Here are 100 books that Fighting for Our Friendships fans have personally recommended if you like
Fighting for Our Friendships.
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I’ve always had a soft spot for books on sisterhood. Perhaps it’s because I have a sister, but it’s partly because I’ve also lucked out on wonderful girlfriends who’ve taken the role of sisters at various stages of my life. There is an immense power in female relationships, and it’s a theme I often explore through my writing. Both my novels, The Marriage Clock and The Retreat center around strong women who consistently and generously show up for each other. I’ve compiled a list of books to celebrate the many sisters in our lives—through blood and friendship. I hope you find them as enjoyable to read as I have!
This novel shows us how the sisters in our lives aren’t always connected by blood. That sometimes, our chosen sisters are the ones who carry us through life’s difficult moments.
Malek, Kees, and Jenna have been lifelong friends, but when a single argument threatens to pull them apart, can they find their way back to one another? Alternating between each woman’s story, the novel explores deeper themes of love, family, and faith while also shedding light on both the strengths and fragility of female relationships.
A *Read With Jenna Today Show Book Club pick* and razor‑sharp debut novel of three best friends navigating love, sex, faith, and the one night that changes it all.
It’s always been Malak, Kees, and Jenna against the world. Since childhood, under the watchful eyes of their parents, aunties and uncles, they’ve learned to live their own lives alongside the expectations of being good Muslim women. Staying over at a boyfriend's place is disguised as a best friend’s sleepover, and tiredness can be blamed on studying instead of partying. They know they’re existing in a perfect moment. With growing older…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Maybe it's me, but the stories I tell are often about people who insist they're absolutely fine. When they're not. Perhaps that's the most British thing in the world: to paint on a smile, say 'I'm fine,' and hope nobody asks again. The novels on my list have stayed with me because they catch people in the middle of pretending. They've made me laugh out loud on crowded trains. And nudge my sleeping husband because I had to tell him what just happened. More than anything, they reminded me that when we stop pretending… that's when the real story starts.
If a book kicks off with someone planning to end it all… at a fancy hotel, in the middle of an influencer wedding… I'm in.
The premise suggests anything but romance and comedy. The Wedding People soon becomes warm, strange, and generous. I've been to a fair few pressure cooker nuptials in my time. Guests ratchet up smiles no matter what.
I loved how, in this book, grief collides with celebration. More than that, I love how the story ends on a hopeful note, rather than trying to leave everything neat and tidy. There's a glorious sense of people behaving very badly indeed, and still finding ways to be happy. And in dark times, that's exactly what I ask of a good book.
A NEW YORK TIMES BESTSELLER A Today Show #ReadwithJenna Book Club Pick
A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew.
It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming…
Having grown up and gone to school in south London, it will always have a special place in my heart. Call me biased, but I think it’s the best place in the capital. Hands down. I love that it’s home to many Afro-Caribbean families and how its cultural presence can be felt by just walking down any street. From the bustling markets selling plantain, yams, and hard dough bread to the throng of aunties wearing brightly-coloured, patterned lace as they make their way to church. With south London being so atmospheric, I knew I had to include it as a setting in my novel. It will always be my first home.
I flew through Wahala. Pacy, suspenseful, and binge-able, this novel did not disappoint; it delivered in all areas. Zany, memorable characters – tick. Messy, complicated entanglements – tick. Tantalising, mouth-watering descriptions of Nigerian food served in south London restaurants – tick, tick. (The author kindly included a few recipes at the back of the book!) Wahala reminded me of how enjoyable reading can be when you find a widely-entertaining book that you can kick back and sink your teeth into. An engrossing, riveting read that explores the complexity of adult female friendships, I highly recommend it.
Fabulous friendship novel with a killer edge for fans of BIG LITTLE LIES and EXPECTATION
SOON TO BE A MAJOR BBC TV SERIES
'A journey of friendship, revenge and finding your true self. Gripping' STYLIST MAGAZINE
'I would definitely recommend this book to friends. I already have!' BBC RADIO 2 BOOK CLUB
'What makes this slow-burn story of friendship and vengeance refreshing and original is the exhilarating ease with which it portrays a London steeped in the colours and sounds of Lagos' THE TIMES, Best Popular Fiction Books of 2022
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Ronke, Simi, Boo are three mixed-race friends living in…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
I loved this book so very much because it’s honest, raw, and so funny. I think that most of us can agree that life is both beautiful and brutal. It’s okay to admit that even the best of times can be rife with bullshit. The events leading up to some of my best memories were disastrous. The author gets that and unabashedly tells her embarrassing, uncomfortable, cringe-worthy, tragic stories.
