100 Books Like Homeland Elegies

In this brilliantly written novel, the unnamed narrator embodies the divisiveness that war causes in individuals and their families, with loyalty to one side conflicting with affection for the enemy.

The novel is based on a real-life double agent who fed accurate (but incomplete) information to American journalists and more complete information to the National Liberation Front. After the war, he was sidelined for being too friendly to Americans.

Lovers of language will be entranced by this slim volume. The book contains 26 short pieces, each centered around a Dutch word beginning with a different letter of the alphabet and its English translation. Each segment is a poetic meditation on some aspect of the author’s transition from her first home in the Netherlands to her second home in Canada, and with it, her transition from the Dutch language to English. 

The author explores themes such as how English speakers perceive her mother tongue as alien, the profound emotional connection she feels for Dutch, which she describes as “my pulse music, my bone resonator, my umbilical ligature,” and the paradox of her identification with a mother tongue whose speakers do not always welcome her complicated ethnic identity. 

This is not a book to read quickly. It’s a book to be savored, ideally in the small, intense doses provided by each… show more.

This is one of the most innovative and intriguing memoirs I have read. Its structure is inspired by the visual image of the line that runs through the Punjab region, partitioning Pakistan from India. The book is separated into halves: one half relates the stories of the author’s parents, who were born on opposite sides of the line, and the other presents the author’s own experiences and observations as a second-generation immigrant. Nothing about the design of the book indicates which half should be read first—a hint that the reader will be invited to consider the resonances running in both directions across the generations.

The theme of fragmentation and division is, paradoxically, the glue that binds the various elements of the book together. The author explores the arbitrary lines, imposed by historical and cultural forces, that divide people from each other and that split their selves into parts. The portrait… show more.

This is a Cold War chronicle of homesickness and identity change, written by a Polish woman who came to Canada as a child with her family.

Hoffman had to learn not only how to live in a radically new culture, or how to speak a new language, but also how to get used to a new name and to a new lifestyle. This book showed me how to make a potentially cheap sentiment, nostalgia, into a tool of lucid introspection.

As an immigrant myself, I learned from Hoffman to not feel like I must choose between loyalties—to my previous self, before I left my country, and to who I am now, in a new culture. In key moments, Hoffman likes to imagine who she would have been if she had stayed in Poland, not to compare to who she is in North America but to find a third, middle point… show more.

Iftin survived against incredible odds on his journey to America. His book picks up where mine left off and gives me insight into what happened after I fled Mogadishu with my family. Iftin describes in such vivid images the struggles he went through at the peak of the Somali civil war. Many of the places I roamed in Mogadishu as a teen were either dilapidated or turned into makeshift prison cells by Islamists. Iftin described an incident where he and a girl he loved were flogged for daring to show love outwardly. My home, where beautiful Somali women wearing colorful garments swung their hips with complete freedom as they walked to market, turned into a place and a people I no longer recognize.

This wonderfully written true story is told as a wild madcap, can’t put it down, tragic comedy, which is incredibly funny but carries with it an underbelly of loss and heartbreak. 

As he struggles to straddle the demands of his Iraqi-Iranian cultural mix as a refugee in Australia, Osamah makes some disastrous choices, that lead him down a complex maze to the truth of where his own heart lies.

Relayed in the voice of his nine-year-old self, Solito tracks Zamora’s harrowing three-thousand-mile trek from his home in El Salvador to join his mother and father in California.

To reunite with his parents, he must leave behind everything else he has ever known: his village, his friends, his grandparents, and his beloved Tia Mali. What is supposed to be a two-week journey turns into a two-month odyssey, as he makes his way north by bus, boat, and foot, accompanied by a group of strangers who, in time, close ranks to nurture and protect him like a second family.

This affecting story, told with such innocence and immediacy, makes evident the individual, human costs that are too easily overlooked by reporting on US immigration and the staggering statistics that it invariably emphasizes.

Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).

It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!

For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.

Are any of the books I’ve selected International Studies texts? Let’s debate that later! This one was published in a Feminist Media Studies list. 

This book illuminates and humanizes the connections between activists working for LGBTQ rights and activists working for immigrant rights. Chávez foregrounds insights from women of color. It was one of the first academic books I read during my doctoral work that helped me understand how to bridge movement insights with political theory while staying committed to the activists I write about.

Chávez takes care in her work, always taking the continuing urgency of the coalitional queer and migrant politics seriously.

While I was getting my PhD at the University of Massachusetts – Boston, Chávez came to our campus and gave a talk. I was inspired by how connected her work is to the movements she writes about, and I aim to do the same.

A twenty year old American woman goes to Paris to paint, meets a French artist, marries, has a child, and together buy a farmhouse and make a summer home and art studios in rural Brittany: that story. A memoir. 

The book was published in 2008, but the story takes place in the early 1960s when rural Brittany was closer to the 19th century than the 21st. I was in Paris in 1967, and it was still possible to rent a hotel room for under five dollars a night, to travel in Europe for ten dollars a day. In 1967, you could not safely drink the water in France, including in Paris, and you had to have proof of a typhus vaccine to return to the U.S. It was still more Henry Miller’s Paris than Macron’s.

This was the time of the last of every day berets, blue… show more.