Here are 83 books that Andy Warhol fans have personally recommended if you like
Andy Warhol.
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I’ve been collecting records since I was a teenager, and unlike many of my friends, I’ve kept all my records. I love music, but I also love album cover art. I’ve taken my interest and have written three books on album cover art that tell the story of dozens of album covers. I especially like discovering relatively unknown or anonymous artists and designers who created compelling record cover art. I am constantly looking for interesting records, and I am possessed by the desire to learn more about album cover art. I love to share my passion and let people know about the wide world of vinyl.
This is an exceptional book on album cover art, with over 500 images that cover the 1950s to the 2010s. The author did an amazing job of tracking down stories of how these fantastic covers were created.
I learned so much about album cover art from this book, and it introduced me to dozens of records that I want to acquire. It’s a huge book, and I love to flip through it while listening to vinyl.
Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo's 1913 Futurist manifesto L'Arte dei Rumori (The Art of Noise) to Marcel Duchamp's 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance.
In Francesco Spampinato's unique anthology of artists' record covers, we discover the rhythm of this particular cultural history. The book presents 500 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been collecting records since I was a teenager, and unlike many of my friends, I’ve kept all my records. I love music, but I also love album cover art. I’ve taken my interest and have written three books on album cover art that tell the story of dozens of album covers. I especially like discovering relatively unknown or anonymous artists and designers who created compelling record cover art. I am constantly looking for interesting records, and I am possessed by the desire to learn more about album cover art. I love to share my passion and let people know about the wide world of vinyl.
I found this book to be fascinating and engaging. It focuses on photographers who have made their mark on album cover design and includes many examples, some of which I was aware of but many that were new to me.
I love photography and album cover art, and this book showcases the role that photography plays in album cover design as well as any book that I have read.
The history of photography is teeming with portraits of musicians made iconic by their album covers: Thelonious Monk by W. Eugene Smith, Miles Davis by Irving Penn, Grace Jones by Jean-Paul Goude, Laurie Anderson by Robert Mapplethorpe. The history of album cover art also includes collaborations between prominent figures, such as Mick Rock and David Bowie, Annie Leibovitz and John Lennon, Lee Friedlander and John Coltrane, Nobuyoshi Araki and Bjoerk, Anton Corbijn and U2, and Robert Frank with the Rolling Stones-not to mention Francis Wolff's legendary work with Blue Note, the record label he cofounded. Musicians and designers have also…
I’ve been collecting records since I was a teenager, and unlike many of my friends, I’ve kept all my records. I love music, but I also love album cover art. I’ve taken my interest and have written three books on album cover art that tell the story of dozens of album covers. I especially like discovering relatively unknown or anonymous artists and designers who created compelling record cover art. I am constantly looking for interesting records, and I am possessed by the desire to learn more about album cover art. I love to share my passion and let people know about the wide world of vinyl.
I found this an essential book on rock album cover art. I love to flip through the pages, noting the albums I own and the ones I would like to own. As a record collector, this book has inspired me, and as an author, it has challenged me to think about the art of album cover design.
Album art is indelibly linked to our collective musical memories; when you think of your favorite albums, you picture the covers. Many photographers, illustrators, and art directors have become celebrities from their album artworks-the best examples of which will go down in history as permanent fixtures in popular culture.
Paying tribute to this art form, Rock Covers brings you a compilation of more than 750 remarkable album covers, from legendary to rare record releases. Artists as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth are gathered together in celebration of…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been collecting records since I was a teenager, and unlike many of my friends, I’ve kept all my records. I love music, but I also love album cover art. I’ve taken my interest and have written three books on album cover art that tell the story of dozens of album covers. I especially like discovering relatively unknown or anonymous artists and designers who created compelling record cover art. I am constantly looking for interesting records, and I am possessed by the desire to learn more about album cover art. I love to share my passion and let people know about the wide world of vinyl.
I had this book in college, and I loved looking through the themed layouts. This book, more than any other, introduced me to the art of album cover design.
I kept a copy through many, many moves over the years, and it remains one of my favorites. It inspired me to think more carefully about album art.
