Here are 92 books that Formosa Moon fans have personally recommended if you like
Formosa Moon.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
A down-to-earth account of Canadian ex-pat John Groot’s circumnavigation, on foot and in stages, around the island’s entire 1,200 kilometers of coastline. Looking for a big adventure and also hoping to connect more deeply to the land and its people, he set off from his home in Danshui in late 2006. He walked on weekends and other days off, a total of 83 walking days spread out over eight years.
Groot’s epic trek is related with good humor, whether highlights like exploring the majestic East Coast, with its sea cliffs and soaring backdrop of mountains, or low points such as trudging through ugly west coast wastelands.
Canadian John Groot’s walk around the entire coastline of Taiwan takes us through bustling cities, fishing ports, rural villages, military sites, and magnificent coastal scenery for a unique, intimate look at the country.
Groot first came to Taiwan in 2001, fell in love with the island and its friendly people, and decided to stay. Years later, looking for a big adventure and a way to forge deeper bonds to his adopted home, he set off on foot from Tamsui, traveling clockwise around the island on weekends and holidays, in what would turn out to be an eight-year trek.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Canadian Jessica Lee comes to Taiwan to unravel some family history (her grandfather, a pilot with the Flying Tigers, was part of the exodus to the island following the Nationalists’ defeat in China). A nature writer, Lee also investigates Taiwan’s beautiful mountain areas. The result is a well-written but sometimes odd mix of a family story and Taiwan’s plants. The country’s remarkable flora has too long been ignored in English-language works so it’s good to have it showcased, and by a capable writer. Two Trees Make a Forest is one of the most highly praised Taiwan titles of recent years.
I have learned many words for 'island': isle, atoll, eyot, islet, or skerry. They exist in archipelagos or alone, and always, by definition, I have understood them by their relation to water. But the Chinese word for island knows nothing of water. For a civilisation grown inland from the sea, the vastness of mountains was a better analogue: (dao, 'island') built from the relationship between earth and sky.
Between tectonic plates and conflicting cultures, Taiwan is an island of extremes: high mountains, exposed flatlands, thick forests. After unearthing a hidden memoir of her grandfather's life, written on the cusp of…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
A delightful travelogue based on a brief trip Rutter made in the spring of 1921, from Kaohsiung up the west coast to Taipei. At that time, Taiwan was a Japanese colony and largely closed to tourists, and Through Formosa a rare glimpse. Rutter was an English colonial administrator and rubber planter in Borneo, so as well as typical travel descriptions of transport, accommodation, and sights, we also get informed opinions on matters such as how the Japanese colonial government was developing agriculture and trying to assimilate the aborigines.
Forgotten Books publishes hundreds of thousands of rare and classic books.
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
An enjoyable read and a practical guide for those looking to explore Taiwan’s aboriginal cultures and the vestiges of Dutch rule on Taiwan in the seventeenth century. It’s a beautifully illustrated book containing hundreds of photographs and useful travel information. The focus is on getting off the beaten path, and the book details fascinating places not covered by other guidebooks, which is a testament to the two authors’ expert knowledge.
Menno Goedhart was the Representative of The Netherlands for eight years. He traveled, together with tour guide Cheryl Robbins, to parts of Taiwan that most tourists do not see and met and befriended many indigenous people. This book contains a selection of fascinating places, with explanations on how to get there, where to stay, and what to eat. In the 17th century, Taiwan was occupied by Dutch East India Company forces. From their base in the southern city of Tainan, they explored the island, leaving behind many stories, some of which are also included in this book.
Economic history is, quite simply, my job: I write about it, I research it, and I’ve been teaching it for ten years at a small liberal arts college in New England. I’ve always felt that the best way to make sense of economic change is not by studying formal laws but by reading what past actors have left behind. Numbers and statistics are indispensable, but they acquire meaning only in relation to ideas and power. In any case, that’s what I take the books on this list to suggest. I think of these books—and others like them—as trusty companions. Perhaps you will, too.
