100 Books Like Fine

I was first a clinical social worker and then a social work professor with research focus on older adults. Over the past few years, as I have been writing my own memoir about caring for my parents, I’ve been drawn to memoirs and first-person stories of aging, illness, and death. The best memoirs on these topics describe the emotional transformation in the writer as they process their loss of control, loss of their own or a loved one’s health, and their fear, pain, and suffering. In sharing these stories, we help others empathize with what we’ve gone through and help others be better prepared for similar events in their own lives.

I read dozens of books about comic book history while researching my own book, and it turned me a near-obsessive on the topic. As weird as it sounds, I don’t really read comic books anymore, but I still read books about the industry. 

I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay, are replete with themes of Nazi occultism and border science. The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.

I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.  

One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batman taught me a lot—and helped me feel like a kid again. 

Not only have I been a comic book editor for sixteen years and obsessed with indie comics for much longer, I’m also an avid camper who co-created and co-wrote a comic book series that exalts in the unique feeling of sleeping under the stars. As such, excellent comics about outdoor adventures have a particularly tender spot in my heart.

I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles. 

I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles. 

I’ve spent my entire life dealing with mental health issues, and overcoming them took me on a long journey of learning about the mind and how to make it work for us rather than against us. I’ve explored almost every modality out there and developed my own hypnosis modality as a result. Books like these were a key part of helping me figure out how to overcome my challenges and live life to the fullest, achieve my goals, and reach success.

As a kid, I wrote a series of plays with my family as characters. Everyone (even the dog and cat) had lines that demonstrated their quirks, except me—the sane and reasonable one. When I performed these playlets for my mother (performing all parts, since no one else would co-operate) she laughed so hard she cried, and it’s fair to say my subsequent writing career has been an attempt to recapture the feelings that experience generated. Beginning as a joke writer (including a stint working for Jay Leno), I now focus on literary fiction, though humor is always a part of my work.