Here are 100 books that Good Data fans have personally recommended if you like
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The art of computer programming is a lot like the art of writing: It's not just about what your program says but about how it says it. One of the reasons I like the C and C++ languagesâwhich I picked up in the late 1990s and haven't put down sinceâis that, as compiled, non-sandboxed languages, they promise total control over the machine. Show me where you want each byte of data to go in memory; show me the machine instructions you want; and I can make C++ do that for you.Â
This book greatly influenced my philosophy around style. Norman's ostensible subject is the design of physical objects, like emergency exits, shower faucets, and refrigerators, but most of what he says is directly applicable to software design and API design, too.
For example: Whatever you expose or document about your interface, the user will take that and form a mental model of the implementationâand he'll program against that mental model, not against your documentation. So you'd better make sure that your interfaceâby exposing certain details and deemphasizing others, appropriate naming, and so onâsuggests a mental model that will be useful to the user (even if it is not correct in every particular).
For example, a horizontal rod mounted on a door affords pushing (a bit of jargon that's entered my technical vocabulary), while a vertical rod affords pulling. If you use the design language of a horizontal rod, people willâŠ
Even the smartest among us can feel inept as we fail to figure out which light switch or oven burner to turn on, or whether to push, pull, or slide a door. The fault, argues this ingenious,even liberating,book, lies not in ourselves, but in product design that ignores the needs of users and the principles of cognitive psychology. The problems range from ambiguous and hidden controls to arbitrary relationships between controls and functions, coupled with a lack of feedback or other assistance and unreasonable demands on memorization. The Design of Everyday Things shows that good, usable design is possible. TheâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
I would like to consider myself an experienced and successful designer, researcher, and educator. I'm an Associate Professor in Communication Design and the Head of Education for the School of Design at Northumbria University in the United Kingdom, where I've taught and researched for the last twenty years so I'm super passionate about this subject and love explaining how design works. Before joining academia, I worked internationally as a designer and creative director for numerous prestigious design and media organizations, including Philips, Time-Warner, Windmill Lane Pictures, and WPP in the UK, Ireland, USA, and Southeast Asia. Working in these different businesses and locations gave me a broad perspective on the role and importance of design.
I absolutely love this tome! It is not a coffee table book, but it is by far the best book at explaining the minutiae of interaction design principles and the thinking behind them.
It's not a quick read at 700 plus pages, nor does it contain the latest on-trend examples, but as a reliable reference, it is hard to beat. I wouldnât be without my copy to refer to. I often suggest my book as a primer and a more accessible starting point for this one.Â
A new edition of the #1 text in the human computer Interaction field!
Hugely popular with students and professionals alike, the Fifth Edition of Interaction Design is an ideal resource for learning the interdisciplinary skills needed for interaction design, human-computer interaction, information design, web design, and ubiquitous computing. New to the fifth edition: a chapter on data at scale, which covers developments in the emerging fields of 'human data interaction' and data analytics. The chapter demonstrates the many ways organizations manipulate, analyze, and act upon the masses of data being collected with regards to human digital and physical behaviors, theâŠ
I would like to consider myself an experienced and successful designer, researcher, and educator. I'm an Associate Professor in Communication Design and the Head of Education for the School of Design at Northumbria University in the United Kingdom, where I've taught and researched for the last twenty years so I'm super passionate about this subject and love explaining how design works. Before joining academia, I worked internationally as a designer and creative director for numerous prestigious design and media organizations, including Philips, Time-Warner, Windmill Lane Pictures, and WPP in the UK, Ireland, USA, and Southeast Asia. Working in these different businesses and locations gave me a broad perspective on the role and importance of design.
As a graphic designer who moved into UX/UI design, this book really appeals to me.
It is super smart, as it takes branding firmly into the digital age by integrating classic visual identity design with the latest thinking on building digital brand experiences. It represents what graphic design in the twenty-first century should be aboutâŠ
The book is also beautifully laid out and illustrated with lots of infographics explaining the design process from start to finish, taking the reader from discovery, planning, and designing to delivering and distributing design to the marketplace.Â
Digital design plays a crucial role in how customers experience a brand. However, corporate websites and online shops are only part of interactive brand identity; complex user experiences closely interlink conception, design and technology, and integrate consistent prototyping and testing. The importance of mobile experience has grown exponentially in recent years, while interactive ads, chatbots and digital billboards are increasingly found in the real world. The interface is now the brand, and this changes the professional profile of designers.
This extensively updated edition of Branded Interactions is a practical handbook for professional digital designers and those just starting out. ItâŠ
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy ViceâŠ
I would like to consider myself an experienced and successful designer, researcher, and educator. I'm an Associate Professor in Communication Design and the Head of Education for the School of Design at Northumbria University in the United Kingdom, where I've taught and researched for the last twenty years so I'm super passionate about this subject and love explaining how design works. Before joining academia, I worked internationally as a designer and creative director for numerous prestigious design and media organizations, including Philips, Time-Warner, Windmill Lane Pictures, and WPP in the UK, Ireland, USA, and Southeast Asia. Working in these different businesses and locations gave me a broad perspective on the role and importance of design.
