Here are 84 books that Room 212 fans have personally recommended if you like
Room 212.
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Maybe it's me, but the stories I tell are often about people who insist they're absolutely fine. When they're not. Perhaps that's the most British thing in the world: to paint on a smile, say 'I'm fine,' and hope nobody asks again. The novels on my list have stayed with me because they catch people in the middle of pretending. They've made me laugh out loud on crowded trains. And nudge my sleeping husband because I had to tell him what just happened. More than anything, they reminded me that when we stop pretending… that's when the real story starts.
Bridget turns private humiliation into public comedy without ever giving up on her bruised heart.
I like to kid on that I read the classics, and Fielding's book is a true modern classic. Bridget Jones is the uber-loser turned winner. I remember reading this and feeling that delicious shock of recognition: my terrible choices, my doomed self-improvement plans, the way one bad decision always blossomed into five.
What I still love is how Fielding catches the gap between who Bridget thinks she ought to be and first-rate hopeful hot mess.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.
I loved the uniqueness of this book, centred around the novelty of email in 1999. I love the idea of a nerdy guy whose job it is to read other folks' emails as he struggles with young adulthood approaching the dreaded Y2K. I loved how his POV is beautifully interspersed with cute epistolary exchanges.
From the award-winning, #1 New York Times bestselling author of Wayward Son, Fangirl, Carry On, and Landline comes a hilarious and heartfelt novel about an office romance that blossoms one email at a time....
Beth Fremont and Jennifer Scribner-Snyder know that somebody is monitoring their work e-mail. (Everybody in the newsroom knows. It's company policy.) But they can't quite bring themselves to take it seriously. They go on sending each other endless and endlessly hilarious e-mails, discussing every aspect of their personal lives.
Meanwhile, Lincoln O'Neill can't believe this is his job now—reading other people's e-mail. When he applied to…
My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.
I loved this book because it slams you in the gut, and I spent the entire time raging, crying, laughing, and loving Peter as he negotiates his first love. I loved the stellar writing, the character growth, the evocative music, and how it made me lunge for the next in the series.
Peter Mandel is an 18-year-old private school senior who’s passionate about photography and bent on keeping his attractions secret. Enter Adam Algedi, a charming, worldly guy who doesn't do labels, but does want to do Peter.
Swept away on a journey of first love and intimate discovery, Peter hopes for a future where he won't have to hide his truth. But as the web of lies he and Adam weave grows relentlessly tangled, can Peter find the confidence to do the right thing? Or will his crush on Daniel, a college acquaintance, put him on a different path?
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.
I loved this book because it’s tough, hard, and very, very real. I think it is a timeless reminder that AIDS has no cure and that in the 1990s, HIV was a death sentence. I love this author’s gritty writing; he’s a gay survivor of that era who never pulls his punches.
Winner of the 2013 EPIC eBook Award for Best Contemporary RomanceIt's 1991, and Dan Calzolaio has just moved to Florida with his lover, Mark, having fled Chicago and Mark's addictions to begin a new life on the Gulf Coast. Volunteering for the Tampa AIDS Alliance is just one part of that new beginning, and that's how Dan meets his new buddy, Adam.Adam Schmidt is not at all what Dan expected. The guy is an original - witty, wry, and sarcastic with a fondness for a smart black dress, Barbra Streisand, and a good mai tai. Adam doesn't let his imminent…
I love writing my steamy, happily ever after romance novels. Billionaires are my Prince Charmings and they have a lot to offer the heroines I write. However, none of my heroines are weak. They are strong and they love the billionaires for who they are, not what they offer. I want a world full of romance, steam, and happily ever afters, so that’s what I love to write. My books are perfect for a relaxing day on the beach that will leave you feeling good.
A perfect beach-read billionaire book with lots of sizzle! (Seriously, this book should come with fire warnings because you will need a cold shower after it!)
Riley is fiercely independent and Ian is incredibly protective. This makes for a difficult start to their relationship, but once they learn to trust one another, it’s all sparks and steam. The chemistry between these two characters is off the charts and the book holds nothing back. We get to see it all.
This is the first book in the series which makes it even better. I loved getting to meet the characters for the next books and get a feel for them while falling in love with Ian and Riley.
She arouses his dominant and protective instincts And he will do anything to possess her … And does.
When billionaire Ian Dare gets one glimpse of the sensual and irresistible Riley Taylor, he knows that he must have her. But any future he might have with Riley means he’ll have to confront his past—a past he’d rather forget. And that’s something this NFL team owner won’t dare to do—not even for love.