A stunningly designed review of the greatest album cover designs, spanning the classic period from the 1950s to the 1970s, Album Cover Album first hit the bestseller charts in 1977. This led to the release of six follow-up hits, inspired a host of imitations, and generated a long-playing sub-genre in art and design publishing.
Album Cover Album is edited and compiled by two designers who were among the most innovative pioneers of the work that it celebrates. Storm Thorgerson's Hipgnosis earned world renown for the epic photo shoots and iconic designs that went so perfectly with the music of Pink…
Charlotte and the Quiet Place is somewhat autobiographical, as I tend to crave quiet. For many years, I’ve been meditating twice a day for 25 minutes. I relax my mind and body, sometimes silently repeating a word or sound or just breathing rhythmically. I’m almost always more peaceful and energized after meditating. In addition to being a writer, I’m a therapist with a mindfulness specialty. I believe deeply that every child (and adult, too) can tap into their quiet place inside by noticing what’s happening in their mind and body, no matter what’s going on in their lives. We all need this skill—now more than ever!
Little Yoshio lives in noisy Tokyo, where “the sounds of the city swirled all around him” like a “symphony hall.” As he walks around on a rainy day, absorbing these sounds, he comes upon a woman playing a koto, a stringed instrument. The woman shares that her favorite sound is “ma,” or silence. So, Yoshio begins a search for the sound of silence but can’t find it anywhere! Buses and trains aren’t silent; even bamboo stalks make a swishing sound. Everywhere he goes, Yoshio hears sounds but not silence. Finally, he discovers that silence is “underneath every sound.” A lovely, understated story of how “ma” exists inside all of us, if only we stop to listen. The illustrations reflect different aspects of Tokyo’s culture and energy.
Yoshio thinks Tokyo sounds like a symphony hall! He delights in everyday sounds--shoes squishing through puddles, raindrops pattering down, and lots of giggles! But one day he meets a musician who tells Yoshio that her favorite sound is ma, the Japanese word for the sound of silence. Yoshio must hear this! But how can he find it amid the hustle and bustle of the city?
In the vein of Wabi Sabi, this book explains a sophisticated Japanese concept in a child-friendly way.
I am a writer and educator, originally from the British Isles. Perhaps because of this, I am more than usually aware of the distraction and speed of contemporary American life. As a long-time meditator, and the author of World Enough & Time: On Creativity and Slowing Down, I am encouraged and inspired by any book that draws attention to our “hurry sickness” and offers practices or suggestions to help us to slow down.
Like me, David George Haskell was born in Britain, and currently lives in the United States. He is a trained scientist, who is also an astonishingly gifted writer. His focus on “sensory extinction” is close to my heart. He understands the joy of listening to the wild music of the world, and also that such music is under siege. In a world of increasing racket and distraction, he recognizes the importance of slowing down. Like Jay Griffiths, he combines deep research with an emphasis on wonder, reverence, and delight.
"[A] glorious guide to the miracle of life's sound." -The New York Times Book Review
A lyrical exploration of the diverse sounds of our planet, the creative processes that produced these marvels, and the perils that sonic diversity now faces
We live on a planet alive with song, music, and speech. David Haskell explores how these wonders came to be. In rain forests shimmering with insect sound and swamps pulsing with frog calls we learn about evolution's creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Music has obsessed me since I got my first record player, around age five, and learned how to play the stack of used Beatles records that seeded my collection. I could probably pick a favorite music book from every decade of my life, and this list isn’t far off.
I stumbled across the first great Rolling Stone record guide around the time I first encountered used record stores: Second Hand Tunes, Dr. Wax and the legendary Wax Trax, all within walking distance of my Chicago high school. I never had sufficient funds to actually purchase the guide, so I snuck it from the shelf at Kroch’s and Brentano’s downtown and memorized as much data as my brain would hold:The best B.B. King albums are the ones on the Crown and Kent labels. Grab any early Kinks LPs you can find. I still quote from Dave Marsh & co. whenever I write about music.
