Here are 100 books that Enduring Vietnam fans have personally recommended if you like
Enduring Vietnam.
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I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
I didn’t come into contact with Remembrance of Things Past until I was in my late twenties—and was immediately turned off. I thought, what a windbag and slammed the book shut. Later, I gave it another try. Then another. I never did finish Swann's Way and the other novels in Remembrance of Things Past. And yet Proust remains not only a powerful influence on my writing, but a guide in the practice of good prose. What has stayed with me were Proust’s long gorgeous sentences. Any time my writing slackens, or my vision falters, I pick up Proust. I read those long long sentences with my lips moving. They inspire me. They make me pay attention to the most important craft element in the writer’s tool kit—the sentence.
From the French intellectual, novelist, essayist, and one of the greatest writers of the twentieth century: The first two volumes of his monumental achievement, Swann’s Way and Within a Budding Grove.
The famous overture to Swann's Way sets down the grand themes that govern In Search of Lost Time: as the narrator recalls his childhood in Paris and Combray, exquisite memories, long since passed—his mother’s good-night kiss, the water lilies on the Vivonne, his love for Swann’s daughter Gilberte—spring vividly into being. In Within a Budding Grove—which won the Prix Goncourt in 1919, bringing the author instant fame—the narrator turns…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
In 1967 I worked for seven months at DePaul psychiatric hospital in New Orleans, LA as an attendant during the 11 pm to 7 am shift. During that time period, there was often nothing to do but stay awake, because schizophrenics, like everybody else, usually sleep through the night. There was a tiny library in the "Seton Unit" section of the hospital where I worked that featured a dozen or more Nero Wolfe murder mysteries by Rex Stout. I read them all, some of them more than once. The books brought me back to my late childhood years when I read all of the Arthur Conan Doyle Sherlock Holmes stories. What fascinated me about both these sets of books later when I became a writer was the relationships between the storytellers (John Watson/Archie Goodwin) and the larger-than-life detectives (Sherlock Holmes/Nero Wolfe). They acted like bickering but loving married couples while…
As any herpetologist will tell you, the fer-de-lance is among the most dreaded snakes known to man. When someone makes a present of one to Nero Wolfe, Archie Goodwin knows he's getting dreadully close to solving the devilishly clever murders of an immigrant and a college president. As for Wolfe, he's playing snake charmer in a case with more twists than an anaconda -- whistling a seductive tune he hopes will catch a killer who's still got poison in his heart.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
The First Man-Made Man: The Story of Two Sex Changes, One Love Affair, and a Twentieth-Century Medical Revolution has haunted me since I read it fifteen or so years ago. The book is about a woman, never comfortable in her skin, who participated in an experiment in the 1920s to turn her into a man. Kennedy informs us in dispassionate and informative language about the early technology that eventually led to today's transsexual revolution. But the part of the book that moved me more deeply was Kennedy's ability to report the huge emotional toll that Laura (later, Michael) Dillon paid as a pioneer in the movement. My own friendship with a gutsy coed who became a gutsy man along with Pagan Kennedy's book led me to create Trinity Landrieu, the larger-than-life detective in my book. That's how it goes with me: my writing is a homage to my experiences in…
In the 1920s, when Laura Dillon felt like a man trapped in a woman's body, there were no words to describe her condition; transsexual had yet to enter common usage. And there was no known solution to being stuck between the sexes. In a desperate bid to feel comfortable in her own skin, she experimented with breakthrough technologies that ultimately transformed the human body and revolutionized medicine. Michael Dillon's incredible story, from upper-class orphan girl to Buddhist monk, reveals the struggles of early transsexuals and challenges conventional notions of what gender really means.
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
My river boat division (Mobile Riverine Force Division 112) patrolled the Cua Viet River just south of the DMZ between North and South Vietnam during the timeline of this book so I could very much relate to the events, though the Marines took much heavier casualties than our boats did. Keith Nolan does an excellent job documenting the battles—as I read, I relived the bomb and strafing runs done by the navy aircraft carrier F-4 Phantoms (which I also wrote about in my memoir) Nolan’s very detailed account of the Marine battles on the north side of the river answered many decades-old questions for me. His use of dialogue and insights into the Marines keep the reader engrossed.
On April 29, 1968, the North Vietnamese Army is spotted less than four miles from the U.S. Marines’ Dong Ha Combat Base. Intense fighting develops in nearby Dai Do as the 2d Battalion, 4th Marines, known as “the Magnificent Bastards,” struggles to eject NVA forces from this strategic position.
Yet the BLT 2/4Marines defy the brutal onslaught. Pressing forward, America’s finest warriors rout the NVA from their fortress-hamlets–often in deadly hand-to-hand combat.At the end of two weeks of desperate, grinding battles, the Marines and the infantry battalion supporting them are torn to shreds. But against all odds, they beat back…
In 1965, I voluntarily enlisted in the Army as a draft exempt, 26-year-old high school teacher. After completing the infantry officer, airborne, ranger, jumpmaster, special forces, and jungle warfare courses, in 1967 I was assigned to a Special Forces A-team in I Corps, Vietnam. In 1968, I volunteered for SOG, a top-secret recon-commando unit at a small, remote SF jungle camp that was later attacked by 3,000 to 4,000 North Vietnamese Army troops. With a master’s degree in history, I have since studied all aspects of the Vietnam War. Gregory Sanders, also a Vietnam veteran, and I researched, wrote, and in 2019 publisheda unique tactical, operational, and strategic narrative and analysis of that battle titled BAIT: the Battle of Kham Duc.
