82 Books Like Death Comes for the Archbishop

This 1937 novel centers on a Black woman in the contemporary American South seeking to find freedom and love as she leaves her grandmother's farm to explore three romances.

In the process, she finds herself—and recovers it as a dark, shocking twist at the end creates a stumbling block she triumphantly surmounts.

A life in the wild entails sacrifice in addition to romance.

Few readers would think of Wallace Stegner’s 1971 Pulitzer Prize winner as a book about the mountains. Its narrator is an elderly man confined to a wheelchair who spends his days researching a biography. Yet his fascinating subject is his frontier-era grandmother, Susan Burling Ward, who gave up a life among sophisticates on the East Coast to follow her husband, a geological engineer, into the mountains of the West. There she found beauty and adventure, but also isolation from the culture and society she had left behind. Are the mountains enough to sustain us without such things?

I read this book in the year after my father died; it was one of his favorites and tied together many of his own interests: genealogy, research, books, family, and the outdoors. Angle of Repose is a long novel and the characters… show more.

It wouldn’t be an LA book list without Raymond Chandler, but I’m perhaps getting a little controversial by opting for one of his lesser-known titles (and one that’s half set in a fictionalized version of Big Bear, to boot). Let me defend myself. This book deserves a place in the annals of Hollywood noir because it is simply irresistible, as nauseatingly unsettling as the undertow in a quick flowing Angeles National Forest stream. As for the setting, it’s half in LA, and what would this city be without our day trips? Los Angeles is a place that’s so much defined by what’s around it that Chandler’s depictions of endless driving, the longing to find an aperture, a way of life that seems impossible to escape, are timeless. 

As a longtime resident of Houston, of course, I must include a book about this unusual place! Washington’s characters lead difficult lives, his narrative is tough, and sometimes his geographical references are misleading. Nonetheless, each episode (which unfolds on a particular lot or spot in Houston) captures the experience of living in the Bayou City – the traffic, the summer weather, the slow-moving waterways, the unruly weed patches, the architecture, the neatly maintained neighborhoods, and the mix of cultures from around the world. Houston was transformed from prairie, swamp, and piney woods to a landscaped metropolis by wildcatters, entrepreneurs, scientists, workers, creatives, and others. Washington’s stories evoke this dynamic human/environment connection throughout. 

First of all, this sprawling novel is funny and entertaining, and those qualities would be reason enough that I would recommend it. Yet beyond those qualities, it created a strong sense of place and a real social and political conflict without ever becoming preachy or heavy handed—not an easy feat as I have learned.

The storyline, a conflict over land use and water rights, is repeated again and again throughout the West and Southwest in particular—in this case pitting real estate developers against impoverished locals. But the story is also about a conflict of cultures and how those cultures perceive and connect to the land. Exposing such conflicts is a boon of literature.

I was a fan of Anaya’s well-known novel, Bless Me, Ultima, and was intrigued that this title’s spelling itself was significant, returning the first ‘r’ to the city name a century after it was dropped by a white station owner. Anaya blends fantasy with history, examining the myth of racial purity and offering a different take on being a New Mexican and our connection to the land. He also departs from a familiar depiction of Albuquerque as a sleepy western town and paints it as a vibrant metropolis with all the associated political machinations. Mostly though, I felt a strong connection with the protagonist, an up-and-coming boxer who learns he was adopted and questions the definition of identity. 

This is a nonfiction book and typical of New Mexico, as there are whole chapters of its history nobody really knows about. The (probably) first white American woman to come into the territory was a Jewish woman who accompanied her merchant husband and brothers. Even more interesting, merchants and traders weren’t even the first Jewish people - “Crypto-Jews” who were fleeing the inquisition came to New Mexico long before it was part of the US and kept their identity secret to assimilate. This is depicted with a character in Alburquerque and that perfectly encapsulates one of the overriding things about New Mexico and its tales – a deep sense of connectedness, across people, across the land. 

I have long been intrigued by the concept of shapeshifters, particularly the Navajo Skinwalker, a practitioner of spiritual arts who can learn to transform into another species while in pursuit of a particular end. I am not alone,  judging from all the ancient legends around the globe. Even today, depictions of shapeshifters are found in literature and on film in many guises. Tony Hillerman takes a deep dive into Navajo lore in this early novel with a close encounter with a suspected “yee naaldlooshii”. Feel the hair rise on your neck!

There is a purity and grace about this book that is deeply moving; it tells me about the love of a good man, as he explores his own life in the face of death. All he has to leave his small son is not money but the possibility of dedicating oneself to a good life.

It is set in middle America, in 1956, when I, as it happens, was ten years old. Everything that matters to me is captured here in this exquisite book. It is written beautifully, not ever weighed down by mind-numbing cliches. If only everyone would read this book, I thought as I sobbed my way through it, there would be no wars, and there would be time and inspiration for healing the planet. I take it with me wherever I go.

Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.