Here are 100 books that Life in Mexico fans have personally recommended if you like
Life in Mexico.
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I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
This book by Barbara Mundy, an art historian, challenges the idea that the Aztec capital of Tenochtitlan was instantly transformed into Spanish Mexico City following the conquest in 1521. Using indigenous and Spanish maps, Nahua codices, and archaeological evidence, Mundy shows that many aspects of urban life remained in indigenous hands for nearly a century after the Spanish and their indigenous allies toppled Montezuma and his empire. The book is beautifully illustrated, and Mundy’s writing brings the spaces and rhythms of the sixteenth-century city to life.
Winner, Book Prize in Latin American Studies, Colonial Section of Latin American Studies Association (LASA), 2016 ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016
The capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan's power, which extended over much of Central Mexico, Hernando Cortes and his followers conquered the city. Cortes boasted to…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Douglas Cope’s book is a wonderful work of social history that explores how issues of race and class impacted the lives of working people in colonial Mexico City. Cope shows that Spain’s so-called “caste system” was more ideal than reality. A person’s physical appearance, occupation, and social milieu shaped perceptions of their race and ethnicity far more than their lineage, which was not something most people documented in this era. The book combines quantitative and qualitative analysis to provide a rich description of everyday life, bringing readers into artisans’ workshops, market vendors’ stalls, and other spaces where people lived and worked in the seventeenth and eighteenth centuries.
In this distinguished contribution to Latin American colonial history, Douglas Cope draws upon a wide variety of sources—including Inquisition and court cases, notarial records and parish registers—to challenge the traditional view of castas (members of the caste system created by Spanish overlords) as rootless, alienated, and dominated by a desire to improve their racial status. On the contrary, the castas, Cope shows, were neither passive nor ruled by feelings of racial inferiority; indeed, they often modified or even rejected elite racial ideology. Castas also sought ways to manipulate their social "superiors" through astute use of the legal system. Cope shows…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Few scholars have done more to demystify the nature of crime in Mexico than Pablo Piccato. His book City of Suspectsis a nuanced history that reveals that the very meaning of crime was contested in early twentieth-century Mexico City. While Mexican elites tried to define criminals as a social class, the urban poor, who experienced crime as a part of their everyday lives, saw crime as an individual phenomenon. This book, like the others on this list, is also a story about the ways people used and thought about public space. At a time when Mexico’s government sought to transform the capital into a modern metropolis along the lines of Paris or New York, the poor resisted efforts to exclude them from that future.
In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners' letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system. By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Juan Villoro’s memoir takes readers on a tour of contemporary Mexico City that is also a meditation on chilangos’ (Mexico City residents) relationship with the past. The book bounces between the author’s childhood in the neighborhoods of Mixcoac and Del Valle and the present day, traversing the sprawling metropolis and giving readers a sense of its scale and complexity. Through Villoro, we meet the sewer cleaners and tire repairmen who keep the city humming. We visit monuments like the Angel of Independence and Chapultepec Castle and the bustling spaces of Santo Domingo Plaza and Tepito—places that seem to hover between past and present and myth and reality. At once spry and erudite, the book is an immensely satisfying rumination on the city and its people.
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city.
Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
Miroslava Chavez Garcia’s parents were tragically killed when she was very young. As an adult, already an accomplished historian, she came across a trunk in her uncle’s closet filled with their letters to each other. Using those letters, she builds a deeply personal history. Her story adds dimensions we usually cannot know about migration and the emotional bonds it strains and sustains.
Drawing upon a personal collection of more than 300 letters exchanged between her parents and other family members across the U.S.-Mexico border, Miroslava Chavez-Garcia recreates and gives meaning to the hope, fear, and longing migrants experienced in their everyday lives both ""here"" and ""there"" (aqui y alla). As private sources of communication hidden from public consumption and historical research, the letters provide a rare glimpse into the deeply emotional, personal, and social lives of ordinary Mexican men and women as recorded in their immediate, firsthand accounts. Chavez-Garcia demonstrates not only how migrants struggled to maintain their sense of humanity in…
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Powwow's Comingis a simple, colorful, and “full of dancing descriptions” that show the fun and importance of powwow celebrations. Linda is part Native and part teacher and fully a creative author and illustrator. She explains in rhyming narrative the reasons for the gathering of many tribal members at a powwow to share dancing, chanting, and drumming. Powwow’s Comingis a perfect read aloud for younger “listeners.” Boyden has included a teachers’ resource page so the book can easily be incorporated into different curriculums.
