Here are 100 books that Remembrance of Things Past fans have personally recommended if you like
Remembrance of Things Past.
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I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
My book is a story about what often happens to some soldiers after a war, in today's lingo, PTSD. As one who is a veteran himself, I’ve always been conflicted about soldiering, war, the aftermath of war, and the American penchant for war. One book put it all into perspective for me, Enduring Vietnam by historian James Wright. Wright gives you the historical context that brought about the war; the politics that influenced the war; and the battles fought during the war. But he tells it all from the perspective of the soldiers who fought the war, from our fellow Americans and allies in South Vietnam, but also from the perspective of the enemy soldiers, the Vietcong and North Vietnamese.
The Vietnam War is largely recalled as a mistake, either in the decision to engage there or in the nature of the engagement. Orboth. Veterans of the war remain largely anonymous figures, accomplices in the mistake. Critically recounting the steps that led to the war, this book does not excuse the mistakes, but it brings those who served out of the shadows. Enduring Vietnam recounts the experiences of the young Americans who fought in Vietnam and of families who grieved those who did not return. By 1969 nearly half of the junior enlisted men who died in Vietnam were draftees.…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
In 1967 I worked for seven months at DePaul psychiatric hospital in New Orleans, LA as an attendant during the 11 pm to 7 am shift. During that time period, there was often nothing to do but stay awake, because schizophrenics, like everybody else, usually sleep through the night. There was a tiny library in the "Seton Unit" section of the hospital where I worked that featured a dozen or more Nero Wolfe murder mysteries by Rex Stout. I read them all, some of them more than once. The books brought me back to my late childhood years when I read all of the Arthur Conan Doyle Sherlock Holmes stories. What fascinated me about both these sets of books later when I became a writer was the relationships between the storytellers (John Watson/Archie Goodwin) and the larger-than-life detectives (Sherlock Holmes/Nero Wolfe). They acted like bickering but loving married couples while…
As any herpetologist will tell you, the fer-de-lance is among the most dreaded snakes known to man. When someone makes a present of one to Nero Wolfe, Archie Goodwin knows he's getting dreadully close to solving the devilishly clever murders of an immigrant and a college president. As for Wolfe, he's playing snake charmer in a case with more twists than an anaconda -- whistling a seductive tune he hopes will catch a killer who's still got poison in his heart.
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
The First Man-Made Man: The Story of Two Sex Changes, One Love Affair, and a Twentieth-Century Medical Revolution has haunted me since I read it fifteen or so years ago. The book is about a woman, never comfortable in her skin, who participated in an experiment in the 1920s to turn her into a man. Kennedy informs us in dispassionate and informative language about the early technology that eventually led to today's transsexual revolution. But the part of the book that moved me more deeply was Kennedy's ability to report the huge emotional toll that Laura (later, Michael) Dillon paid as a pioneer in the movement. My own friendship with a gutsy coed who became a gutsy man along with Pagan Kennedy's book led me to create Trinity Landrieu, the larger-than-life detective in my book. That's how it goes with me: my writing is a homage to my experiences in…
In the 1920s, when Laura Dillon felt like a man trapped in a woman's body, there were no words to describe her condition; transsexual had yet to enter common usage. And there was no known solution to being stuck between the sexes. In a desperate bid to feel comfortable in her own skin, she experimented with breakthrough technologies that ultimately transformed the human body and revolutionized medicine. Michael Dillon's incredible story, from upper-class orphan girl to Buddhist monk, reveals the struggles of early transsexuals and challenges conventional notions of what gender really means.
As a historian of race and gender in European women’s history, “misbehaving” women confound me! I am rendered speechless when women negate their own humanity in the drive toward the same power structures that subjugate them. Vulnerable women who were often in the clutches of those same women–and yet are unrelenting in their determination to survive within systems to which others have relegated them–inspire me. These books and their stories take women’s lives–their oft-horrible choices, their scandalous mistakes, and their demands for autonomy–seriously. I hope you find their stories as compelling as I do!
Once I settled in to read the life story of the scandalous 19th-century French femme fatale Marguerite (Meg) Steinheil, I didn’t get back up until I finished. What a ride! Then, I immediately went back to the beginning and read it again.
