Books like Gerald of Wales — picked by fans

Chibnall was a fantastic writer, and she was the authority on Orderic Vitalis, one of the most important historians of the early twelfth century.

I love this book because Chibnall uses Orderic’s history to explore the world he wrote in, a world in which monks mingled with knights and kings, and she examines the rapid social changes taking place in the early twelfth century. This book is at once an examination of Orderic’s work, a biography of a famous chronicler, and an exploration of Anglo-Norman society in the early twelfth century.

It’s a fantastic place to start if you’ve never read anything on Anglo-Norman England, and it’s a great way to deepen your knowledge if you’re already familiar with this corner of the past.

I love this book because Partner examines the works of three of my favorite medieval historians: Henry of Huntingdon, William of Newburgh, and Richard of Devizes.

In the first half of the book, she delves into each authors’s unique voice: Henry’s contempt for the world, William’s skepticism and critical eye, and Richard’s sometimes devastating tongue-in-cheek humor.

In the second half of the book, she explores many of the quirks of medieval histories that tend to confuse or disappoint modern readers: the medieval deference to authorities, the fact that medieval authors approached history writing as a literary exercise, and the fact that Biblical material is constantly popping up in historical narratives.

She argues that history served not only as a source of entertainment for the upper classes, but as a means of educating the ruling class and inculcating certain values. 

This book isn’t just about historians or history writing, but I love it because it addresses some really important questions related to history writing: why was the preservation of memory gendered labor, with different types of memorialization expected of men and women, and how was the past preserved in forms other than chronicles?

It also grapples with the fact that some events and people were purposely forgotten or intentionally left uncommemorated. This practice of collective amnesia or whitewashing the past is something I find particularly compelling. It’s a fascinating look at the gendered practices of memory, and a great reminder that chronicles were not the only means by which the past was preserved for posterity.

This is one of those books that completely changes the way you understand a subject.

Clanchy looks at how the growth of bureaucracy in England fostered the growth of literacy and changed the world in the process. That’s an important subject in its own right, but I love this book for all of the little details it includes.

It’s full of information about how the definition of literacy has changed over time, how knights and kings were educated, how courts functioned, how oral testimony was heard, how records were kept, how books were produced, how much it cost to produce them, and how forgery developed.

This is very much an academic book, but it explores a whole range of practices and attitudes that have shaped the world we live in.

This is a remarkable collection of essays by a scholar who, along with the likes of Rees Davies, Robert Bartlett, Ian Short, and Hugh Thomas, has brought about a revolution in the way we think about the English people and their identities during what we should call the long twelfth century. The consequences for the way in which we think about British history and the place of the British Isles within continental Europe have been profound. The debates continue!

I first came upon this book about twenty years ago, and it's one I've read cover-to-cover so many times that the cover is barely still attached.

It starts in the year 1218, when a Welsh princess, Eleyne, is born in a castle amidst a huge fire. The story follows her very eventful life through marriages, politics, and love affairs with Kings. And as you'd expect from medieval times, it's hardly plain sailing. As a woman, she doesn't hold much power over her own life, and there are many throughout the story who make it their mission to break her spirit–but no matter how hard they try or what they put her through, they all fail.

She is fierce and powerful and my rebellious side felt such a strong connection with her. It's a long book but one I'd highly recommend to anyone who loves powerful women and historical fiction. 

Today surviving medieval church wall paintings are a bit of a rarity in England, but during the Middle Ages every church, almost without exception, would have been an absolute riot of colour, with saints, angels, and demons battling their way across the walls. What Rosewell's book does is allow you to understand not just what you are seeing, but how and why they were made in the first place. It explains the way in which the pigments were made, who painted them, and even who paid for them. It also contains an absolutely fantastic selection of images, that bring to life just how vibrant the walls of our churches once were. A gem.

In 1307 the pope charged three commissioners to decide whether the survival of a Welshman hanged for murder some years previously had or had not been a miracle. Bartlett’s masterly and compulsively readable microhistory draws from their report a brilliantly illuminated miniature (less than 200 pages) of an entire world, from the family life of the highest nobility to the grisly details of hanging and what they symbolised, and of the struggle for power in many forms, from the marches of Wales to central Italy.

This was one of my earliest experiences with historical fantasy and started my love affair with the genre—both as a reader and a writer. Its rich storytelling plays in the gaps of what we know about Brian Boru, the most renowned king of medieval Ireland. I love how the story is grounded in historical setting and context (without overwhelming us with detail) and woven with the legendary magic of the place and time. What especially draws me in is the depiction of strong, complicated, female characters so often overshadowed in history but brought to life, front and center, in Llwelyn’s tale.

Lots of men write women in middle and older age well – Jim Harrison’s short story called "The Woman Lit by Fireflies" is incredible, and of course, there’s Shakespeare. I’d like to point you to the Irish writer William Trevor, though. His collected stories begin with one called "A Meeting in Middle Age" in which the character of Mrs. da Tanka (who is seeking grounds for her second husband to divorce her by paying a man to spend a sexless night with her in a hotel bed) crackles with dissatisfaction. Trevor writes aging people with a tenderness that isn’t always immediately evident. You learn to wait for it, if you can stand the tension while you do and the heartache when it arrives.