The Vietnam War cannot be understood without understanding two opposing groups of historians of it: the orthodox and the revisionist. This is the most concise, balanced, and objective analysis of those contradictory versions of the war. The leftist version is an anti-war, anti-U.S. military, anti-South Vietnamese government interpretation that sees the war as unwinnable and morally shameful U.S. imperialism. It rejects all revisionist arguments to the contrary, such as the difference between the U.S. political failure in America and the U.S. military success in Vietnam, as "conservative counterfactual speculation".
Going beyond the dominant orthodox narrative to incorporate insight from revisionist scholarship on the Vietnam War, Michael G. Kort presents the case that the United States should have been able to win the war, and at a much lower cost than it suffered in defeat. Presenting a study that is both historiographic and a narrative history, Kort analyzes important factors such as the strong nationalist credentials and leadership qualities of South Vietnam's Ngo Dinh Diem; the flawed military strategy of 'graduated response' developed by Robert McNamara; and the real reasons South Vietnam collapsed in the face of a massive North…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I was always fascinated by the Vietnam War since my older sister’s friends went off to fight in it. After getting my PhD and writing about World War I and World War II, I returned to Vietnam by getting involved with veterans groups and taking veterans and students to Vietnam. Since then I have written widely on the topic, teach about the Vietnam War, and have been involved in several major Vietnam War documentaries for outlets including the History Channel and National Geographic Channel. From those early days I have read everything I can get my hands on about the war, about my generation’s war.
A perfect example of what a well-researched and written academic book on the Vietnam War should be. Abandoning Vietnam tells the critical story of the military side of how America exited its conflict in Vietnam. In most western books on the Vietnam War, our allies in Vietnam, the South Vietnamese, are missing. But this book makes clear South Vietnam’s manifold strengths and clear weaknesses and why our alliance with them failed. The failure of that alliance not only cost more than 50,000 American lives but cost the Vietnamese millions and cost South Vietnam its very life.
We like to forget what happened there in the wake of our defeat, but this book won’t let you forget. Reading this pushed me to write my own book to further the story.
To achieve this goal, America poured millions of dollars into training and equipping the South Vietnamese military while attempting to pacify the countryside. Precisely how this strategy was implemented and why it failed so completely are the subjects of this eye-opening study. Drawing upon both archival research and his own military experiences in Vietnam, Willbanks focuses on military operations from 1969 through 1975. He contends that Vietnamization was a potentially viable plan that was begun years too late.
Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
This riveting memoir will take you into the world of a young non-communist nationalist, Nguyen Cong Luan, whose father joined Ho Chi Minh in 1945 to fight the French colonialists despite distrusting Ho’s communist core.
Luan’s father dies in a communist prison shortly thereafter, leaving his son to grow up largely on his own in dangerous areas contested by the French, the communists, and the non-communists. What makes Luan’s account so eye-opening is that he shows that the communists led by Ho Chi Minh were not the only nationalists to fight during some thirty years of war. The non-communists did, too, as his own journey into adulthood and the army of South Vietnam reveals.
At a deeper level, Nguyen Cong Luan reminds us that though the struggle for Vietnam was a French and American one, at its core, it was a civil war among the Vietnamese.
This extraordinary memoir tells the story of one man's experience of the wars of Viet Nam from the time he was old enough to be aware of war in the 1940s until his departure for America 15 years after the collapse of South Viet Nam in 1975. Nguyen Cong Luan was born and raised in small villages near Ha Noi. He grew up knowing war at the hands of the Japanese, the French, and the Viet Minh. Living with wars of conquest, colonialism, and revolution led him finally to move south and take up the cause of the Republic of…
I entered the United States Army in August 1970, two months after graduation from high school, completed flight school on November 1971, and served a one-year tour of duty in Vietnam as a helicopter pilot in Troop F (Air), 8th US Cavalry, 1st Aviation Brigade. After my discharge, I served an additional 28 years as a helicopter pilot in the Illinois National Guard, retiring in 2003. I graduated from Triton Junior College, the University of Illinois at Chicago, and Northwestern University Law School in 1981. My passion for this subject arises, as one would expect, from my status as a veteran. My expertise is based on my own experience and 16 years of research and writing that went into the preparation of my book.
Moyar does an excellent job of debunking the myths surrounding this country’s failure to secure an independent, non-communist South Vietnam. From the “Bright and Shining Lie” of the vaunted Saigon press corps to the supposed incompetence of Ngo Dinh Diem, Moyar demonstrates that the orthodox narrative is false and that the loss of Vietnam was the result of decisions made in Washington rather than dysfunction in Saigon.
Drawing on a wealth of new evidence from all sides, Triumph Forsaken, first published in 2007, overturns most of the historical orthodoxy on the Vietnam War. Through the analysis of international perceptions and power, it shows that South Vietnam was a vital interest of the United States. The book provides many insights into the overthrow of South Vietnamese President Ngo Dinh Diem in 1963 and demonstrates that the coup negated the South Vietnamese government's tremendous, and hitherto unappreciated, military and political gains between 1954 and 1963. After Diem's assassination, President Lyndon Johnson had at his disposal several aggressive policy options…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
If you like graphic memoirs and want one on the Vietnam War, Marcelino Truong’s Such a Lovely Little War is for you.
It’s an autobiographical tale of Truong’s life as the son of a Vietnamese diplomat working for the South Vietnam government and a French mother. We see the war through his eyes, but we also see the world he encountered as a teenager in London, Washington, and then back in Saigon.
The dialogue and the graphics are superb. The juxtaposition between his family and this “lovely little war” turning around it makes this memoir of the Vietnam War a highly original one.
This riveting, beautifully produced graphic memoir tells the story of the early years of the Vietnam war as seen through the eyes of a young boy named Marco, the son of a Vietnamese diplomat and his French wife. The book opens in America, where the boy's father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called "Commies." The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem's personal interpreter; as the growing conflict between…