Here are 100 books that My Life and Hard Times fans have personally recommended if you like
My Life and Hard Times.
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I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.
Every time I read something by George Saunders, I’m in awe of what, for me, is his trifecta of powers: hilarious writing, fantastically creative situations, and deep compassion for his characters and their choices. This book is no exception, and I was particularly struck by The Semplica Girl Diaries, which shows what lengths a suburban dad goes to—it involves unusual, morally questionable human lawn ornaments—in order to support his daughters’ happiness.
While reading these stories, I found my sympathies shifting and unfolding from character to character, each a person whose beating heart lies just below the surface of their unusual circumstances.
**ESCAPE FROM SPIDERHEAD NOW STREAMING ON NETFLIX - STARRING CHRIS HEMSWORTH AND MILES TELLER**
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo
'The best book you'll read this year' New York Times
'Dazzlingly surreal stories about a failing America' Sunday Times
WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013
George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations.
A family member recollects a backyard pole dressed for…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.
What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
As a kid, I wrote a series of plays with my family as characters. Everyone (even the dog and cat) had lines that demonstrated their quirks, except me—the sane and reasonable one. When I performed these playlets for my mother (performing all parts, since no one else would co-operate) she laughed so hard she cried, and it’s fair to say my subsequent writing career has been an attempt to recapture the feelings that experience generated. Beginning as a joke writer (including a stint working for Jay Leno), I now focus on literary fiction, though humor is always a part of my work.
I bought an English version of this French novel about Paris while actually in that city as a starving backpacker, and have forever associated the wacky joyfulness of the book with the pleasures of that trip. Originally written in a high-energy, idiomatic, slangy, bawdy version of French that scandalized many conservative readers, the plot involves a young country girl named Zazie, obsessed with the Parisian subway system called the Metro, though she’s never seen it. Finally allowed to visit her uncle in the city, she is outraged to find the Metro closed, its workers on strike. She runs away, roaming the crowded city streets, her hilarious extended tantrum not only upsetting her befuddled uncle’s safe and settled lifestyle, but also spreading a generalized craziness throughout Paris.
Impish, foul-mouthed Zazie arrives in Paris from the country to stay with Gabriel, her female-impersonator uncle. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, Zazie in the Metro remains as stylish and witty as ever.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
As a kid, I wrote a series of plays with my family as characters. Everyone (even the dog and cat) had lines that demonstrated their quirks, except me—the sane and reasonable one. When I performed these playlets for my mother (performing all parts, since no one else would co-operate) she laughed so hard she cried, and it’s fair to say my subsequent writing career has been an attempt to recapture the feelings that experience generated. Beginning as a joke writer (including a stint working for Jay Leno), I now focus on literary fiction, though humor is always a part of my work.
I studied the post-modernists in college, and find Barthelme to be the funniest and most likable of that group. His collection of short fiction, Sixty Stories, is my desert island book, but he also wrote a few novels that I like, especially The Dead Father. The dead father looms large in the ethos of his society, and is also literally big—3,200 cubits long. And the dead father is not really dead—though all agree he’s past his prime. So, a road trip is organized: nineteen of his followers attach a cable to drag the massive, complaining figure to a cliff at the edge of the world. A truly witty and absurd little book.
The Dead Father is a gargantuan half-dead, half-alive, part mechanical, wise, vain, powerful being who still has hopes for himself--even while he is being dragged by means of a cable toward a mysterious goal. In this extraordinary novel, marked by the imaginative use of language that influenced a generation of fiction writers, Donald Barthelme offered a glimpse into his fictional universe. As Donald Antrim writes in his introduction, "Reading The Dead Father, one has the sense that its author enjoys an almost complete artistic freedom . . . a permission to reshape, misrepresent, or even ignore the world as we…
I’ve loved comic strips since I was a kid, so children’s books that had cartoon art in them were the ultimate for me. That love drove me to research and write about the career and life of Jack Kent. Books by cartoonists tend to have the whole package: They tell a story visually, they’re funny, and they use language economically but memorably. The limitations I placed on myself in choosing this list were 1) the creator had to have both written and drawn the book, and 2) they had to have been established as a professional cartoonist before moving into children’s books.
A fact lost in their massive success in children’s books is that Stan and Jan Berenstain started as cartoonists.
In the 1940s and 1950s their work appeared in the likes of the Saturday Evening Post,Collier’s,and McCall’s, and they had a series of best-selling “cartoon essay” books. Their famous bears debuted in 1962 as part of Beginner Books, a line created by Theodor “Dr. Seuss” Geisel, Helen Palmer Geisel, and Phyllis Cerf.
With 1978’s The Spooky Old Tree, The Berenstains created the quintessential early reader, using repetition and predictability, prepositional phrases, rich visuals, and high drama to captivate their young audience (and their parents). “Do they dare? Yes. They dare.”
Join the Berenstain Bears on a spooky adventure in this classic children's book perfect for learning to read!
Climb the Spooky Old Tree with the Berenstain Bears! This classic children's book makes great use of rhyming and repetition of phrases to encourage children's reading, and the spooky story will delight young and old!
