Here are 100 books that Bring Your Baggage and Don't Pack Light fans have personally recommended if you like
Bring Your Baggage and Don't Pack Light.
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One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
As a new inductee to midlife, I was excited to read the funny tales of this book. As I age, I feel like a new member of a club that I didn’t necessarily want to be a part of. I didn’t mean to register or apply, but here I am. The author of this book would certainly commiserate because here she is, too.
We are both navigating what it’s like to be in a body that’s older in years than we feel. Likewise, we understand what it means to have a new generation become the louder voice in the room. Navigating aging is a wild ride, and it’s nice to have bedfellows as messy as me punching tickets for the seat next to me.
If nothing else, we can swap stories about creaking knees and complain about gas prices until we reach our destination. I love the humor and naked…
A laugh-out-loud spin on the realities, perks, opportunities, and inevitable courses of midlife.
Laurie Notaro has proved everyone wrong: she didn't end up in rehab, prison, or cremated at a tender age. She just went gray. At past fifty, every hair's root is a symbol of knowledge (she knows how to use a landline), experience (she rode in a car with no seat belts), and superpowers (a gray-haired lady can get away with anything).
Though navigating midlife is initially upsetting-the cracking noises coming from her new old body, receiving regular junk mail from mortuaries-Laurie accepts it. And then some. With…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
Reading this book was like curling up on my best friend’s sofa, a cheap glass of wine in hand, ratty sweatpants snugged around my legs, and an old episode of Sex and the City playing in the background. The overall tone feels like a reel from my head, and I have had to remind myself so often that the author isn’t a close friend.
I love being so engrossed and connected to a work that I feel like I know the main players personally. Realizing that other people think, obsess, and critique how I do was reassuring in more ways than I can describe. I love the conversational tone of this book because it’s light and easy in the best way possible.
DON’T MISS PHOEBE ROBINSON’S COMEDY SERIES EVERYTHING’S TRASH—NOW ON FREEFORM!
New York Times bestselling author and star of 2 Dope Queens Phoebe Robinson is back with a new, hilarious, and timely essay collection on gender, race, dating, and the dumpster fire that is our world.
Wouldn't it be great if life came with instructions? Of course, but like access to Michael B. Jordan's house, none of us are getting any. Thankfully, Phoebe Robinson is ready to share everything she has experienced to prove that if you can laugh at her topsy-turvy life, you can laugh at your own.
One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
Okay, the author of this book is Generation X. Though I am an elder millennial, thereby not allowed in the elite ranks of the generation before me, I absolutely love this book. From the very jump, with a reference to one of my all-time favorite movies, Reality Bites, I was sucked in.
This author readily admits to being a white-hot mess with little hope of ever being a true expert on anything. Same, girl. Same. It is so refreshing to read someone else’s story that feels true to my own. Our situations, circumstances, and specific happenings are so different, but the common thread of sheer messiness runs true through both of our lives.
When I’m running late to school car line, swearing at the punk student driver in front of me, dreading my kid’s piano lessons, I don’t need to read another manual from a have-it-all perfect Pinterest mom.…
A smart, personal, darkly funny examination of what it’s like to be a woman at the crossroads of a midlife crisis, from the New York Times bestselling author of People I Want to Punch in the Throat
“I inhaled this book in one sitting; it’s a must-read for anyone over forty. This should become the gift all girlfriends give one another.”—Zibby Owens, host of the award-winning podcast Moms Don’t Have Time to Read Books
Jen Mann had what appeared to be the perfect life: a successful career as a bestselling author and award-winning blogger, a devoted husband, teenage kids who…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
I realize I have said this before (probably in this list), but there are not enough words to describe how much I adore this book. I will die on the hill that has me saying, “Ali Wong is the very best at all things funny.” I am obsessed with the sardonic tone, matter-of-fact truths, and the hilarity throughout the tome written for the comedian’s daughters.
