Books like Medieval Wall Paintings in English & Welsh Churches — picked by fans

Definitely not as grim as the title might suggest. All churches are crammed full of memorials to the dead, and many dozens of books have been written that focus upon the people who lie in these tombs, or beneath the elegant grave slabs. However, sometimes little attention has been given to these memorials themselves, and the craftspeople who made them. This book is the culmination of a lifetime's research and will fascinate anyone who has an interest in church decoration - or dead people.

Surviving medieval painted rood screens are one of the wonders of England's churches. Each one artwork in its own right. In this magnificently illustrated work, the authors highlight twenty-four of the finest surviving examples, showing them in all their glorious detail. It may not be a groundbreaking work, but it is most certainly an inspiring one. If you ever thought the Middle Ages were drab and colourless, then this book will undoubtedly change your mind. A visual feast.

This book is currently out of print.

Stephen Hart spent a lifetime travelling around English churches and was one of the most knowledgeable - and good-natured - individuals I ever had the pleasure to work with. One of his passions was for flushwork - the decorative flint work seen on many English churches, most especially in East Anglia. This book was published towards the end of his career and brings together many of his thoughts and ideas - as well as a fantastic selection of images.

I love this book, and not just because it is one of the few church archaeology books to mention graffiti. This book takes a very different approach to churches than most volumes you will have come across, as it quite literally strips them back to their bare bones. This is the deep history of the parish church, laid bare in the stones. Rodwell is a recognised expert in his field, and understands churches in ways that few others do - and after reading this you will never look at a medieval church in quite the same way again. 

I first came upon this book about twenty years ago, and it's one I've read cover-to-cover so many times that the cover is barely still attached.

It starts in the year 1218, when a Welsh princess, Eleyne, is born in a castle amidst a huge fire. The story follows her very eventful life through marriages, politics, and love affairs with Kings. And as you'd expect from medieval times, it's hardly plain sailing. As a woman, she doesn't hold much power over her own life, and there are many throughout the story who make it their mission to break her spirit–but no matter how hard they try or what they put her through, they all fail.

She is fierce and powerful and my rebellious side felt such a strong connection with her. It's a long book but one I'd highly recommend to anyone who loves powerful women and historical fiction. 

In 1307 the pope charged three commissioners to decide whether the survival of a Welshman hanged for murder some years previously had or had not been a miracle. Bartlett’s masterly and compulsively readable microhistory draws from their report a brilliantly illuminated miniature (less than 200 pages) of an entire world, from the family life of the highest nobility to the grisly details of hanging and what they symbolised, and of the struggle for power in many forms, from the marches of Wales to central Italy.

Any book by Robert Bartlett is worth reading (check out The Hanged Man and Trial by Fire and Water as well), but I love this one because it examines one of the most interesting and entertaining historians of the twelfth century, Gerald of Wales.

Gerald was famously opinionated, prejudiced (mainly against the Irish – check out his History of Ireland), and gossipy. Bartlett explores Gerald’s attitudes, experiences, and works to paint a compelling picture of the wider world around him. Much like Chibnall’s book on Orderic, this is a fascinating portrait of an important historian and the complicated world he lived in.

Much of the fiction set in the Middle Ages follows landmark historical moments and infamous individuals. But just as today, nothing is more complex than the inner life of a teenage girl, so it was in 1290. Written as a personal diary, this book follows Catherine, nicknamed ‘Birdy,’ as she trudges through her lessons on becoming a lady (sewing, spinning, soap making), her fears of an arranged marriage to a gnarly old nobleman, the importance of friendship and the heartbreak of unrequited love. Universal truths, all comically relatable and sprinkled with amusing details of picking off fleas and using the privy. As a preteen and teen, I read, re-read, and re-re-read Catherine's diary, escaping into her daily life as I easily imagined myself in it. This book was a friend I knew I could always return to for comfort and understanding.

In this book, Chris Wickham surveys the passage from Antiquity to the Middle Ages in a lucid and engaging manner that challenges past scholarship on the matter. Unlike Edward Gibbon (d. 1794) and his followers, who argue that the fall of Rome initiated a new age–the Middle Ages–marked by the triumph of barbarism and religion, Wickhams stresses the transformations that swept Europe and the Mediterranean World from the fifth century onwards and consequently re-shaped it.

I particularly like Wickham’s account because it gives Gibbon’s thesis on the decline and fall of the Roman empire the proper burial it deserves. Wickham is extremely revealing how profoundly effective and dynamic were the shifts that marked the transformation of the Roman world–shifts that laid the foundations for modern society and civilization. 

Because my character Janna seeks refuge in an abbey while on her quest to find her father, I found it interesting and instructive to read about Abbess Helewise and life at Hawkenlye Abbey in more detail. I also enjoyed trying to second-guess whodunit as the Abbess and her helpmate, lord of the manor, Josse d’Acquin, solve the many crimes that come their way. And I was intrigued by the supernatural elements introduced by Alys Clare, with the abbey being situated so close to the ancient forest in the Great Weald, and how the two worlds often intertwine.