I felt seen and in good company when reading it. Here’s the thing: I relished cackling over the stories of Ellis and her people because they felt familiar—they felt like my people. Ellis is the funny one in her friend group. I am the funny one in mine. I feel she and I could get into some real trouble together. Even better? We could co-write a killer essay in the aftermath.
The bestselling author of American Housewife and Southern Lady Code returns with a viciously funny, deeply felt collection of essays on friendship among grown-ass women.
When Helen Ellis and her lifelong friends arrive for a reunion on the Redneck Riviera, they unpack more than their suitcases: stories of husbands and kids; lost parents and lost jobs; powdered onion dip and photographs you have to hold by the edges; dirty jokes and sunscreen with SPF higher than they hair-sprayed their bangs senior year; and a bad mammogram. It's a diagnosis that scares them, but could never break their bond. Because women…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
In this magnificent genre, Diane Setterfield brings a lightness to the spells and spooks of generational trauma. I love how she gives homage to the need to write through her two main characters, both writers hiding personal truths and harboring demons that they express through their storytelling.
Margaret, a young biographer, is beckoned by Vida Winters, a famous and reclusive author, to join her at her mysterious estate and begin to interview her, record, and write her life story. The two writers open doors, real and imagined, that blow out the cobwebs and ignite old, dangerous fires that belong to the past.
It is written with such warmth, unsettling darkness, and generous color. I wanted to take days off to just sit and finish this book in a marathon read….it was so engaging, satisfying, and fluid.
'Simply brilliant' Kate Mosse, international bestselling author of Labyrinth
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Everybody has a story...
Angelfield House stands abandoned and forgotten.
It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart...
Now Margaret Lea is investigating Angelfield's past, and its mysterious connection to the enigmatic writer Vida Winter. Vida's history is mesmering - a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power…
I've been a book doctor and acquiring editor for almost twenty years. I've read hundreds of debut novels, both published and not. I've always been amazed and impressed when an author is able to create a unique and internally consistent universe for their story. I also know—as a writer of ten fantasy and science fiction novels—that building a vivid, alternate world is a very difficult thing to do well. In the best stories the fictional world defines the characters in it, shapes them, and gives their struggle meaning. It's why we relate to their journey and make their success our own.
Unlike many fantasy novels, the protagonist, Sian Katte isn't an adolescent. When I read this book in my 40s, I identified with the main characters. They've already come of age, but their lives are nonetheless turned upside when Sian gains an unexpected and unwanted magical ability. She is forced out of her routine and becomes a lynchpin in the political turnings of the tropical island nation of Alizar – a fantasy setting that resonates with the familiar while maintaining its uniqueness and rich history.
Set in the lush and dangerous world of Jay Lake's Green, Our Lady of the Islands is a vibrant, enchanting tale of political intrigue and divine mystery."Our Lady, heal us ..."Sian Katte is a successful middle-aged businesswoman in the tropical island nation of Alizar. Her life seems comfortable and well-arranged...until a violent encounter one evening leaves her with an unwanted magical power.Arian des Chances is the wife of Alizar's ruler, with vast wealth and political influence. Yet for all her resources, she can only watch helplessly as her son draws nearer to death.When crisis thrusts these two women together, they…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I love to read and write about complex characters and particularly the “unlikeable” female character. Many readers connect with my characters because they are flawed—they don’t always think or do what we want them to, or what we think they should do, which is often (frustratingly) the case with the real-life people we love and care about. Real, complex people exist in real, complex relationships, including friendships that don’t always serve them—or that do serve them, but in unconventional or superficially unclear ways. I think that reading about contradictory, inconsistent, and confused characters in relationships helps us to be kinder and more empathetic people—and, quite possibly, better friends.
Friendship takes work. These ongoing, necessary maintenance efforts are not the dramatic material of most friendship novels, but this book is all the more admirable for examining its realities.