Having started DJing at the age of 15 (my mum had to drive me to gigs!) and DJed professionally since 1991, I've seen and done most things in this game, from DJing at Privilege in Ibiza (at the time, the biggest nightclub in the world), to co-promoting an award-winning club night of my own in my home town of Manchester, England, for many years, to other types of DJing like playing on the radio, a stint as a mobile DJ, live streaming (in Covid), podcasting and—since 2010—running Digital DJ Tips, the world's largest online DJ school.
As a DJ tutor who's been in this game for 30+ years, I'm amazed at how often students really want me to tell them a bit about what it was like to DJ on the club scene "back in the day." When they do, I send them to this book.
Written by an anonymous DJ who toured the world playing in the best clubs for long enough to experience many highs and some considerable lows, it is part memoir, part Spinal Tap, as it lifts the lid on the hedonism, stupidity, and craziness of the club/rave scene at its height. Certainly harrowing in parts, but it is also laugh-out-loud funny - and is nothing if not brutally honest.
DISCOVER THE REALITY OF LIFE AS A SUPERSTAR DJ IN THIS SENSATIONAL EXPOSE OF WHAT REALLY GOES ON BEHIND THE BPMs.
The glamour, the parties, the excess, the highs and, of course, the lows. In The Secret DJ, a globally renowned DJ takes us on a breakneck journey, plunging us into a life lived in the hedonistic fast lane of club culture over the last thirty years, from the dawn of acid house to the dusk of EDM. Whether playing to ten thousand fans in Ibiza's superclubs or in a local pub function room, this DJ's experiences are a cautionary…
Having started DJing at the age of 15 (my mum had to drive me to gigs!) and DJed professionally since 1991, I've seen and done most things in this game, from DJing at Privilege in Ibiza (at the time, the biggest nightclub in the world), to co-promoting an award-winning club night of my own in my home town of Manchester, England, for many years, to other types of DJing like playing on the radio, a stint as a mobile DJ, live streaming (in Covid), podcasting and—since 2010—running Digital DJ Tips, the world's largest online DJ school.
I have to declare an interest here as I was John's technical editor for the most recent edition of this book (which isn't that recent, to be honest—but trust me, a lot of this advice is timeless). Therefore, this book remains a great guide to DJing if you're more interested in learning how it was done before laptops, subscription music services, sharing your mixes online, and all the other bells and whistles that digital has brought to the table.
One of the central skills of DJing is being able to "beatmix" tunes effectively, and John is particularly good at teaching systematically how to do this without using any of the aids modern DJing affords the beginner. Dated, then, but still undeniably useful.
The bestselling guide to spinning and scratching is back! If you've ever spent hours in your bedroom with two turntables and an earful of tracks that sound off-beat or out of key, DJing For Dummies is the go-to guide for taking your skills to the next level. Inside, John Steventon, a successful club DJ, walks you through the basics of mixing, the techniques and tricks you need to create your own DJ style and how to make DJing work for you.
Covering both digital and old-school vinyl-based instruction, this guide covers all the…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As an author and educator, my work centers on the history, business, and art of the music industry and film industry. I don’t think my fellow historians use musical evidence enough as a primary document that reveals much about the society and time period one is writing about—just as much as the usual primary and secondary documents historians use. I try to ensure my books are entertaining as well as rigorously researched. I’m also a songwriter, with many years in the music biz, and have done much work in radio, especially crafting music shows. I’m always discovering amazing stuff from various eras, and it’s not much fun if you don’t share it, which is part of why I’m on Twitter.
Going back 125 years in recording history, Milner’s book will make you question what “good recorded sound” is, and how that notion, surprisingly, is a political one that has changed over time. A diversity of genres and artists are brought in to prove his points. He demonstrates why technological innovations such as the cylinder, the 78RPM record, magnetic tape, albums, transistors, the cassette, the CD, ProTools and of course MP3s changed the sound and content of music forever. And also how such changes greatly affected the bottom line of the music business, increasing or decreasing revenue as the case may be. Might change how you view your music collection.
In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented.
Tracing the contours of this history, Greg Milner…
