I’ve been putting my passport to good use for the last thirty years or so. Few things make me happier than showing up in an unfamiliar place – whether a village in Ecuador, a town in Ireland, or a city in Ghana – and trying to become familiar with the people, the customs, the food, all of it. But I suppose what I love most is a good story. During those three decades, I’ve also become a Professor of English at Arizona State University, where my research has increasingly focused on how artists and ideas move across geographical and cultural boundaries. In my latest book, License to Travel, these various interests come together.
I wrote
License to Travel: A Cultural History of the Passport
This book moves me whenever I open it, no matter the chapter, no matter the page.
It presents the harrowing tale of Douglass’s flight from slavery as a young man with a degree of urgency and detail that is not found in his other writings.
But it is the account of his travels through Europe and North Africa as a man of almost seventy, finally free to pursue his lifelong wanderlust, that is perhaps most poignant: “I had strange dreams of travel even in my boyhood days,” he writes. “I thought I should some day see many of the famous places of which I heard men speak, and of which I read even while a slave.”
In between Paris and the pyramids, Douglass repeatedly compares what he sees in the Old World with what he knows so well, and often so painfully, of American ideals, values, and aspirations.
This richly illustrated edition of this classic American autobiography sheds new light on Douglass's famous text for a new generation of readers.
Famous orator and former slave Frederick Douglass published his third and last autobiography, Life and Times of Frederick Douglass, in 1881. No longer in danger as an escaped slave, it goes into greater detail and encompasses Douglass's entire life, from his early years living with his grandmother in Maryland to the events during and after the Civil War, including his meetings with presidents and dignitaries and his deep involvement with the burgeoning suffragist movement. His account reveals what…
I adore this book for its quirky chronicle of the so-called “Lost Generation,” those American expatriates who began arriving in Paris shortly after the turn of the twentieth century in search of all that was new and exhilarating in the world of arts and letters.
Presented as an “autobiography,” the book is really a playful ruse, adopting the verbal mannerisms and eccentric sensibility of Toklas to present Stein as a great genius among lesser geniuses. Together, these singular characters guide the reader through encounters with a host of cultural icons, including Ezra Pound, T.S. Eliot, Ernest Hemingway, F. Scott Fitzgerald, Richard Wright, Paul Robeson, Pablo Picasso, and Henri Matisse.
But the book is not just a gossipy tell-all. It’s a sparkling record of a particular time and place, itself now lost, that generated such immense creativity, however much Stein may have played with the facts.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Subtitled Memoires of a European and conceived as missive to future generations, this book provides an exemplary account of the Continent in the first half of the twentieth century, with its many upheavals, rendered from the perspective of an exemplary individual: “an Austrian, a Jew, an author, a humanist, and a pacifist,” Zweig remarks, “I always stood at the exact point where these earthquakes were the most violent.”
He began writing the book in the mid-thirties when the rise of the Nazi party motivated him to leave Austria, first for England and later Brazil. Along the way, he recounts the details of his life and work in Vienna, Paris, Berlin, Zurich, and elsewhere, as he became one of the leading figures in European letters, before the Second World War wrought destruction on his entire generation.
The World of Yesterday, mailed to his publisher a few days before Stefan Zweig took his life in 1942, has become a classic of the memoir genre. Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.
Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.
Allende loves her Chilean homeland with a longing, a tenderness, an exasperation derived from the country’s turbulent history and her long experience of exile and emigration in Venezuela and the United States.
This book made me fall in love all over again with the country, which I first visited a quarter century ago – and it will make you fall in love with it too, whether or not you’ve ever visited Chile.
With a novelist’s imaginative flare, Allende travels through time and across borders, searching her memory to tell the story of her lonely childhood, her remarkable family, the tumults that forced her abroad (including the death of her father’s cousin, President Salvador Allende), and a long life lived at a distance from the place she still calls home, regardless of decades of displacement.
"A stunningly intimate memoir. . . . Allende is that rare writer whose understanding of story matches her mastery of language."-Entertainment Weekly
The revered New York Times bestselling author of House of the Spirits and A Long Petal of the Sea ponders the elements that led to her becoming a writer, including the homeland she lost and the one she found, and the family spirits, both living and dead, who haunt her life and work.
In this wondrous and intimate book, Isabel Allende explores the role of memory and nostalgia in shaping her life, her books, and that most intimate…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Relayed in the voice of his nine-year-old self, Solito tracks Zamora’s harrowing three-thousand-mile trek from his home in El Salvador to join his mother and father in California.
To reunite with his parents, he must leave behind everything else he has ever known: his village, his friends, his grandparents, and his beloved Tia Mali. What is supposed to be a two-week journey turns into a two-month odyssey, as he makes his way north by bus, boat, and foot, accompanied by a group of strangers who, in time, close ranks to nurture and protect him like a second family.
This affecting story, told with such innocence and immediacy, makes evident the individual, human costs that are too easily overlooked by reporting on US immigration and the staggering statistics that it invariably emphasizes.
New York Times Bestseller • Read With Jenna Book Club Pick as seen on Today • Winner of the Los Angeles Times Christopher Isherwood Prize for Autobiography • Winner of the American Library Association Alex Award
A young poet tells the inspiring story of his migration from El Salvador to the United States at the age of nine in this “gripping memoir” (NPR) of bravery, hope, and finding family.
Finalist for the PEN/John Kenneth Galbraith Award for Nonfiction • One of the New York Public Library’s Ten Best Books of the Year
Longlisted for the Andrew Carnegie Medal for Excellence…
In License to Travel, Patrick Bixby takes the reader on a captivating journey from pharaonic Egypt and Han-dynasty China to the passport controls and crowded refugee camps of today. Along the way, you will peruse the passports of artists and intellectuals, writers and musicians, ancient messengers, and modern migrants; see how these seemingly humble documents implicate us in larger narratives about identity, mobility, citizenship, and state authority; encounter intimate stories of vulnerability and desire along with vivid examples drawn from world cinema, literature, art, philosophy, and politics; witness the authority that travel documents exercise over our movements and our emotions as we circulate around the globe.