I love how the book covers all the need to know from start to finish about being a woman, being someone you like, being a working mom, and, well, just being. Wong tells it like it is in letters to her girls and, in the process, lets the rest of us know, too. The book is undeniably funny, which is a must for me, but I like that it is also vulnerable in places. I learned lessons, tore up, and felt empowered in equal parts…
NEW YORK TIMES BESTSELLER • Heartfelt and hilarious essays from the Emmy and Golden Globe Award–winning actress, star of the Netflix original series Beef, and two-time member of Time’s 100 Most Influential People of the Year list
“A collection of letters to her baby girls that are barn-burning reflections on being a working mom, marriage, sex, and more. If you’ve ever wanted to have Ali Wong’s signature voice in your head for 200-plus pages, now’s your chance.”—Glamour
ONE OF THE BEST BOOKS OF THE YEAR: Time, Variety, Chicago Tribune, Glamour, New York
When I was a young adult, I lost someone whom I’d loved intensely. In the aftermath, I experienced a grief that would not subside for more than a year and interfered with my ability to function. This is known as complicated grief. As a result, I’ve done a lot of reading on the subject, looking for books that present complicated grief in a humane and understandable manner. While there is a place for self-help books, I’ve found creative literature to be more helpful, especially books written in the first person that offers a metaphorical hand to the reader. I published a detailed essay in Shenandoah on this topic.
I read this book after I had already sent my manuscript to my agent and was surprised that the plot involved the main character unexpectedly caring for a dog after losing a loved one, as my novel does. Told from the point of view of a writing professor whose best friend and mentor has taken his own life, it traces the protagonist’s slow psychological unraveling as she tries to come to terms with both her friend’s death and the place he had held in her life. Adopting his dog takes her out of her ordinary routine in concrete ways and also grounds her and requires her to take part in the details of a new kind of daily life, even if reluctantly.
Part of what I love about this book is the many ways in which it’s experimental. It combines fiction, autofiction, and essay writing. It contains blank pages. There…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
Musician and author Thorn places Go-Betweens drummer Lindy Morrison in the spotlight in this warm, often fiery book which, as a sometime drummer, I loved and related to very keenly. It is a love letter, as so many biographies are, albeit as much to a friendship as it is to an artist. But it is also a reflection on how women interact, how women navigate the music industry, how creative, clever women (like female biographers!) are often dismissed, trivialised, undermined, even silenced. Women will get great strength from My Rock ‘n’ Roll Friend, and as for men, well, the world would probably be a better place if more chaps connected with this book.
'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti
A TIMES BEST BOOK OF THE YEAR
In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock 'n' roll love affairs.
Morrison - a headstrong heroine blazing her way through a male-dominated industry - came to be a kind of mentor to Thorn. They…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
Having grown up and gone to school in south London, it will always have a special place in my heart. Call me biased, but I think it’s the best place in the capital. Hands down. I love that it’s home to many Afro-Caribbean families and how its cultural presence can be felt by just walking down any street. From the bustling markets selling plantain, yams, and hard dough bread to the throng of aunties wearing brightly-coloured, patterned lace as they make their way to church. With south London being so atmospheric, I knew I had to include it as a setting in my novel. It will always be my first home.
I flew through Wahala. Pacy, suspenseful, and binge-able, this novel did not disappoint; it delivered in all areas. Zany, memorable characters – tick. Messy, complicated entanglements – tick. Tantalising, mouth-watering descriptions of Nigerian food served in south London restaurants – tick, tick. (The author kindly included a few recipes at the back of the book!) Wahala reminded me of how enjoyable reading can be when you find a widely-entertaining book that you can kick back and sink your teeth into. An engrossing, riveting read that explores the complexity of adult female friendships, I highly recommend it.
Fabulous friendship novel with a killer edge for fans of BIG LITTLE LIES and EXPECTATION
SOON TO BE A MAJOR BBC TV SERIES
'A journey of friendship, revenge and finding your true self. Gripping' STYLIST MAGAZINE
'I would definitely recommend this book to friends. I already have!' BBC RADIO 2 BOOK CLUB
'What makes this slow-burn story of friendship and vengeance refreshing and original is the exhilarating ease with which it portrays a London steeped in the colours and sounds of Lagos' THE TIMES, Best Popular Fiction Books of 2022
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Ronke, Simi, Boo are three mixed-race friends living in…
Growing up as the child of a damaged, resentful mother certainly took its emotional toll and led me to embark on some pretty destructive early relationships. After a series of painful personal losses I spent time as a single mum, struggling to parent, deal with grief and hold down a job as a TV producer. I tried self-help books, therapy, and nicotine to get by, but it was the support and humour of women who had survived their own ordeals which enabled me to come out the other side. But as a writer and a reader I'm intrigued by troubled women, the traumas that shape them, and the things they do to survive.
