Here are 100 books that The Electric Michelangelo fans have personally recommended if you like
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I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
Oh, Was, how I love your relentlessly bleak, depressing sadness.
This is a strangely inventive novel that twines reality and fantasy into a brutal, desolate, yet gorgeous story of pain and survival. Told from the points of view of numerous characters, each story is tethered in some way to The Wizard of Oz, that venerable fable about good versus evil in the search for home.
Ryman introduces us to a main trio of characters whose lives are all equally harrowing–Dorothy Gael (the imagined inspiration for The Wizard of Oz heroine and the victim of familial sexual abuse), Frances Gumm (who becomes the tragic Judy Garland), and Jonathan (an actor experiencing AIDS-related dementia)–whose stories he intricately weaves together like a master craftsman. And while the novel is not a “happy” read by any stretch of the imagination, what has stayed with me throughout the past thirty years is its…
Dorothy, orphaned in the 1870s, goes to live with her Aunty Em and Uncle Henry. Baby Frances sings with her family on stage in the 1920s. From the settling of the West and the heyday of the studios, to the metropolis of modern Los Angeles, this book follows the development of the USA.
Jo Jackson believes she has put behind her difficult childhood with a charismatic but sometimes violent father. One day, however, out of the blue, she is moved to write about him. Immediately she comes unstuck, face to face with things that don't add up, and a growing sense of mystery…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I was introduced to the beguiling novels of Jonathan Carroll by the owner of a bookstore where I worked when I was young. Thirty years on and I still greatly anticipate a new novel by this unclassifiable author.
It follows the efforts of a teacher and his girlfriend to write the biography of a deceased children’s author whom they idolize. I love that Carroll’s books begin with familiar scenarios but soon take off into a very unique kind of magical realism.
Carroll always writes with a sure, sweet touch; his dialogue is whip-smart, his characters larger than life, and his stories always zip along with an easy conversational tone. You can start anywhere with his books, but there’s a special place in my heart for this one.
Have you ever loved a magical book above all others? Have you ever wished the magic were real? Welcome to The Land of Laughs. A novel about how terrifying that would be.
Schoolteacher Thomas Abbey, unsure son of a film star, doesn't know who he is or what he wants--in life, in love, or in his relationship with the strange and intense Saxony Gardner. What he knows is that in his whole life nothing has touched him so deeply as the novels of Marshall France, a reclusive author of fabulous children's tales who died at forty-four.
They say that we begin by imitating what we love and find our personal themes in the process, and that’s certainly been true for me. I grew up reading horror and fantasy and now I write realistic fiction with something deeper and darker always throbbing under the surface. My subjects can be contemporary, like Nightmare, with Angel or The Spirit Box, but I’ve had some of my biggest critical successes with historical fiction. I’ve had parallel career paths in books and TV, each often crossing with the other, but it’s in the novels and short stories that you’ll find me uniquely invested.
Tom Reamy’s first novel was also to be his last. Its carnival sideshow setting is reminiscent of Geek Love, Nightmare Alley, and much of Ray Bradbury, but with a poignancy and sense of place that set it apart. I can guarantee that you’ll never forget Angel, the mute, blind flying boy. Reamy was an active genre critic, editor, and convention organiser for at least two decades before he began submitting the fiction he’d been working on in private. Its impact was immediate but he saw little of its success, struck by a heart attack while working on a story at the age of 42. For me his legacy—this novel, and the collection San Diego Lightfoot Sue and Other Stories—equal that of many a more prolific author.
"It was a time of pause, a time between planting and harvest when the air was heavy, humming with its own slow warm music." So begins an extraordinary fantasy of the rural Midwest by a winner of the John W. Campbell, Jr., Award for best young science fiction writer. One summer day in the 1920s, Haverstock's Traveling Curiosus and Wondershow rides into a small Midwestern town. Haverstock's show is a presentation of mysterious wonders: feats of magic, strange creatures, and frightening powers. Three teenage girls attend the opening performance that evening which, for each, promises love and threatens death. The…
Jo Jackson believes she has put behind her difficult childhood with a charismatic but sometimes violent father. One day, however, out of the blue, she is moved to write about him. Immediately she comes unstuck, face to face with things that don't add up, and a growing sense of mystery…
They say that we begin by imitating what we love and find our personal themes in the process, and that’s certainly been true for me. I grew up reading horror and fantasy and now I write realistic fiction with something deeper and darker always throbbing under the surface. My subjects can be contemporary, like Nightmare, with Angel or The Spirit Box, but I’ve had some of my biggest critical successes with historical fiction. I’ve had parallel career paths in books and TV, each often crossing with the other, but it’s in the novels and short stories that you’ll find me uniquely invested.
