100 Books Like Child of the Phoenix

What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.

She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.

This one is pure fun. It’s hard to believe no one thought to make a female chemist the star of a cooking show before! The story is witty and original, artfully combining the hard truths of being a scientist and a TV personality in male-dominated fields, with femininity and motherhood.

Sexism is rampant (obviously, it’s the 1950s), and the challenges the protagonist faces often seem insurmountable. Garmus takes these difficult themes seriously, while delivering them with humor and a lightheartedness that makes for a refreshing read.

This isn't a book I'd usually pick up, but after hearing rave reviews, I decided to give it a go, and I'm so glad I did! It's a slow-burn suspenseful crime novel, which would usually lose my attention as I'm more a fan of fast-paced reads, but Will's writing is so wonderfully rich and vibrant that it just wouldn't put me down! Yes, it had me that gripped. 

The story follows Thanh, a young Vietnamese woman who has been trafficked into the country (England) along with her sister. They get separated, and Thanh is sold off as a 'wife' to a farmer in the Fenns who keeps her there, hidden from the rest of the world.

The story is told in first person, and it gives a pretty stark insight into the domestic horrors of human trafficking and the bleak options she faces. But it's also an incredible story of… show more.

This was a Plot Twist book club pick, and it turned out to be one of my favorites of the last year. Based on three different women from the same lineage, one from the 1600s, one from the 40s, and the third in our current time, it follows their unique struggles with who they are against what society and the people around them expect.

Altha, in the 1600s, has been shunned from society for being different and is then accused and tried for witchcraft. She's thrown in jail and starved to the brink of death, but she perseveres through the trial, doing what she needs to do to survive. Violet, in the 40s, has her life torn apart at just sixteen, the fall out of those events leaving her cast out, pregnant, and terrified. But somehow, she gets up, carries on, and forges a new path for herself. Kate, in… show more.

Start with these. Distilling a lifetime's reading, these four pocket-sized volumes are a quilt of short extracts from contemporary texts written by and about Scots from the middle ages to 1802. Introduced and commented on with distinctly interwar charm and wit, they paint the single most vivid picture of real Scottish life I've ever read. I picked up the first two volumes from the shelves of a retiring colleague and immediately ran to buy the others—you're in for a treat.

I must have a Julie Garwood novel on my list—and this is one of my favorites in the Scottish medieval romance category. In my opinion, Garwood writes great romance novels, with strong, attractive, and likable characters. This novel offers a determined hero and an equally headstrong heroine, combined with murder and intrigue. You’ll also have a few smiles with this one. I always enjoy a little humor in romance novels.

This book is not just about Scotland, despite the title. It is a very rich and imaginative study that is both helped and hindered by its remit being modern Scotland, which was never a single political or cultural entity in the early Middle Ages. That means the author has to look at several distinct groups: the English of Northumbria, the Britons of Strathclyde in the southwest, and the Vikings of the north and west, as well as the ‘Scots’ themselves of central Scotland (whose collective identity as Scots was taking shape at this time). All of this is done with insight, imagination, and command of the complicated sources. It is a lesson in how wide-ranging histories of Britain should be written.

This book became my ultimate escapism at a low point in my life. It’s a wonderfully written, well-researched epic novel about the eleventh century Scottish king, Macbeth, based on the bold premise that he and Thorfinn the Mighty, Earl of Orkney, were one and the same man. Most of us—especially those who went to school in Scotland!—are familiar with the Macbeth of Shakespeare, but Dorothy Dunnett brings him alive in his own time, no guilt-ridden villain but a complicated warrior of great depth and humanity, true to his beliefs, his people, and his wife who is nothing like Shakespeare’s Lady Macbeth either! This is a rattling good read by any standards—engrossing, exciting, humorous, and moving. Even knowing the tragedy was coming, I cried. Each time.

Today surviving medieval church wall paintings are a bit of a rarity in England, but during the Middle Ages every church, almost without exception, would have been an absolute riot of colour, with saints, angels, and demons battling their way across the walls. What Rosewell's book does is allow you to understand not just what you are seeing, but how and why they were made in the first place. It explains the way in which the pigments were made, who painted them, and even who paid for them. It also contains an absolutely fantastic selection of images, that bring to life just how vibrant the walls of our churches once were. A gem.

In 1307 the pope charged three commissioners to decide whether the survival of a Welshman hanged for murder some years previously had or had not been a miracle. Bartlett’s masterly and compulsively readable microhistory draws from their report a brilliantly illuminated miniature (less than 200 pages) of an entire world, from the family life of the highest nobility to the grisly details of hanging and what they symbolised, and of the struggle for power in many forms, from the marches of Wales to central Italy.