Pithy and compelling, this is perhaps the single best primer on the economic rise of East Asia.
Studwell pinpoints three recipes that allowed Japan, Taiwan, South Korea, and China to escape poverty and become export powerhouses: first, industrial policy; second, government oversight over lending and capital flows (sometimes called “financial repression”); and third—something few before him have grasped—egalitarian land reforms that broke up large estates and gave small plots to the many.
Discussions of economic development are often charged with ideology-free markets or government. As this book nonchalantly reveals, that’s a false opposition. In Studwell’s telling, development happens when governments get creative with markets: forge them, shape them, unleash them, and rein them in. A bracing lesson for today’s debates.
Until the catastrophic economic crisis of the late 1990s, East Asia was perceived as a monolithic success story. But heady economic growth rates masked the most divided continent in the world - one half the most extraordinary developmental success story ever seen, the other half a paper tiger.
Joe Studwell explores how policies ridiculed by economists created titans in Japan, Korea and Taiwan, and are now behind the rise of China, while the best advice the West could offer sold its allies in South-East Asia down the economic river. The first book to offer an Asia-wide deconstruction of success and…
I grew up in Taiwan and have always been fascinated by cinema. I received my Ph.D. in 1998 in the UK in communications studies and shifted my research priority from media to Taiwan cinema in 2005 when I became Head of Chinese Studies at the University of Nottingham Ningbo, China. I had fun working on several projects, screening Taiwanese films, discussing Taiwan cinema and society with filmmakers and audiences, and publishing widely in Chinese and in English. I have travelled, lived, and worked in different cities and countries since 2005 and have continued to find it rewarding to study what I have been passionate about since childhood.
This is one of the first English books I read about Taiwan New Cinema (TNC), arguably the most significant film movement in Taiwan to date.
When the TNC occurred in the 1980s, I was a student and Taiwan was going through the early stage of regime transition and democratization. It was an exciting but also uncertain time. I found films of TNC compelling but often opaque in meaning.
Reading this book in the early 21st century suddenly unlocked a lot of mysteries about the TNC as a film movement and the brilliance of these works for me. It motivated me to start researching Taiwan cinema as a subject more seriously.
This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. The volume gatehrs a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s.
Taiwan and its internationally renowned cinema are " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures.…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I grew up in Taiwan and have always been fascinated by cinema. I received my Ph.D. in 1998 in the UK in communications studies and shifted my research priority from media to Taiwan cinema in 2005 when I became Head of Chinese Studies at the University of Nottingham Ningbo, China. I had fun working on several projects, screening Taiwanese films, discussing Taiwan cinema and society with filmmakers and audiences, and publishing widely in Chinese and in English. I have travelled, lived, and worked in different cities and countries since 2005 and have continued to find it rewarding to study what I have been passionate about since childhood.
I have always enjoyed reading works by Emilie Yueh-yu Yeh and Darrell William Davis as I find their perspectives on the subject I love–Taiwan cinema–refreshing and intelligent.
In their new volume, Yeh and Davis team up with co-editor Wenchi Lin and provide a meticulous examination of 32 individual Taiwanese films between 1963 and 2017. I like the fact that this book offers a wide spectrum of Taiwanese cinematic output in addition to updating the existing literature.
I am particularly inspired by a question that runs through the entire volume: What does national cinema mean to Taiwan at different times under different social, political, and cultural contexts?
Curating Taiwan Cinema: 32 New Takes covers thirty-two films from Taiwan, addressing a flowering of new talent, moving from art film to genre pictures, and nonfiction. Beyond the conventional framework of privileging "New and Post-New Cinema," or prominence of auteurs or single films, this volume is a comprehensive, judicious take on Taiwan cinema that fills gaps in the literature, offers a renewed historiography, and introduces new creative force and voices of Taiwan's moving image culture to produce a leading and accessible work on Taiwan film and culture.