I’ve visited Amish communities for years as a tourist. An agent suggested I write it because of my faith in God. The Amish base their lifestyle and traditions on their faith in God, and she felt the books would be more authentic if the author felt the same. I’ve never been Amish, but the topic is fun to research, and some of the Amish are forthcoming in helping me. I love the fried chicken, homemade butterscotch pie, corn pudding, and beautiful quilts they have available when visiting the different Ohio and Indiana communities. They are not my typical audience.
Debbie Macomber is unique in her writing with pulling women together, making you feel like the friends you’d want to have. You’ll emphasize with them, laugh with them, and relate to them. The title alone drew me in. And Debbie puts you right into the story. You can see the surroundings, feel for the characters, and enjoy the character's triumphs.
NEW YORK TIMES BESTSELLER • When a woman alone in the world bravely chooses to open her heart, two lost souls have a new chance at belonging, in this intimate novel from #1 New York Times bestselling author Debbie Macomber.
A new beginning in charming Oceanside, Washington, is exactly what Hope Godwin needs after the death of her twin brother. There are plenty of distractions, like her cozy cottage with the slightly nosy landlords next door, and a brewing drama among her students at the local high school.
Even having settled quickly into the community, Hope still feels something is…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
Art history also knows a Romantic movement, as does music history. Brown’s book has 250 color plates, mostly of painting from Constable, Turner, Blake, Friedrich, Delacroix, Goya, and many others, but also of some architectural wonders. Brown makes continual connections to the poetry and philosophy of the time, and to political events, as he organizes his chapters by theme: the cult of the artist, the religion of nature, the sense of the past, orientalism, and the exotic, and so on. There are several fine books on Romantic painting, but this is probably the best place to begin.
Romanticism was a way of feeling rather than a style in art. In the period c.1775-1830 - against the background of the French Revolution and the Napoleonic Wars - European artists, poets and composers initiated their own rebellion against the dominant political, religious and social ethos of the day. Their quest was for personal expression and individual liberation and, in the process, the Romantics transformed the idea of art, seeing it as an instrument of social and psychological change.
In this comprehensive volume, David Blayney Brown takes a thematic approach to Romanticism, relating it to the concurrent, more stylistic movements…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This classic study introduced me and the whole world of critics and scholars to theoretical perspectives that still resonate among historians of literature and culture.
It defines a momentous change: the shift from views of art as a mirror—a reflection of things as they are—to a lamp—a radiant projection from the hearts and minds of its creators. This revolution in aesthetic principles, formulated by German and British theorists, also resulted in new ways of looking at nature and in new kinds of poetry.
Abrams charts the depths of Romantic theory; and his work helped spur a revival of interest in the Romantics—now often cherished as the first modern poets.
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
When I was a student I found this book an inspiration. Beautifully written, it brings out deep affinities between the poetry and ideas of Wordsworth, Shelley, and other poets in England and the idealist philosophers in Germany, and the ways both groups rewrote the cosmic ideas of Christianity and ancient esoteric systems. It continually sets off sparks with its surprising comparisons. In the fifty years since it appeared, scholars have complained about how many writers the book leaves out, but given that its theme is “The High Romantic Argument” and not all of Romanticism, I am still impressed by how much it takes in.
In this remarkable new book, M. H. Abrams definitively studies the Romantic Age (1789-1835)-the age in which Shelley claimed that "the literature of England has arisen as it were from a new birth." Abrams shows that the major poets of the age had in common important themes, modes of expression, and ways of feeling and imagining; that the writings of these poets were an integral part of a comprehensive intellectual tendency which manifested itself in philosophy as well as poetry, in England and in Germany; and that this tendency was causally related to drastic political and social changes of the…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
Though he declines to define it, Berlin says “The importance of romanticism is that it is the largest recent movement to transform the lives and the thought of the Western world.” In this brief set of lectures he dwells mainly on German writers, since Germany was arguably the homeland of romanticism. Berlin seems to know everything, but his erudition does not interfere with his lively style. What the book lacks in thoroughness it more than makes up with sharp and provocative ideas.
In The Roots of Romanticism, one of the twentieth century's most influential philosophers dissects and assesses a movement that changed the course of history. Brilliant, fresh, immediate, and eloquent, these celebrated Mellon Lectures are a bravura intellectual performance. Isaiah Berlin surveys the many attempts to define romanticism, distills its essence, traces its developments from its first stirrings to its apotheosis, and shows how it still permeates our outlook. He ranges over a cast of some of the greatest thinkers and artists of the eighteenth and nineteenth centuries, including Kant, Rousseau, Diderot, Schiller, the Schlegels, Novalis, Goethe, Blake, Byron, and Beethoven.…
