Books like Room 212

I’ve loved everything that has to do with writing all my life. My mother was a best-selling children’s book author, my father wrote a best-selling book about the music business, and writing was central to how I grew up. All the books on my list have to do with writers, whether they’re writing memoirs, novels, interviews, or keeping a diary. My passion for books about writers extends to having written Great Adaptations: Screenwriting and Global Storytelling (Routledge – 2nd place winner, 2019 International Writers Awards), but these books all had me hooked regardless of whether they made good movies. I love books – especially these!

My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.

My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.

My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.

I’ve visited Amish communities for years as a tourist. An agent suggested I write it because of my faith in God. The Amish base their lifestyle and traditions on their faith in God, and she felt the books would be more authentic if the author felt the same. I’ve never been Amish, but the topic is fun to research, and some of the Amish are forthcoming in helping me. I love the fried chicken, homemade butterscotch pie, corn pudding, and beautiful quilts they have available when visiting the different Ohio and Indiana communities. They are not my typical audience.

I love writing my steamy, happily ever after romance novels. Billionaires are my Prince Charmings and they have a lot to offer the heroines I write. However, none of my heroines are weak. They are strong and they love the billionaires for who they are, not what they offer. I want a world full of romance, steam, and happily ever afters, so that’s what I love to write. My books are perfect for a relaxing day on the beach that will leave you feeling good.

I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. In Beneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!

I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.

I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.

I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.