Meg became notorious in 1899 for literally being in the bed (and the clutches) of the French president when he suddenly died. But wait, there’s more! That’s not even the most incredible moment in her life story. At one point, I started yelling at the book: "Meg, what, no!"
This book has everything you want in a story: murder, sex, scandal, and an unlikely heroine’s pluck and poignancy. History that reads like a novel. What more could you want?
Sex, corruption, and power: the rise and fall of the Red Widow of Paris
Paris, 1889:Margeurite Steinheil is a woman with ambition. But having been born into a middle-class family and trapped in a marriage to a failed artist twenty years her senior, she knows her options are limited.
Determined to fashion herself into a new woman, Meg orchestrates a scandalous plan with her most powerful resource: her body. Amid the dazzling glamor, art, and romance of bourgeois Paris, she takes elite men as her lovers, charming her way into the good graces of the rich and powerful. Her ambitions,…
I am a long-time writer and reader of mystery novels and short stories, but I have also written contemporary novels, scholarly work in history and culture, and history books. I am particularly interested in the psychology of crime and of detectives, and in each of the books I’ve recommended, the characters are drawn with unusual subtlety and depth or are interestingly eccentric. In addition, Vargas’s novels usually include interesting and little-known historical information, while Tallis’s Lieberman Papers series gives a lively picture of Vienna in its golden age of culture without neglecting the disquieting anti-Semitism and political unrest under the surface.
The chief attraction of Fred Vargas’s novels is her cast of characters, led by Chief Inspector Adamsberg, a most unconventional leader of any criminal investigation outfit. Small and disheveled, good with animals and children, dreamy and often seemingly idle, Adamsberg is not only extremely bright but has confidently surrounded himself with remarkable colleagues. Hard-drinking Adrien Danglard, a single father of five with a huge store of ready information, and Violette Retancourt, a woman of prodigious strength and courage, are among his entertaining subordinates, along with Snowball, the division’s cat that proves equally remarkable in one memorable outing.
Joss le Guern is a town crier in Paris's 14th arrondissement. He calls out the local news three times a day to all who will listen. Over the course of a few days, however, a number of enigmatic and disturbing messages are slipped in to the daily news, and he becomes increasingly alarmed. Superintendent Adamsberg is visited by an extremely troubled woman who has found strange marks on the door of her building: upside down 4s marked out in black paint. This, and the appearance of the frightening messages, are exactly the kind of mysteries Adamsberg loves. In the course…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I was an English major in college. In pursuing my love of books and language, I fell into a love of history. The passion for history began with author biographies as I tried to understand how the culture affected various authors’ writings. This is why my history strength resides in European history, because most of my favorite authors come from Europe. The more I read of the biographies, I often came across historical events I wasn’t knowledgeable about and so fell down a rabbit hole of historical research. The more I learn, the more I love history!
I grabbed this historical true crime nonfiction book in order to conduct research for one of my own projects.
This book is about the rampant crime in 1600s Paris and, by extension, the Affair of the Poisons and Louis, The Sun King’s, solution. The king’s solution was to hire a police chief, La Reynie, to bring peace to the city streets. La Reynie ordered candles put in every window in the belief that the light would deter the criminal element, thus creating the City of Lights.
La Reynie was also the central investigator in the Affair of the Poisons and responsible for arresting the key figures in the crimes. Tucker also shows in this fascinating book how many of these criminal incidents were related to witchcraft and black magic.
The beauty of this book is how it reads more like a novel than nonfiction history.
In the late 1600s, Louis XIV assigns Nicolas de la Reynie to bring order to the city of Paris after the brutal deaths of two magistrates. Reynie, pragmatic yet fearless, tackles the dirty and terrifying streets only to discover a tightly knit network of witches, poisoners and priests whose reach extends all the way to Versailles. As the chief investigates a growing number of deaths at court, he learns that no one is safe from their deadly love potions and "inheritance stews"-not even the Sun King himself.
