, asking his cousin to look for the teeth he just knew he’d left in his desk drawer, or spinning out a conspiracy theory. It’s details like this that reveal that even the most revealed figures were real people, like us but often very different. Figuring out how it all makes sense is a challenge I enjoy.
A classic statement of the mentality of the men who fought the American Revolution, A Revolutionary People at War documents how the enthusiasm of the war’s early days, the “rage militaire” in Royster’s memorable phrase, waxed and waned during the brutal conflict as soldiers and civilians settled into an uneasy relationship often in danger of collapsing into anarchy or a military despotism as everyone feared. Royster seems to have read every scrap a soldier or officer produced across the war’s 8 years, and researching the book in the 1970s, he someone kept track of everything, deploying a deft quote time after time, without the aid of a computer. How?
In this highly acclaimed book, Charles Royster explores the mental processes and emotional crises that Americans faced in their first national war. He ranges imaginatively outside the traditional techniques of analytical historical exposition to build his portrait of how individuals and a populace at large faced the Revolution and its implications. The book was originally published by UNC Press in 1980.
My sister once remarked that listening to our mother’s stories about living during World War II made it sound like we missed something really exciting. That is what history has always been for me–something I missed out on, for better or worse. What would it really have been like? Could I have survived? Family genealogies bring history to me on a personal level; archaeology and paleontology extend that wonder much deeper into the past. During the time I taught anatomy and human evolution at the University of Indianapolis, I tried to be as interdisciplinary as possible, both in study and teaching. I continue this in my retirement.
After reading David Hackett’s book, I cannot think of American society in the same way again. The United States is touted as the great melting pot, but we all know that cultural nuggets may refuse to mix thoroughly with the rest. What I learned from this book is that even within white Angle-America, behavior patterns that differentiated Englishmen hundreds of years ago persist in America today. This book is not about red states and blue states, but it is impossible to read it and not see the connections.
Hackett traces the colonial immigration of four populations who settled the colonies–New England Puritans, Quakers and others of the Middle Colonies, Cavaliers of the South, and the Scotch-Irish of the Appalachian back-country. They differed significantly in geographic origins, speech, architecture, family structure and values, gender roles, food, dress, work patterns, and the concept of freedom.
Eighty percent of Americans have no British ancestors. According to David Hackett Fischer, however, their day-to-day lives are profoundly influenced by folkways transplanted from Britain to the New World with the first settlers. Residual, yet persistent, aspects of these 17th Century folkways are indentifiable, Fischer argues, in areas as divers as politics, education, and attitudes towards gender, sexuality, age, and child-raising. Making use of both traditional and revisionist scholarship, this ground-breaking work documents how each successive wave of early emigration-Puritans to the North-East; Royalist aristocrats to the South; the Friends to the Delaware Valley; Irish and North Britons to the…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This book is a pleasure to read. John Brewer shows us the birth of "high culture" in Britain, the many ways that a national public became aware that music, painting, theater, and poetry could bring people together and make them happy.
Low life and high life, Grub Street and royalty all come into play. And the book never forgets that the arts can be a source of fun, not only for those who create and follow them but for everyone who reads about them.
The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation.
John Brewer's enthralling book explains how this happened and recreates…