Film-by-film is conceived as the main carrier of moving picture imagery for a…
The ghostly/magical and Taiwan are two of my major interests—I have written about both in my fiction. After living in Taiwan for a few years and getting to know my mother’s side of the family, I gained an appreciation for its complicated history, riveting politics, and the energy of daily life there. Its confluence of people and histories has made it a unique cultural amalgam and these books capture the way folk religion and the spiritual/magical are wedded into the bustling contemporary urban life of Taiwan. I hope you find yourself as enchanted and intrigued by these stories as I have been!
One of my favorite books set in Taiwan, The Hell Screens is dreamy and chilling, creating a landscape of winding alleys, dark apartments, and half-seen ghosts. It captures some of the peculiar alienation that I felt like a newcomer in Taiwan. Alvin Lu has such a unique voice and way of depicting the world—I can’t wait for more work from him.
Cheng-Ming, a Taiwanese American, rummages through the used-book stalls and market bins of Taipei. His object is no ordinary one; he's searching obsessively for accounts of ghosts and spirits, suicides and murders in a city plagued by a rapist-killer and less tangible forces. Cheng-Ming is an outsider trying to unmask both the fugitive criminal and the otherworld of spiritual forces that are inexorably taking control of the city. Things get complicated when the fetid island atmosphere begins to melt his contact lenses and his worsening sight paradoxically opens up the teeming world of ghosts and chimeras that surround him. Vengeful…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Readers looking for something different will enjoy this. There’s no history lesson here, no cultural tourism of night markets, martial arts, and temples, no Western protagonists finding their feet and getting a girl. Bu San Bu Si is a gritty journey into the underground music scene in Taipei. In electric prose, the novel follows the triumphs and more often the travails of Xiao Hei, the bass guitarist in a four-man band called Resistant Strain, “a bunch of nobodies in a scene full of more nobodies.” The talented young man’s work ethic doesn’t match his ambitions for street cred, fame, and fortune. When gangster connections offer a shortcut, things spin out of control.
Bu San Bu Si—"not three not four." To the Taiwanese people, it's an idiom used to describe the punks, lowlifes, and losers of society—the ones who don't fit in, and never will. It's what they would call someone like Xiao Hei. Talented and self-destructive, young and reckless, Xiao Hei is the guitar player for Taipei punk band Resistant Strain. He and his band mates don't just play punk. In the vein of the music's more nihilistic Western progenitors, they take it as a lifestyle. Live Fast. Die Young. Get Drunk. Stay Broke. And yet, at the back of their minds,…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As an English professor, I teach all kinds of literature, but I’m especially drawn to creative and experimental works that cross over different languages, cultures, and geographical regions. I’m drawn to writers who test the limits of language. Joseph Conrad chose to write in English, his third language (after Polish and French), which he learned from the polyglot world of sailing. Conrad’s English is populated by multiple other languages. When I discovered the Indonesian writer Pramoedya Ananta Toer, I was compelled to learn both Dutch and Indonesian in order to read the prison notes, then available only in Dutch, and the many stories and novels not yet translated into English.
I love this book for the poetic and multilingual effect in just about every line of writing. Although its explicit descriptions of bodily violence are visceral and challenging, there is something utterly compelling about the impossibility of disentangling literal from metaphorical descriptions.
I love the way the book revisits and also queers some of the themes of Maxine Hong Kingston’s A Woman Warrior (e.g., the story of immigration to the U.S., the woman warrior theme). Linguistically, it is even more complex than A Woman Warrior.
It combines American English and Chinese—sometimes breaking up the Roman letters with Chinese characters—and then subverts both English and Chinese through references to the indigenous Taiwanese language, Atayal.
Three generations of Taiwanese American women are haunted by the myths of their homeland in this blazing debut of one family's queer desires, violent impulses and buried secrets.
One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman's body. Her name was Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her estranged grandmother; a visiting aunt leaves red on everything she touches; a ghost bird shimmers in an…