Based on court transcripts and Reynie's compulsive note-taking, Holly Tucker's riveting true…
I’ve been fascinated by Marie Antoinette since I watched Sofia Coppola’s film about her as a teenager. Pair that with a Les Miserables musical obsession and a Francophile dad that loved history, and I became fascinated with the French Revolution. My interest was re-ignited years later after I visited Versailles and wandered the foggy gardens where I must have gotten haunted by a French ghost because the idea for Cake Eater struck me after I returned home. I was in a bit of a writing slump at the time, but the idea took hold of me and wouldn’t let go. I drafted Cake Eater for Nanowrimo and it became my debut novel.
Ballgowns, swords, and secrets abound in One for All, a fresh retelling of The Three Musketeers. As the daughter of one of the original Musketeers, the main character Tania is an expert sword fighter who also struggles will the chronic illness, POTS.
There is so much action, intrigue, and mystery in this book while adding fresh and needed representation to the genre. Even though this isn’t strictly a historical event, a lot of us associate The Three Musketeers with the time of Louis XIV, and it’s fantastic to see that time period in a new light from a fresh perspective.
"There are no limits to the will-and the strength-of this unique female hero." -Tamora Pierce, writer of the Song of the Lioness and the Protector of the Small quartets
One for All is a gender-bent retelling of The Three Musketeers, in which a girl with a chronic illness trains as a Musketeer and uncovers secrets, sisterhood, and self-love.
Tania de Batz is most herself with a sword in her hand. Everyone thinks her near-constant dizziness makes her weak, nothing but "a sick girl." But Tania wants to be strong, independent, a fencer like her father-a former Musketeer and her greatest…
Ever since I was a child, I would hide in my special place and dream away. Reality was rarely the best place to be, even as an adult I fantasize, I step away from reality without ever truly stepping away. Mafia Romance, paranormal, and fantasy excite me, but add in a little touch of real to the story and now even reality makes you wonder. This was the basis for The Devil’s Eyes. I took a new world and mixed in a little bit of what we know is true and a little bit of what-if and a lot of dark and sexy.
The bad boy falls in love with the young innocent girl, and for her sake, he fully intends to keep her at a distance. The only problem is she won’t stay away. It’s the heart deep inside of the bad boy that we are always drawn to, that need to protect her, but finding she’s too stubborn for her own good so the only way to protect her is to be with her.
For college student Emily Sheppard, the thought of spending a summer alone in New York is much more preferable than spending it in France with her parents. Just completing her freshman year at Callister University, Emily faces a quiet summer in the city slums, supporting herself by working at the campus library.
During one of her jogs through the nearby cemetery while visiting her brother Bills grave, Emily witnesses a brutal killingand then she blacks out. When Emily regains consciousness, she realizes shes been kidnapped by a young crime boss and his gang. She is hurled into a secret underworld,…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
If you’re anything like me, you are driven by your passions. And the key to stoking our passions is finding inspiration—sometimes in the most unlikely of literary places. The study of literature is intrinsically about the act of knowing. It is about knowing the world—a vast, uncharted universe of people and places, ideas, and emotions. But in helping us to know the world, literature is mostly about coming to know yourself. It is about exploring the recesses of your mind, the vicissitudes of your memories, the weight and pleasure of your deepest, most personal experiences. It is about getting closer and ever closer to understanding your own essential truths—and yet never quite arriving there. It is, in short, the most intimate and transformative journey that you can possibly take through the lens of your mind’s eye. It is about you.
When it comes to finding inspiration in our memories, Marcel Proust is literature’s gold standard. The French novelist devoted the balance of his life to the art of refracting his memories through the lens of his writerly self. Proust understood implicitly that our memories are triggered by sensory experiences—sights, sounds, smells, and touch, to be sure—but most especially through the pleasures of the text. In Du côté de chez Swann, the first volume of his epic À la recherche du temps perdu, Proust interrogates the ways in which memory is catalyzed by the senses, while comprehending, at the same time, the manner in which the reality of our memories becomes shaped by the ruinous work of nostalgia, of a sentimentality that exists beyond our ken.
Du côté de chez Swann est un roman de Marcel Proust, c'est le premier volume de À la recherche du temps perdu. Il est composé de trois parties, dont les titres sont : Combray, Un amour de Swann et Nom de pays : le nom.