A former student and friend who works in-house as a UX Design Director recommended this book to me.
It bridges the gap between successful design and business management. Most young designers start off by only seeing or interacting with their designs rather than being part of a much larger service design ecosystem. This book shares the essential principles of service design and, in the process, introduces designers to the strategic value of good design.
Service design is a rapidly growing area of interest in design and business management. There are a lot of books on how to get started, but this is the first book that describes what a 'good' service is and how to design one. This book lays out the essential principles for building services that work well for users. Demystifying what we mean by a 'good' and 'bad' service and describing the common elements within all services that mean they either work for users or don't.
A practical book for practitioners and non-practitioners alike interested in better service delivery, this bookâŠ
Iâm a scholar of environmental history with a focus on human-animal relationships. Iâve also studied the histories of slavery and the African Diaspora, and in my book Iâve fused approaches from these two fields to look at how human-animal relations and networks shaped the expansion of slavery and slave trading from West Africa to the Caribbean in the seventeenth and eighteenth centuries. My scholarship is also an outgrowth of my teaching, and I regularly teach American environmental and cultural history at California State University, Northridge. I finished my PhD in history at Rutgers University, and my research has recently been funded by the Special Collections Research Center at the College of William & Mary.
Etienne Bensonâs work on the history of radio tracking of wild animals is a model in combining environmental history, animal studies, and history of technology.
The book is also a fantastic example of how diverse networks of peopleâincluding hunters, conservationists, and animal rights activistsâlink up through a device, in this case the radio transmitter.
American wildlife biologists first began fitting animals with radio transmitters in the 1950s. By the 1980s the practice had proven so useful to scientists and nonscientists alike that it became global. Wired Wilderness is the first book-length study of the origin, evolution, use, and impact of these now-commonplace tracking technologies. Combining approaches from environmental history, the history of science and technology, animal studies, and the cultural and political history of the United States, Etienne Benson traces the radio tracking of wild animals across a wide range of institutions, regions, and species and in a variety of contexts. He explains howâŠ
I'm an author, advisor, speaker, podcaster, and citizen concerned about humanityâs relationship with advanced artificial intelligence. After following developments in AI for many years, I noticed a disconnect between the rapid rate of progress in AI and the publicâs understanding of what was happening. The AI issue affects everyone, so I want everyone to be empowered to learn more about how AI will have a large impact on their lives. As a senior policy advisor and a member of the Board of Advisors for Canada's leading safety and governance network, books such as these help me stay informed about the latest developments in advanced artificial intelligence. I hope my recommendations will help you to critically consider how humans should co-exist with this revolutionary technology.
AI algorithms are increasingly used to decide what you see, if youâre hired, and who you match with socially or romantically.
There is much cause for concern because many of these algorithms are biased and return responses that indicate some degree of sexism or racism.
The main value of this book is that all those issues are recognized, but so is the notion that when an algorithm is biased, it is much easier to discover that and correct it than with a person.
Consequently, reforming algorithms likely presents a better option to reduce bias when people or things are sorted or assessed.
Much has been written about the challenges tech presents to equality and democracy. But we can either criticize big data and automation or steer it to do better. Lobel makes a compelling argument that while we cannot stop technological development, we can direct its course according to our most fundamental values.
With provocative insights in every chapter, Lobel masterfully shows that digital technology frequently has a comparative advantage over humans in detecting discrimination, correcting historical exclusions, subverting long-standing stereotypes, and addressing the world's thorniest problems: climate, poverty, injustice, literacy, accessibility, speech, health, and safety.
The Whale Surfaces follows a daughter of Holocaust survivors who tries to deal with trans-generational trauma.
From the age of eleven to 22, she struggles to be ânormalâ and to conceal the demons haunting her. Her sensitivity to her parentsâ past and to injustices everywhere prevents her from enjoying life.âŠ
The best fiction explores complex relationships between friends and lovers. Iâve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europeâthe grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.
Fitzgeraldâs mastery of the English language is beautiful to behold. This book is one of the most eloquent expositions of the control of his prose while at the same time confronting his greatest weakness in life: an inability to find happiness and true love that loves him back. Set on the French Riviera, Tender is the Night is honest and painful. Itâs an insight into Fitzgeraldâs melancholy world of excess.
