Here are 100 books that Good Young Men fans have personally recommended if you like
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I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
It lurks in the hazy landscape between magical realism and weird fantasy, which is an unusual thing per my reading experience for a coming-of-age story of a girl named Aisha from Mombasa. Her voyage to rescue her father from across an ocean of godlike sharks was a strange and unsettling experience to read.
Certainly one of the most unique (even if, in some fleeting moments, it reminded me of Hemingway’s Old Man and the Sea, which I found strictly okay).
ALBA - Hidden Secrets is a tale of blood, broken dreams, and buried secrets.
When I was in high school, several young teenage boys died in car accidents, with tragic outcomes for all involved, and I wanted to honour their memory without specifically identifying them.
The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…
I had long wanted to read this book, and when I finally got around to it, I was absolutely immersed in it from start to finish.
The writing is magnificent, the subject grueling. Nobody in it is safe. It is an unflinching account, told from first-hand experience but fictionalized, of the realities of war at sea. I have read several other Monsarrats, and they are all brilliant.
This one fits best with my own quieter story of the women left behind. An additional detail makes it even more appropriate, because my Aunt Wendy knew Nicholas Monsarrat.
Based on the author's own vivid experiences, The Cruel Sea is the nail-biting story of the crew of HMS Compass Rose, a corvette assigned to protect convoys in World War Two.
Darting back and forth across the icy North Atlantic, Compass Rose played a deadly cat and mouse game with packs of German U-boats lying in wait beneath the ocean waves.
Packed with tension and vivid descriptions of agonizing U-boat hunts, this tale of the most bitter and chilling campaign of the war tells of ordinary, heroic men who had to face a brutal menace which would strike without warning…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
This is not a how-to book. It’s a series of essays written by a really smart and funny guy about something at which he excels: writing fiction.
He offers great advice, often with his tongue planted firmly in cheek. His essay on rewriting is titled Washing Garbage. His essay on getting to the finish line is titled Do It Anyway. His great advice: “Give yourself permission to write badly.” I like to have it on my bedside table for leavening those moments when I take myself too seriously.
Characters refusing to talk? Plot plodding along? Where do good ideas come from anyway? In this wonderfully practical volume, two-time Edgar Award-winning novelist Lawrence Block takes an inside look at writing as a craft and as a career.
From studying the market, to mastering self-discipline and "creative procrastination," through coping with rejections, Telling Lies for Fun & Profit is an invaluable sourcebook of information. It is a must read for anyone serious about writing or understanding how the process works.
ALBA - Hidden Secrets is a tale of blood, broken dreams, and buried secrets.
When I was in high school, several young teenage boys died in car accidents, with tragic outcomes for all involved, and I wanted to honour their memory without specifically identifying them.
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
In this beautifully subtle, thrilling, and finely drawn novel, Brian Morton captures a certain kind of relationship better than anyone else: an old and nearly forgotten male novelist named Leonard Schiller becomes infatuated with Heather Wolfe, the young, female graduate student who is writing her thesis about his work.
This is a novel about fame, intellectual companionship, and ambition, and Morton handles these themes with compassion, insight, and masterful control. I love this novel as much for its startling truths about human nature as for the brilliance of the writing itself.
Leonard Schiller is a writer in his seventies. All of his books are out of print; he's left no mark in literary history; a lifetime of dedicated labor has brought him few rewards. Heather Wolfe is a graduate student in her twenties. She read Schiller's novels when she was growing up, and they changed her life. She decides to write her master's thesis about Schiller's work, and she sets out to meet him.
Starting Out in the Evening is a novel about the unexpected consequences of that meeting--and the unexpected consequences of art. Heather blows into Schiller's life like a…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
Joseph, a Berkeley student and the son of a Jewish mother and a Muslim father, receives a mysterious package from his estranged father. He embarks on a journey to understand a family mystery that can be traced back a thousand years.
I really cared about all of the characters who strive to lead good lives and demonstrate the many ways in which responsibility, forgiveness, love, and kindness shape the way we see and act in the world.
In this “wonderfully rich” (San Francisco Chronicle) novel from the author of the internationally bestselling The Oracle of Stamboul, a young man journeys from California to Cairo to unravel centuries-old family secrets.
“This book is a joy.”—Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman
WINNER OF: THE AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD • THE NATIONAL JEWISH BOOK AWARD IN FICTION • THE SAMI ROHR PRIZE FOR JEWISH LITERATURE • Named One of the Ten Best Books of the Year by the BBC • Longlisted for the Northern California Independent Booksellers Association Fiction Prize •…
I used to steal Tolkien and Piers Anthony books from my older brother’s bookcase and burn through library world mythology sections like a ravenous beast. When I reached college in the 1990s, I realized “world” mythology had usually meant “Western” myths, and that’s when I became a Japanese Studies major and dove headfirst into feudal Japan: kitsune, dragons, dream-eaters, tengu, and other fantastical creatures. I was in love. Perfectly natural that when I started writing novels, my brain conjured romantic fantasy based on East Asian myths. Hope you’re ready to fall in love as well, with the Japanese version of fox spirits—kitsune!