This book tells the story of May, an independent, not unhappy but somewhat lonely woman on the brink of 40, who hasn’t made much effort with her far-flung friends—or any friends—in years. Presented with a 30-day leave from her job as a gardener at a university, she makes plans to visit four old friends for a few days each.
May is warmly welcomed, though the reunions are often stilted, sometimes awkward, and that’s what makes them honest: you can’t skip the hard parts when you’re learning a new rhythm, even with an old friend. Post-pandemic, this is an especially good book for people trying to find their way back to IRL friendships.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: O Magazine * Good Housekeeping * Real Simple * Vulture * Chicago Tribune
NAMED ONE OF THE BEST BOOKS OF THE SUMMER BY: “The Today Show” * “Good Morning America” * Wall Street Journal * San Francisco Chronicle * Southern Living
An INDIE NEXT LIST Pick
Shortlisted for the 2020 Bollinger Everyman Wodehouse Prize Long-listed for the 2020 Tournament of Books
"Fun, hilarious, and extremely touching."—NPR
A beautifully observed and deeply funny novel of May Attaway, a university gardener who sets out on an odyssey to…
Growing up as the child of a damaged, resentful mother certainly took its emotional toll and led me to embark on some pretty destructive early relationships. After a series of painful personal losses I spent time as a single mum, struggling to parent, deal with grief and hold down a job as a TV producer. I tried self-help books, therapy, and nicotine to get by, but it was the support and humour of women who had survived their own ordeals which enabled me to come out the other side. But as a writer and a reader I'm intrigued by troubled women, the traumas that shape them, and the things they do to survive.
In her character Emma, Lane paints a painfully relatable picture of a career woman trapped by the daily grind of motherhood.
Emma takes entry-level anti-depressants to get through the day (been there, done that) and yearns for a spark of intellectual and emotional stimulation to make herself feel validated. This makes her easy prey for glamorous, predatory artist, Nina. I was silently screaming at Emma to back away before it was too late while revelling in Lane’s exquisite descriptions of middle-class suburbia and the casual sleights inflicted by Emma’s thoughtless, selfish husband.
This is domestic noir at its darkest and most devastating best.
'The ultimate frenemy thriller' [NOW MAGAZINE] The smash critical hit from the publishers that bought you GONE GIRL.
You don't remember her . . . but she remembers you.
Two women; two different worlds. Emma is a struggling mother who has put everything on hold. Nina is sophisticated and independent - entirely in control.
When the pair meet, Nina generously draws Emma into her life. But this isn't the first time the women's paths have crossed. Nina remembers Emma and she remembers what Emma did.
But what exactly does Nina want from her? And how far will she go in…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
Musician and author Thorn places Go-Betweens drummer Lindy Morrison in the spotlight in this warm, often fiery book which, as a sometime drummer, I loved and related to very keenly. It is a love letter, as so many biographies are, albeit as much to a friendship as it is to an artist. But it is also a reflection on how women interact, how women navigate the music industry, how creative, clever women (like female biographers!) are often dismissed, trivialised, undermined, even silenced. Women will get great strength from My Rock ‘n’ Roll Friend, and as for men, well, the world would probably be a better place if more chaps connected with this book.
'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti
A TIMES BEST BOOK OF THE YEAR
In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock 'n' roll love affairs.
Morrison - a headstrong heroine blazing her way through a male-dominated industry - came to be a kind of mentor to Thorn. They…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Written during COVID, but not about the pandemic, BFF is for those of us who are less-than-perfect friends.
Her lifelong struggles to define and live up to her impossible ideals of friendship are instantly relatable. She’ll annoy you and maybe make you mad, but you’ll cheer her on for her desire to do the right thing. Her challenges are ours, too.
In fact, reading how she coped with the loss of her best friend was a comfort to me. Because I read it at a time when I was devastated by a similar loss.
From the author of Group, a New York Times bestseller and Reese's Book Club Pick, comes a moving, heartwarming, and powerful memoir about Christie Tate's lifelong struggle to sustain female friendship, and the friend who helps her find the human connection she seeks.
After more than a decade of dead-end dates and dysfunctional relationships, Christie Tate has reclaimed her voice and settled down. Her days of agonizing in group therapy over guys who won't commit are over, the grueling emotional work required to attach to another person tucked neatly into the past.