This is both fantastic to be a part of and tragic. The tragedy and the beauty are juxtaposed in the most fantastic wayâthis makes this book one of my favorite romances. I read this book for pure enjoyment. Each sentence makes me smile with its beauty and its profundity.Â
F. Scott Fitzgerald wrote in a friend's copy of Tender Is the Night, "If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith." Set in the South of France in the decade after World War I, Tender Is the Night is the story of a brilliant and magnetic psychiatrist named Dick Diver; the bewitching, wealthy, and dangerously unstable mental patient, Nicole, who becomes his wife; and the beautiful, harrowing ten-year pas de deux they act out along the border between sanity and madness. In Tender IsâŠ
Growing up on a small family farm in the Midwest, I was immersed in a world of animals: pets, free-ranging wildlife, and âfoodâ animals (pigs and cows). As an adult and academic professional, I longed for a way to bridge my vocation (teaching college students and writing about literature) and my deep commitment to the care and stewardship of all beings. These books have opened my eyes to the lived experiences of farmed animals and to the mythologies we use to hide these experiences from ourselves and, especially, our children. I hope you find them as moving and insightful as I do!
Scully's tour de force investigates the state of humanity's relationship with animals through a Scriptural lens, exploring the multifaceted concept of "dominion" from the Biblical creation story as he takes on industrial farmers, trophy hunters, and others who gain fame and fortune on the backs of suffering nonhuman creatures.
I continue to be moved by the author's courage in using his voice as a well-known Republican speechwriter to dismantle the notion that compassion for animals is a "liberal" cause. His immersive research into the full range of manifestations of animal cruelty makes this one of the most shocking and compelling texts I have read on the subject of our treatment of other beings.Â
In the Book of Genesis, God grants mankind "dominion" over other animals. But with such power comes an important responsibility: To treat them with kindness. Part investigative journalism and part call to action, DOMINION explores how we have disregarded and even perverted that duty towards animals. Building a case that avoids the extremes of more radical animal rights advocates, Matthew Scully argues against the popular and "scientifically proven" notions that animals cannot feel pain, experience no emotions and are not conscious of their own lives. Moving from that biblical injunction to a safari convention and a hellish factory farm, andâŠ
A former Catholic, raised in the restaurant business, becoming a Franciscan, and with a passionate love of art, they collectively integrated and came to define my life. I was sent to culinary school. Suffering from a chronic lung condition and obesity, I learned that an animal-based diet was the primary cause and became a vegan in October 1976, regaining my health. Vegan culinary art, as my lifeâs passion, led me to compete in the International Culinary Olympics five times in Germany, winning Seven medals, including gold, writing for magazines, authoring four books, and working with the United Nations to help humanity improve its health with a plant-based vegan diet.
Food Politics is a compelling read about the tensions between economics and nutrition. Corporate food companies' strategic efforts to undermine sound nutrition for profit is one of the core themes. Government is petitioned and lobbied by corporations to weigh in on their side. Vegetarianism was not endorsed by the American Dietetics Association until 1987.
The meat industry is beginning to embrace and develop vegan products as a result of the consumer shift. It is a reminder to be vigilant and informed as to our food choices and the influence corporate food manufacturers have on your governments. In part due to industrial pressure, it wasnât until 2009 that the American Dietetic Association endorsed the vegetarian diet.
We all witness, in advertising and on supermarket shelves, the fierce competition for our food dollars. In this engrossing expose, Marion Nestle goes behind the scenes to reveal how the competition really works and how it affects our health. The abundance of food in the United States - enough calories to meet the needs of every man, woman, and child twice over - has a downside. Our over-efficient food industry must do everything possible to persuade people to eat more - more food, more often, and in larger portions - no matter what it does to waistlines or well-being. LikeâŠ
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someoneâs lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier selfâand soâŠ
Iâm Tara Button, founder of Buy Me Once, a company dedicated to finding the longest-lasting, most sustainable products in every category. My obsession with durability started when I was given a cast iron frying pan that outlasted every cheap alternative Iâd ever owned. Since then, Iâve been on a mission to help people escape the buy-throw-buy cycle and embrace mindful consumption. My book shares how to resist disposable culture and choose well-made, meaningful things that truly last. This list brings together the books that have shaped my philosophy and inspired my work in sustainable living.
This book peeled back the curtain on the hidden costs of the things we buy. Leonard explains where our stuff comes from, where it goes when we throw it away, and how the entire system is designed to keep us consuming.
Itâs a deeply researched but incredibly engaging read that makes you rethink your everyday choices. If youâve ever wondered why things arenât made to last anymore, this book gives you the answers.
How our obsession with 'stuff' is trashing the planet
Annie Leonard, creator of the internet film sensation 'The Story of Stuff', viewed over 6 million times, offers an astonishing, galvanizing book that tells the story of all the 'stuff' we use every day - where our bottled water, mobile phones and jeans come from, how they're made and distributed, and where they really go when we throw them away.
Our out-of-control consumption habits are killing the planet and threatening our health, but Annie provides hope that change is within reach. Like An Inconvenient Truth and Silent Spring, The Story ofâŠ
