Books like Alfabet/Alphabet — picked by fans

In this brilliantly written novel, the unnamed narrator embodies the divisiveness that war causes in individuals and their families, with loyalty to one side conflicting with affection for the enemy.

The novel is based on a real-life double agent who fed accurate (but incomplete) information to American journalists and more complete information to the National Liberation Front. After the war, he was sidelined for being too friendly to Americans.

This is a book about language and how we have lost so many words that clarify our understanding of the natural world. For my book Swamplands, I borrowed from MacFarlane’s glossary of words describing peat. Yarpha, for example, is an Orkney word for peat that is full of fibers and roots, Water-sick is a Cumbrian word for peatlands that are saturated with water. The book reminds us that we need to be more explicit in describing nature in all of its manifestations. It is also addictive. You can start from the middle and read to the beginning or to the end, It never fails

One of the most important parts of the environment for human organisms is the linguistic information that we share back and forth with each other. The language(s) you share with the people around you cannot help but become a fundamental aspect of who you are. While the majority of the world is multilingual (i.e., able to talk about the same thing in different ways), many in North America struggle with developing fluency in a language other than English because English has become so overwhelmingly dominant. Julie Sedivy is in the curious (but not uncommon) situation of being “a linguistic orphan, a person without a mother tongue.” She learned only Czech for the first few years of her life but then was whisked away to Canada where she quickly learned English and rapidly forgot her native language. In Memory Speaks, Julie Sedivy draws the parallels between an individual losing a… show more.

This one hit close to home because some of Everett’s struggles felt very familiar: living among a tribe that understands the world in a radically different way and questioning your own most deeply held beliefs as a result.

It’s a brilliant exercise in thinking outside the assumptions of Western life. And it’s the rare book that got me to chuckle out loud now and then.

I love that Basso can take me so far inside someone's mind that I can begin to understand not just what they think and feel but how and why they think and feel it.

This book contains the very systems and processes that we use to make knowledge and meaning, and I love learning about a way of knowing and making meaning that is very different from mine—entirely logical, purposeful, valid, and different from mine. 

This is one of the most innovative and intriguing memoirs I have read. Its structure is inspired by the visual image of the line that runs through the Punjab region, partitioning Pakistan from India. The book is separated into halves: one half relates the stories of the author’s parents, who were born on opposite sides of the line, and the other presents the author’s own experiences and observations as a second-generation immigrant. Nothing about the design of the book indicates which half should be read first—a hint that the reader will be invited to consider the resonances running in both directions across the generations.

The theme of fragmentation and division is, paradoxically, the glue that binds the various elements of the book together. The author explores the arbitrary lines, imposed by historical and cultural forces, that divide people from each other and that split their selves into parts. The portrait… show more.

This book calls itself a novel, but it is deeply intertwined with the author’s own life and experiences as a second-generation immigrant from Pakistan. The chapters often read more like incisive personal essays than segments advancing the plot of a conventional novel, as the author grapples with the economic obsessions and spiritual poverty of contemporary American culture, the experience of everyday racism and the rage it provokes, and the feelings of alienation that many immigrants feel from both their country of origin and their adopted home. 

The central preoccupation of the book is the difficulty of living as a complete, nuanced, self-contradictory individual in a world that forces you to choose—between cultures in conflict with each other, between absolutist world views that permit no ambivalence, between economic success and authenticity. It is a tension that may be especially pronounced in an immigrant’s life, but one that entraps everyone and results… show more.

This is a Cold War chronicle of homesickness and identity change, written by a Polish woman who came to Canada as a child with her family.

Hoffman had to learn not only how to live in a radically new culture, or how to speak a new language, but also how to get used to a new name and to a new lifestyle. This book showed me how to make a potentially cheap sentiment, nostalgia, into a tool of lucid introspection.

As an immigrant myself, I learned from Hoffman to not feel like I must choose between loyalties—to my previous self, before I left my country, and to who I am now, in a new culture. In key moments, Hoffman likes to imagine who she would have been if she had stayed in Poland, not to compare to who she is in North America but to find a third, middle point… show more.

When I took my Master course in English Language Teaching in 1992, this was one of the suggested sources.

I loved it, and so did my fellow students, because it explained language learning in an extremely clear and straightforward way. Later, as a professor, I found that my own students were similarly enthusiastic. But do not get the impression that this is just a good ‘academic’ textbook. It was written for novice English teachers, many international, and so the language is non-technical and accessible.

Lightbown and Spada take the reader through the process of language acquisition step-by-step, with numerous examples and illustrations, and with a conversational writing style. This makes the book suitable for any interested reader who desires an introduction into how languages are learned, and how they should be taught. Now in its 5th blockbuster edition, with even more pictures and examples. 

Mariana Enriquez is wild.

I learned a lot reading her memoir, from the word for a sexual attraction to statues (agalmatophilia) to the fact that it was Diego Rivera who named Catrina, the elegant female skeleton in the tight dress.

Enriquez visited a lot of cemeteries that I've only read about and others that I've never heard of, all the while writing passionately about indigenous erasure in colonial cemeteries, the recovery of the bodies of Argentina’s Disappeared, and the history and traditions of all the countries she visits. I was fascinated to explore the perspective of a cemetery tourist who isn't American or European.