In her character Emma, Lane paints a painfully relatable picture of a career woman trapped by the daily grind of motherhood.
Emma takes entry-level anti-depressants to get through the day (been there, done that) and yearns for a spark of intellectual and emotional stimulation to make herself feel validated. This makes her easy prey for glamorous, predatory artist, Nina. I was silently screaming at Emma to back away before it was too late while revelling in Lane’s exquisite descriptions of middle-class suburbia and the casual sleights inflicted by Emma’s thoughtless, selfish husband.
This is domestic noir at its darkest and most devastating best.
'The ultimate frenemy thriller' [NOW MAGAZINE] The smash critical hit from the publishers that bought you GONE GIRL.
You don't remember her . . . but she remembers you.
Two women; two different worlds. Emma is a struggling mother who has put everything on hold. Nina is sophisticated and independent - entirely in control.
When the pair meet, Nina generously draws Emma into her life. But this isn't the first time the women's paths have crossed. Nina remembers Emma and she remembers what Emma did.
But what exactly does Nina want from her? And how far will she go in…
I love to read and write about complex characters and particularly the “unlikeable” female character. Many readers connect with my characters because they are flawed—they don’t always think or do what we want them to, or what we think they should do, which is often (frustratingly) the case with the real-life people we love and care about. Real, complex people exist in real, complex relationships, including friendships that don’t always serve them—or that do serve them, but in unconventional or superficially unclear ways. I think that reading about contradictory, inconsistent, and confused characters in relationships helps us to be kinder and more empathetic people—and, quite possibly, better friends.
Friendship takes work. These ongoing, necessary maintenance efforts are not the dramatic material of most friendship novels, but this book is all the more admirable for examining its realities.
This book tells the story of May, an independent, not unhappy but somewhat lonely woman on the brink of 40, who hasn’t made much effort with her far-flung friends—or any friends—in years. Presented with a 30-day leave from her job as a gardener at a university, she makes plans to visit four old friends for a few days each.
May is warmly welcomed, though the reunions are often stilted, sometimes awkward, and that’s what makes them honest: you can’t skip the hard parts when you’re learning a new rhythm, even with an old friend. Post-pandemic, this is an especially good book for people trying to find their way back to IRL friendships.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: O Magazine * Good Housekeeping * Real Simple * Vulture * Chicago Tribune
NAMED ONE OF THE BEST BOOKS OF THE SUMMER BY: “The Today Show” * “Good Morning America” * Wall Street Journal * San Francisco Chronicle * Southern Living
An INDIE NEXT LIST Pick
Shortlisted for the 2020 Bollinger Everyman Wodehouse Prize Long-listed for the 2020 Tournament of Books
"Fun, hilarious, and extremely touching."—NPR
A beautifully observed and deeply funny novel of May Attaway, a university gardener who sets out on an odyssey to reconnect with…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Written during COVID, but not about the pandemic, BFF is for those of us who are less-than-perfect friends.
Her lifelong struggles to define and live up to her impossible ideals of friendship are instantly relatable. She’ll annoy you and maybe make you mad, but you’ll cheer her on for her desire to do the right thing. Her challenges are ours, too.
In fact, reading how she coped with the loss of her best friend was a comfort to me. Because I read it at a time when I was devastated by a similar loss.
From the author of Group, a New York Times bestseller and Reese's Book Club Pick, comes a moving, heartwarming, and powerful memoir about Christie Tate's lifelong struggle to sustain female friendship, and the friend who helps her find the human connection she seeks.
After more than a decade of dead-end dates and dysfunctional relationships, Christie Tate has reclaimed her voice and settled down. Her days of agonizing in group therapy over guys who won't commit are over, the grueling emotional work required to attach to another person tucked neatly into the past.