Bright and Early Books are designed to encourage even 'non-reading' children to read. Some Bright and Early Books are simple stories, others are hilarious nonsense: both types have been designed to give children confidence and make them want to go on reading. Perfect for both boys and…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
OK, I have to say this upfront: a lot of comic-book aficionados don’t care much for Bob Kane, Batman’s co-creator. He took too much of the credit for coming up with the Caped Crusader, at the expense of writer Bill Finger. And there are details in the autobiography that seem to stretch the truth. But I wanted to get Kane’s perspective on Batman and his development over the years. As a bonus, the book has complete color reproductions of several early Batman adventures.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles.
Fun Home is Alison Bechdel’s most famous work (and it is phenomenal), but this one captured my heart. While the former focuses on her father, here Bechdel turns her focus on her relationship with her mother, weaving in a lot of psychoanalysis and modernist literature.
Bechdel’s characteristic intricacy and attention to detail are on full display, and the frequent inclusion of dreams and their interpretation (a particular interest of mine) make the whole book feel almost surreal yet completely grounded.
An expansive, moving and captivating graphic memoir from the author of Fun Home.
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf.
I got hooked on superheroes from a very early age. My mom grew up in the Golden Age of comics and loved superheroes. She'd bring home a random assortment of adventures—Batman, Iron Man, Flash, Avengers, Justice League, Iron Fist, Captain America. I was especially keen on the martial arts mayhem so many could bring to bear. That got me started (and I've never stopped since) in martial arts as a teen and took me into a career in science. I bring my own interest, my knowledge of martial arts, and my extensive career and training as a sensorimotor neuroscientist as I explore the science of human achievement through the lens of comic book superheroes.
If you are going to think about superheroes, and you really should be you know, then you truly have to know about the absolute godfather of the genre—the spectacular Stan Lee.
The stories behind how Stan Lee came to be and the early origins so many iconic characters are staples of comic book mythology. And what a book Danny Fingeroth has in store for you on this front. Endlessly entertaining, eminently readable. I adored the writing, the stories, and the approach while I devoured this book!
Stan Lee invented SPIDER-MAN! And IRON MAN! And the HULK! And the X-MEN! And more than 500 other iconic characters! His name has appeared on more than a billion comic books, in 75 countries, in 25 languages. His creations have starred in multibillion-dollar grossing movies and TV series. This is his story.
Danny Fingeroth writes a comprehensive biography of this powerhouse of ideas who changed the world's understanding of what a hero is and how a story should be told, while exploring Lee's unique path to becoming the face of comics.
With behind-the-scenes stories and interviews with Stan's brother Larry…
I am from Scranton, Pennsylvania. I have always had a passion for art and literature. I started drawing at a young age and never stopped. Constantly drawing on scrap papers from my father’s graphic arts business. Always pulling from my imagination and the world around me for inspiration. Books were a major outlet for my creativity. Graphic novels in particular were always my favorite form of expression. To be able to tell a story using pictures and share my own personal feelings with others was a means of communication for me. I began to study illustration in school and college. I graduated with a Bachelor of Fine Arts degree from Marywood University. I currently work as a graphic designer and illustrator.
Don't Go Where I Can't Follow is a masterpiece in my opinion. This deeply personal story is based on the author's own life and the loss of his fiancé. A look into someone else’s struggles and hardships using drawing and photographs, notes, and sketches this novel is truly a beautiful collection of their relationship together. This one really resonates with me and hurts my heart, but I love it so much and I highly recommend picking up a copy as soon as you can.
A STORY OF LOVE AND LOSS INSCRIBED IN PHOTOGRAPHS, POSTCARDS, LETTERS, AND BEDSIDE SKETCHES
In this collection of letters, drawings, and photos, Anders Nilsen chronicles a six-year relationship and the illness that brought it to an end.
Don't Go Where I Can't Follow is an eloquent appreciation of the time the author shared with his fiancée, Cheryl Weaver. The story is told using artifacts of the couple's life together, including early love notes, simple and poetic postcards, tales of their travels in written and comics form, journal entries, and drawings done in the hospital in her final days. It concludes…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Out of all the flattering reviews of my books, my favourite is of a reader choking on her lunch. My book was about death. The reader, who survived, said it made her laugh so hard. I write about tough times by bringing out the it’s okay to smile now bits. The Midnight Years is about teen mental health, Happily Never After is about loneliness, and Flyaway Boy is about stereotyping. Making people laugh through tears is a tough task. Here are some books that cracked it.
I passively disliked gerkhins until I met this pink, clueless one who’s writing and drawing a book on mental challenges, among other things.
Yes, there are drawings and multicolored pages in an autobiographical book about depression so deep that it keeps the author in bed. Gaspingly funny and told with searing honesty, the book is about dogs, a partner, and a house that needs caring for–caring that she isn’t in the mood to do–and a to-do list that stays undone while she whiles away her time doing nothing.
“Funny and smart as hell” (Bill Gates), Allie Brosh’s Hyperbole and a Half showcases her unique voice, leaping wit, and her ability to capture complex emotions with deceptively simple illustrations.
FROM THE PUBLISHER: Every time Allie Brosh posts something new on her hugely popular blog Hyperbole and a Half the internet rejoices.
This full-color, beautifully illustrated edition features more than fifty percent new content, with ten never-before-seen essays and one wholly revised and expanded piece as well as classics from the website like, “The God of Cake,” “Dogs Don’t Understand Basic Concepts Like Moving,” and…