Powwow's coming, hear the beat? Powwow's coming, dancing feet. Powwow's coming, hear the drum? Powwow's coming, everyone! Frustrated as a school teacher not being able to find good instructional materials on American Indians, Linda Boyden has bypassed the tired stereotype of Indians on horseback or hunting game and placed them in today's setting of a powwow. ""Powwow's Coming"" provides children with a foundation for understanding and celebrating the enduring culture and heritage of American Indians. Boyden's exquisite cut-paper collage and engaging poem visually place readers within the scenes of a contemporary Native American community while offering a thoughtful look at…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
Historian Doug Hocking grew up on the Jicarilla Apache Reservation of New Mexico. He knows her peoples, towns, and trails. He has completed advanced studies in history, his first love, anthropology, and historical archaeology. Since retiring as an armored cavalry officer, Doug has owned his own business. With this background he has insight into America’s great commercial road, the Santa Fe Trail, and into battles and soldiering. He understands Apache lives as few others do.
This is a collection of articles including some by Marc Simmons, Gardner’s mentor and frequent writing partner. The pair are the greatest experts on the trail to be found. If you can locate a copy, its articles provide a broad perspective on where Santa Fe Trail research has taken us in recent years by people who love the trail and its peoples.
Thirteen papers on the Santa Fe Trail, of which ten are reprinted from the April 1989 issue of Journal of the West . Annotation copyright Book News, Inc. Portland, Or.
I fell in love with Latin American literature when I was in the Peace Corps in the late 1960s in the highlands of Colombia. My husband and I were in a program of rural community development. The Colombian writer, Gabriel García Márquez, published his now-famous novel, One Hundred Years of Solitude, while we were there (in 1967), and when I read it, I said, “This is the kind of fiction that I want to keep on reading and studying forever!” And so I have. I am on the faculty of the University of Houston, where I teach Latin American literature and history, including a course on Magical Realism.
This short novel is by a Mexican writer and takes place underground. At first, we cannot tell who is living and who is dead, but we eventually accept the fact that the characters are ghosts.
The ghosts come and go, remembering their past lives together. They remind each other of the events of the Mexican Revolution that they lived through, and they especially remember the strongman in the village. Pedro Páramo runs things with an iron hand, and he also pines for a woman who is beyond his control—the only thing he wants that he can’t have.
The voices in this novel are like a chorus of whispers breathing the picture of a poor village. I love the beauty and mystery of the writing. Many Mexicans consider this their greatest novel, and for all readers, it is a small masterpiece.
Winner, Fred Whitehead Award for the Best Design of a Trade Book from Texas Institute of Letters Western Books Exhibition Selection, Rounce & Coffin Club, 2003 Deserted villages of rural Mexico, where images and memories of the past linger like unquiet ghosts, haunted the imaginations of two artists-writer Juan Rulfo and photographer Josephine Sacabo. In one such village of the mind, Comala, Rulfo set his classic novel Pedro Paramo, a dream-like tale that intertwines a man's quest to find his lost father and reclaim his patrimony with the father's obsessive love for a woman who will not be possessed-Susana San…
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
We all need a laugh from time to time, and this book is pleasant light-hearted reading. ‘Ladies of a certain age’ look back with amusement and sometimes embarrassment at their younger selves. All women of a certain age can identify with this group of authors and the silly things we did during our youth way back when there was no internet or mobile phones and we had to actually talk to people face to face!
Remember ironing your hair? Rolling it in soda cans to straighten it? Lacquering it with enough spray that it could ward off bullets? Ever slather on cement-colored lipstick so heavy, you looked like a zombie princess? Remember hot pants and platform heels? The danger of patent-leather shoes? Were you a secretary, nurse, or teacher, but only, as our mothers urged us, until you found “Mr. Right.” In her new book, LAUGH OUT LOUD: 40 WOMEN HUMORISTS CELEBRATE THEN AND NOW…BEFORE WE FORGET, Allia Zobel Nolan and 40 funny ladies from the Erma Bombeck Writers’ Workshop chronicle these blips in time…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
In this masterpiece of historical narrative, Paul Sullivan investigates the 1875 sacking of a sugar plantation (called Xuxub) and the murder of its American manager by Maya rebels. Located on the geographical frontier between “Ladino” and Maya society, Xuxub became a microcosm of all of the conflicts that haunted Mexico as it entered its “Guilded Age”: inter-elite rivalries, international competition in the wake of the U.S.-Mexico War, and the overwhelming fear that the nation’s Indigenous population would rise up against encroaching liberal capitalism. It all comes together in a murder mystery, written more like true crime than an academic text, right down to the final poetic twist. This is an immensely enjoyable read, so much so that I have read it no fewer than fifteen times.
Today, foreigners travel to the Yucatan for ruins, temples, and pyramids, white sand beaches and clear blue water. One hundred years ago, they went for cheap labor, an abundance of land, and the opportunity to make a fortune exporting cattle, henequen fiber, sugarcane, or rum. Sometimes they found death.
In 1875 an American plantation manager named Robert Stephens and a number of his workers were murdered by a band of Maya rebels. To this day, no one knows why. Was it the result of feuding between aristocratic families for greater power and wealth? Was it the foreseeable consequence of years…