In 2000, there were few English-language fantasy books based on Japanese myths. I opened this one, and instantly, Heian Period Feudal Japan came alive in a lyrical, mesmerizing way, unlike the dry history books.
And unlike the fantasy I’d grown up with, the main voice of the book was a woman—a complicated, imperfect magical kitsune who also felt like a human woman. This book made me hungrier for more non-Western myths as a lens through which to view my own concepts of womanhood.
Based on the award - winning short story Fox Magic, Kij Johnson's THE FOX WOMAN is a haunting novel of love and magic, of Kitsune, the young fox kit who catches a glimpse of a Japanese nobleman and resolves to snare his heart. Kitsune embarks on a journey that will change her, her family, and all the humans she encounters...and the magic she conjures will transform all of their lives forever. Set against the backdrop of medieval Japanese society, THE FOX WOMAN is both a retelling of the classic Japanese animal fable and a stunning exploration of what it means…
I was introduced to small business when I was six years old—my parents purchased a drug store to run (that drug store, after being sold forty years ago, is still in business). When I started my agency, there were few books on how to start, grow, and stay in business that didn’t tout traditional thinking. I think outside the triangle. I never thought I would be an author, and I am writing book #6! I write books today that I wish were available when I started my business journey: unique strategies coupled with actionable steps to grow. I hope these books provide inspiration and ideas!
This is a non-business book that I use for storytelling and while it was primarily written for writers, business owners can easily use the information to create better stories for audiences.
I am always looking to craft strong narratives, and this book helps me to think beyond typical master characters to make them more compelling. I will admit it can get a bit dull in sections, but I keep going back to it as a character-guide.
Create unforgettable characters your readers will love!
Want to make your characters and their stories more compelling, complex, and original than ever before? 45 Master Characters is here to help you explore the most common male and female archetypes--the mythic, cross-cultural models from which all characters originate.
• Explore a wide variety of character profiles including heroes, villains, and supporting characters. • Learn how to use archetypes as foundations for your own unique characters • Examine the mythic journeys of heroes and heroines--the progression of events upon which each archetype's character arc develops--and learn how to use them to enhance…
It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.
This is a brilliantly plotted book with a fascinating protagonist.
It’s fair to say that Cam Killick has issues stemming from his time in the Marines. He starts looking into a decades-old case of a family who went missing on the way back from a party. It was widely accepted that their car had probably crashed into the marshes and had lain there for thirty years. But when Cam finds the car, the remains of the family are nowhere to be found.
'Compelling and so atmospheric ... the perfect new crime series to dive into' HEAT 'Rob Parker is a master of the stone-cold twist' JANICE HALLETT 'Brilliant pacing ... a great addition to your to-be-read stacks' PRIMA 'The very definition of a one-sitting read' ROBERT RUTHERFORD
Cam Killick left the special forces with a handful of medals, stories he can't share and PTSD so bad he can only find peace under water. Working as a salvage diver in the Norfolk Broads keeps him sane, and the county's many tales of the lost keep him busy.
I have been fascinated by historical fiction since childhood, when I used to read historical stories for children by such writers as Rosemary Sutcliffe and Henry Treece, moving on to Dickens and Austen in my early teens. Many of the great books about girls growing up were written in the Victorian and Edwardian periods by e.g. Louisa M Alcott, L M Montgomery, and Laura Ingalls Wilder. I devoured all these since they seemed to take me into a different world. I am a fiction writer rather than a historian since it is the great stories offered by history that spark my passion!
A gripping portrayal of the "house for fallen women" funded by Angela Burdett-Coutts and managed by Charles Dickens in Victorian London.
Urania cottage offers refuge for prostitutes, petty thieves and the destitute who end up there for various reasons and respond to it in different ways.
I loved the way Halls skilfully depicts women from different classes. Josephine is a working-class woman who comes straight from prison, whereas Angela Burdett-Coutts is the richest woman in London, but her wealth cages her in a different way. I found this novel beautifully observed, unsentimental, and absorbing.
'Absorbing' Sunday Times 'Acutely observed and beautifully written' Daily Mail 'A writer of great originality' Kate Mosse 'Compelling' Good Housekeeping
THE INSTANT SUNDAY TIMES BESTSELLER, SET AGAINST CHARLES DICKENS' HOME FOR FALLEN WOMEN
The house she was promised, is the first clean page in a new book for girls like her . . .
1847, Shepherds Bush. Charles Dickens' home for fallen women is about to open its doors. Part refuge, part reformatory, the house and its location are top secret. Among it first inmates are Martha, arrived from a shelter for prostitutes, and Josephine, a convicted thief. But faced…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
This book is an old standard but one of the best books ever written on how to write. More about the writing process than story, per se, it is still essential for any writer interested in upping their story development game. Don’t be put off by the focus on “young writers” in the title; this is for old and young.
Gardner systematically guides the reader through both theory and practicum, delivering a primer on how to not just write solid fiction but how to think like a writer. I love this book.
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers—and will continue to do so for many years to come.
John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape…