Here are 94 books that Batman & Me fans have personally recommended if you like
Batman & Me.
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One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Time to put aside the history and cultural analysis. How could I understand the modern Batman phenomenon without delving into Miller’s classic reimagining of Batman? By his own account, Miller wanted to take Batman and the whole superhero genre out of the realm of kid stuff. Boy, did he ever! This Batman has been called dark and gritty, though Miller supposedly didn’t care for that description. But there’s no question Miller’s work influenced the movies that followed. The book includes the four issues that were originally published separately.
It's the thirtieth anniversary of THE DARK KNIGHT RETURNS, and now DC
Comics presents this classic title in a newly redesigned edition! Ten years
after an aging Batman retired, Gotham City has sunk deeper into decadence and
lawlessness. Now, when his city needs him most, the Dark Knight returns in a
blaze of glory. Joined by Carrie Kelly, a teenaged Robin, Batman takes to the
streets to end the threat of the mutant gangs that have overrun the city. And
after facing off against his two greatest enemies, the Joker and Two-Face, for
the final time, Batman finds himself in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Essential is right—any fan of the Caped Crusader needs this book! Greenberger is a former DC Comics editor, and his extensive research helped me rediscover characters I had forgotten about and learn about ones I had never encountered before. Along with being packed with great info, the book is filled with illustrations, including 32 full-page color covers.
The ultimate guide to the man behind the mask . . . and the mythology behind the man.
“Criminals are a superstitious, cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible. . . . I shall become a bat!” So declared millionaire industrialist Bruce Wayne, orphaned as a boy by a murderous thug and driven as a man to battle the scourge of crime by becoming Batman. Batman swooped into popular culture in 1939–and for nearly seventy years has thrilled audiences in countless comics, live-action…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
While I wanted to know the history of Batman and all the facts and figures, I needed to know Batman’s larger cultural impact, and Brooker’s book helps provide it. He explores the different incarnations of Batman, from the comic-book page to the big screen. Brooker looks at the 1950s hysteria against comic books that targeted Batman, among others; the “camp” Batman of the 1960s TV show; and the Batman of films, from the 1989 Tim Burton version through the 1990s. Now all Brooker needs to do is update the book to include Christopher Nolan’s take on The Dark Knight!
An academic monograph that traces the various ways in which Batman has been interpreted over the years - by wartime film producers, gay teenagers, pop artists, Internet fan communities, and so on. Written from both an academic and a fan's perspective, is examines how a character can be a brand and a myth at the same time. The book draws on substantial research from the DC Comics archives, as well as interviews with DC editors and writers. Also included is a comprehensive Batman iconography, listing examples of how Batman has been used as a reference in other TV shows, movies,…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Like the Greenberger book, this official history of Batman from DC Comics is essential for any fan. Unlike Kane’s book, this account gives much more credit to Bill Finger as Batman’s creator and highlights many of the writers and illustrators who followed, shaping the Caped Crusader's image over the years. The color reproductions and photos—including ones of collectibles and movie stills—alone are worth the price of this great book.
The Comprehensive overview of the Dark Kights dark past - now in pb. Now in paperback, Batman: The Complete History offers a comprehensive overview of the Dark Knight's dark past. Best-selling author Les Daniels covers the gamut - from Batman's creation and runaway success, to the 1954 accusations of Batman and Robin's homosexuality, to the campy antics of the Adam West TV show, and the emergence of Frank Miller's very disturbed and very dark Knight. Illustrated with archival comic book art and rare Batman paraphernalia and designed by Batman's biggest fan, Chip Kidd, this history aims to please the core…
I’ve loved comic strips since I was a kid, so children’s books that had cartoon art in them were the ultimate for me. That love drove me to research and write about the career and life of Jack Kent. Books by cartoonists tend to have the whole package: They tell a story visually, they’re funny, and they use language economically but memorably. The limitations I placed on myself in choosing this list were 1) the creator had to have both written and drawn the book, and 2) they had to have been established as a professional cartoonist before moving into children’s books.
A fact lost in their massive success in children’s books is that Stan and Jan Berenstain started as cartoonists.
In the 1940s and 1950s their work appeared in the likes of the Saturday Evening Post,Collier’s,and McCall’s, and they had a series of best-selling “cartoon essay” books. Their famous bears debuted in 1962 as part of Beginner Books, a line created by Theodor “Dr. Seuss” Geisel, Helen Palmer Geisel, and Phyllis Cerf.
With 1978’s The Spooky Old Tree, The Berenstains created the quintessential early reader, using repetition and predictability, prepositional phrases, rich visuals, and high drama to captivate their young audience (and their parents). “Do they dare? Yes. They dare.”
Join the Berenstain Bears on a spooky adventure in this classic children's book perfect for learning to read!
Climb the Spooky Old Tree with the Berenstain Bears! This classic children's book makes great use of rhyming and repetition of phrases to encourage children's reading, and the spooky story will delight young and old!
Bright and Early Books are designed to encourage even 'non-reading' children to read. Some Bright and Early Books are simple stories, others are hilarious nonsense: both types have been designed to give children confidence and make them want to go on reading. Perfect for both boys and…
As a kid, I wrote a series of plays with my family as characters. Everyone (even the dog and cat) had lines that demonstrated their quirks, except me—the sane and reasonable one. When I performed these playlets for my mother (performing all parts, since no one else would co-operate) she laughed so hard she cried, and it’s fair to say my subsequent writing career has been an attempt to recapture the feelings that experience generated. Beginning as a joke writer (including a stint working for Jay Leno), I now focus on literary fiction, though humor is always a part of my work.
I received a copy of this book as a gift on my eleventh birthday, and by the time I’d finished reading it, I had decided to become a writer. What seems at first to be a simply-written series of reminiscences from Thurber’s boyhood in Columbus, Ohio is in fact a fake (or at least exaggeration-filled) memoir, full of tales about charmingly addled characters and unlikely incidents. The chapter entitled “The Dog that Bit People” is my personal favorite.
A Bantam Classic, published in 1961. Cover and spine a little rough. Book appears to be unopened (unread). Pages lightly tan with age. Clean, bright used copy with tight binding. NEVER a library book./jl
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Out of all the flattering reviews of my books, my favourite is of a reader choking on her lunch. My book was about death. The reader, who survived, said it made her laugh so hard. I write about tough times by bringing out the it’s okay to smile now bits. The Midnight Years is about teen mental health, Happily Never After is about loneliness, and Flyaway Boy is about stereotyping. Making people laugh through tears is a tough task. Here are some books that cracked it.
I passively disliked gerkhins until I met this pink, clueless one who’s writing and drawing a book on mental challenges, among other things.
Yes, there are drawings and multicolored pages in an autobiographical book about depression so deep that it keeps the author in bed. Gaspingly funny and told with searing honesty, the book is about dogs, a partner, and a house that needs caring for–caring that she isn’t in the mood to do–and a to-do list that stays undone while she whiles away her time doing nothing.
“Funny and smart as hell” (Bill Gates), Allie Brosh’s Hyperbole and a Half showcases her unique voice, leaping wit, and her ability to capture complex emotions with deceptively simple illustrations.
FROM THE PUBLISHER: Every time Allie Brosh posts something new on her hugely popular blog Hyperbole and a Half the internet rejoices.
This full-color, beautifully illustrated edition features more than fifty percent new content, with ten never-before-seen essays and one wholly revised and expanded piece as well as classics from the website like, “The God of Cake,” “Dogs Don’t Understand Basic Concepts Like Moving,” and…
I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles.
Keiler Roberts has a number of books featuring vignettes from her daily life. All are incredible. This is a personal favorite, cleverly balancing medical scenes about her MS treatment and diagnosis, her work as an art teacher, her life with her daughter and husband (and their family rats), and private moments with herself.
Pet deaths and parenting, embarrassing childhood memories and mental illness, Roberts documents her daily life’s minutiae, its up and downs, with the deftness of an observational comedian. Her comics demonstrate that sometimes life can deal you a punch to the gut, but it doesn’t have to be devoid of a punch line.
I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.
This is the backstory of Spiegelman’s two-volume masterpiece.
What was the impetus for MAUS?
How did comic creatures find their way into a Holocaust narrative? What were the reactions to such a unique
merging of cartoons and historical horror? How has Spiegelman dealt with the
book’s tremendous reception?
The book answers these questions with many interviews,
photos, explanations, and reflections. Even agent and publisher rejection
letters are included.
NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals.
In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago.
He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process.
Compelling and intimate, MetaMaus is poised to become a classic in its own right.
I read dozens of books about comic book history while researching my own book, and it turned me a near-obsessive on the topic. As weird as it sounds, I don’t really read comic books anymore, but I still read books about the industry.
Simon was an artist, yes, but he was also a longtime writer and editor, and I was really impressed by his ability with words.
This autobiography has a charming, no-nonsense voice that I found made for a breezy, fun read. Plus, the book is packed to the brim with amazing anecdotes from comics history. Simon’s heyday was long before I was even born, but reading his story gave me a newfound appreciation for him and led me to seek out his work.
"Gripping from the first page... If you love comic books, history, or just love a story of a real self-made man, you must read this book." - Shadowlocked
"A true visionary, Simon's book is laced with never-before-seen photos and illustrations, and told in his own words. If you're at all curious about the history of comics and one of its earliest visionaries, My Life in Comics is a must-read." - IGN
"... a lovely memoir, often funny, sometimes thought-provoking, and never ostentatious. It's a true pleasure to read." - Graphic Novel Reporter
