100 Books Like Animals Go Vroom!

What's not to love about the bouncy, perfect rhyme and zany illustrations of a day at the zoo packed with action and humorous touches? But this board book has more subtle layers, too. While the first few spreads show the zookeeper getting animals ready for opening, the viewpoint shifts to the animal's thoughts on the humans:

My, what silly things they do,/ all these creatures at the zoo.

The following pages detail actions common to people and zoo animals like dancing feet, carrying babies, and shrieking. I've often thought that if we humans could keep in mind that we’re animals, too, we’d be better at sharing the planet with them. This simple and simply hilarious book does that in a way humans of all ages can appreciate.

A lifelong cat person, I was drawn to Betsy Lewin’s light-hearted illustrations and lilting rhyme featuring an orange tabby.

It starts, “Everyone knows where Tippy Toes is/ when the sun is up and the day is his.” The next spread shows a mouse’s view of a paw through its hole followed by one from the cat’s viewpoint showing the mouse’s tail through its hole. More clever cutouts add to the fun as we follow Tippy Toe through an adventure with a garden hose, a nap in a drawer, and a dash through a blueberry pie.

The final text reads, “No, nobody knows where Tippy Toes creeps/ when darkness falls and the whole world sleeps…”. The last page turn reveals the cat curled up under his boy’s covers, finishing “…except me.”

My daughter, a children’s librarian, says this storytime favorite is sure to delight the toddler crowd.

It’s packed with interactive fun, with invites to hi-five various animals. “Hi-five a lion. Hear him GROWL. YOO-HOO-HOO! Hi-five an owl.” Each one’s paw or wing is sized just right for toddlers to do just that on this sturdy board book (A Never Bored Book!). They can hi-five both antlers on a moose and, at the end, “Hi-five an octopus, I say. But only if you have all day!”

The final spread encourages the toddler to high-five the reader.

Parents and older siblings will join me in identifying with the sleepy-eyed family members shown here, while toddlers will cheer on the wide-eyed baby.

The text is a litany of everyone and everything that is sleepy, with the title repeated throughout the day’s wind-down. “Sleepy moon,/ sleepy stars,/ sleepy night sky./Everyone’s sleepy/ but the baby,/ why, why, why?” In the final spread, the baby joins both dozing parents in dreamland. Parent readers can only hope their little one isn’t giggling too hard to follow suit.

A two-volume biography of George Martin’s work as a record producer, full of colourful detail.

You get a full account of George’s work with the Beatles. The sound effects which George had to create for The Goons’ records helped him deal with the Beatles. I also loved reading about George’s spat with his fellow EMI producer, Norrie Paramor.

Like me, David George Haskell was born in Britain, and currently lives in the United States. He is a trained scientist, who is also an astonishingly gifted writer. His focus on “sensory extinction” is close to my heart. He understands the joy of listening to the wild music of the world, and also that such music is under siege. In a world of increasing racket and distraction, he recognizes the importance of slowing down. Like Jay Griffiths, he combines deep research with an emphasis on wonder, reverence, and delight.

Little Yoshio lives in noisy Tokyo, where “the sounds of the city swirled all around him” like a “symphony hall.” As he walks around on a rainy day, absorbing these sounds, he comes upon a woman playing a koto, a stringed instrument. The woman shares that her favorite sound is “ma,” or silence. So, Yoshio begins a search for the sound of silence but can’t find it anywhere! Buses and trains aren’t silent; even bamboo stalks make a swishing sound. Everywhere he goes, Yoshio hears sounds but not silence. Finally, he discovers that silence is “underneath every sound.” A lovely, understated story of how “ma” exists inside all of us, if only we stop to listen. The illustrations reflect different aspects of Tokyo’s culture and energy.

I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.

I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.

Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.” 

This picture book by jazz great Wynton Marsalis was one of my favorites to read to my little rock star when he was a baby. It’s musical without being sing-songy, and celebrates everyday sounds like washboards or squeaking doors that become musical if you listen right. My son was mesmerized by the noises and rhythm, and I felt more musical just by reading it. 

I stumbled across the first great Rolling Stone record guide around the time I first encountered used record stores: Second Hand Tunes, Dr. Wax and the legendary Wax Trax, all within walking distance of my Chicago high school. I never had sufficient funds to actually purchase the guide, so I snuck it from the shelf at Kroch’s and Brentano’s downtown and memorized as much data as my brain would hold: The best B.B. King albums are the ones on the Crown and Kent labels. Grab any early Kinks LPs you can find. I still quote from Dave Marsh & co. whenever I write about music.