This book arrived in the avalanche of volumes that descended on my house the year I agreed to join the judging panel for the World Fantasy Awards, and for me it shone out. The story’s told by Hans Schneider, who kills a fellow student when a duel goes wrong and ends up working in a low-rent asylum. There he meets the mysterious Dr. Lavenza and joins him in a mission to locate Victor Frankenstein’s formula for eternal life. It’s written with style and wit and a great sense of period. I felt so strongly about the lack of a paperback edition that I later offered to create one for the Brooligan Press. And for the avoidance of doubt, I don’t make a penny from its sales!
Hans Schneider is a drunkard and a womaniser; everyone agrees he’s heading for a bad end. When he kills a fellow student in a duel, he finds himself banished to an isolated rural hospital, far from the pleasures he desires. There he meets the mysterious Dr Lavenza, and learns about Frankenstein’s prescription—the secret of eternal life. Together, Schneider and Lavenza set out to collect the missing pieces of the formula. But they are not alone. From Germany to Rome, from Rome to Paris, to the failed and wretched Eden of an all-too-human God, a dreadful creature follows in their wake,…
I’ve been writing, speaking, blogging, and tweeting about the history of American children and their childhoods for many decades. When I went to school—a long time ago—the subject did not come up, nor did I learn much in college or graduate school. I went out and dug up the story as did many of the authors I list here. I read many novels and autobiographies featuring childhood, and I looked at family portraits in museums with new eyes. Childhood history is fascinating and it is a lot of fun. And too, it is a great subject for book groups.
This coming-of-age novel set in the Great Depression and World War II Brooklyn has it all: girlhood, poverty, and cultural conflict between Barbadian immigrants and black Americans. The voice of the narrator, a young first-generation immigrant girl, is captivating. Although published in 1959, it is timeless and fresh today, you’ll ask yourself, “why isn’t this story going to became a major motion picture?”.
"An unforgettable novel, written with pride and anger, with rebellion and tears." — Herald Tribune Book Review"Passionate, compelling . . . an impressive accomplishment." — Saturday Review"Remarkable for its courage, its color, and its natural control." — The New Yorker Selina's mother wants to stay in Brooklyn and earn enough money to buy a brownstone row house, but her father dreams only of returning to his island home. Torn between a romantic nostalgia for the past and a driving ambition for the future, Selina also faces the everyday burdens of poverty and racism. Written by and about an African-American woman,…
I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
All I can say is the pigeon scene. You will have to read the novel to find out what I am referencing, but oh my God, this novel is so good. Dominicans and Dominican-Americans in 1960s New York City? Fierce female protagonists? Writing that makes me stop and want to copy down sentences on a Post-It? Yes, please. I was cracking up, teary-eyed, and satisfied when reading this gem of a novel. I would read anything Angie Cruz writes.
Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy.
No graphic novel has ever blown me away like Unterzakhn(which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls…
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.
In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.
A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how…
Before I’m a scholar, author, or policy wonk, I’m a Christian who believes that God has shown us that our highest and greatest call after loving God is to love each other—and thus we are to value people’s and communities’ well-being above profit, wealth, and status. Thus, I come to sociology with a sense of mission: to use the tools of social science to understand the mechanisms creating inequitable resource access and, with that insight, to imagine and work alongside like-minded others to build economic and political systems that foster communal and individual prosperity. By studying the Black middle class, specifically, I gain traction for understanding how racial status distorts our economic and political systems.
This book helped me to understand the cultural complexity of my family—my father is a Jamaican immigrant, and my mother is a native-born African American—and the cultural richness of my neighborhood, Harlem, in New York City.
Like Lacy, Clerge centers her research in suburbia, not in a city. And Clerge explains how cultural distinctions across Caribbean and African American communities offer a rich tapestry of expression, and ways of being and belonging.
She reveals how cultural differentiation shapes and is shaped by class variation and strategies for navigating White domination and anti-Black racism. Clerge also discusses the implications for solidaristic behaviors across people of African descent in the United States.
The expansion of the Black American middle class and the unprecedented increase in the number of Black immigrants since the 1960s have transformed the cultural landscape of New York.
In The New Noir, Orly Clerge explores the richly complex worlds of an extraordinary generation of Black middle class adults who have migrated from different corners of the African diaspora to suburbia. The Black middle class today consists of diverse groups whose ongoing cultural, political, and material ties to the American South and Global South shape their cultural interactions at work, in their suburban neighborhoods, and at their kitchen tables. Clerge…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.
Acclaimed by literary critic Carl Van Doren as "the most important of all immigrant novels," The Rise of David Levinsky takes place amid America's biggest and most diverse Yiddish-speaking community during the early 20th century. David Levinsky, a young Hasidic Jew struggling to master the Talmud, seeks his fortune amid the teeming streets of New York's Lower East Side. All the energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation. Author Abraham Cahan founded and edited the Jewish Daily Forward,…
