Here are 56 books that Fer-de-lance fans have personally recommended if you like
Fer-de-lance.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
She sells books, eats well, and has a very large brain. Criminals fear her.
Meet Beatrice Valentine, a larger-than-life bookshop owner with a penchant for three things in abundance—delicious Italian food, vino, and murder. For decades, she has sold used and rare books from her stylish-but-cluttered domain on New York…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
I didn’t come into contact with Remembrance of Things Past until I was in my late twenties—and was immediately turned off. I thought, what a windbag and slammed the book shut. Later, I gave it another try. Then another. I never did finish Swann's Way and the other novels in Remembrance of Things Past. And yet Proust remains not only a powerful influence on my writing, but a guide in the practice of good prose. What has stayed with me were Proust’s long gorgeous sentences. Any time my writing slackens, or my vision falters, I pick up Proust. I read those long long sentences with my lips moving. They inspire me. They make me pay attention to the most important craft element in the writer’s tool kit—the sentence.
From the French intellectual, novelist, essayist, and one of the greatest writers of the twentieth century: The first two volumes of his monumental achievement, Swann’s Way and Within a Budding Grove.
The famous overture to Swann's Way sets down the grand themes that govern In Search of Lost Time: as the narrator recalls his childhood in Paris and Combray, exquisite memories, long since passed—his mother’s good-night kiss, the water lilies on the Vivonne, his love for Swann’s daughter Gilberte—spring vividly into being. In Within a Budding Grove—which won the Prix Goncourt in 1919, bringing the author instant fame—the narrator turns…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
My book is a story about what often happens to some soldiers after a war, in today's lingo, PTSD. As one who is a veteran himself, I’ve always been conflicted about soldiering, war, the aftermath of war, and the American penchant for war. One book put it all into perspective for me, Enduring Vietnam by historian James Wright. Wright gives you the historical context that brought about the war; the politics that influenced the war; and the battles fought during the war. But he tells it all from the perspective of the soldiers who fought the war, from our fellow Americans and allies in South Vietnam, but also from the perspective of the enemy soldiers, the Vietcong and North Vietnamese.
The Vietnam War is largely recalled as a mistake, either in the decision to engage there or in the nature of the engagement. Orboth. Veterans of the war remain largely anonymous figures, accomplices in the mistake. Critically recounting the steps that led to the war, this book does not excuse the mistakes, but it brings those who served out of the shadows. Enduring Vietnam recounts the experiences of the young Americans who fought in Vietnam and of families who grieved those who did not return. By 1969 nearly half of the junior enlisted men who died in Vietnam were draftees.…
She sells books, eats well, and has a very large brain. Criminals fear her.
Meet Beatrice Valentine, a larger-than-life bookshop owner with a penchant for three things in abundance—delicious Italian food, vino, and murder. For decades, she has sold used and rare books from her stylish-but-cluttered domain on New York…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
The First Man-Made Man: The Story of Two Sex Changes, One Love Affair, and a Twentieth-Century Medical Revolution has haunted me since I read it fifteen or so years ago. The book is about a woman, never comfortable in her skin, who participated in an experiment in the 1920s to turn her into a man. Kennedy informs us in dispassionate and informative language about the early technology that eventually led to today's transsexual revolution. But the part of the book that moved me more deeply was Kennedy's ability to report the huge emotional toll that Laura (later, Michael) Dillon paid as a pioneer in the movement. My own friendship with a gutsy coed who became a gutsy man along with Pagan Kennedy's book led me to create Trinity Landrieu, the larger-than-life detective in my book. That's how it goes with me: my writing is a homage to my experiences in…
In the 1920s, when Laura Dillon felt like a man trapped in a woman's body, there were no words to describe her condition; transsexual had yet to enter common usage. And there was no known solution to being stuck between the sexes. In a desperate bid to feel comfortable in her own skin, she experimented with breakthrough technologies that ultimately transformed the human body and revolutionized medicine. Michael Dillon's incredible story, from upper-class orphan girl to Buddhist monk, reveals the struggles of early transsexuals and challenges conventional notions of what gender really means.
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
I admire chutzpah. Of all the authors who channel Sir Arthur Conan
Doyle, Jane Austen, and countless others, I admire Peter Heck the most.
He takes on the Herculean task of matching historical humor with our
national treasure Mark Twain. Oddly enough, his example gave me courage,
or at least permission, to try something other than historical
whodunits. I wrote book-length magic realism and am seeking a publisher.
Beneath the charm of New Orleans lay a mix of corruption and racism that had a black man set to hang for a murder he didn't commit. "Detective" Mark Twain, together with travelling secretary Wentworth Cabot, set about the dangerous business of finding out the truth that some wished to keep hidden.
I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.
Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.
When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.
I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.
This lush and haunting novel tells of a city steeped in decadent pleasures and of a man, proud and defiant, caught in a web of murder and betrayal.
It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orléans when the evening's festivities are interrupted--by murder.
The ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen…
After living in Europe for nearly 10 years, I’ve spent more time in planes, trains, and cars than I could ever count. I was able to travel more in that time than I ever dreamed possible, making trips ranging from Gibraltar to Romania to the Isle of Skye. Most of my time was spent all around Ireland where I took tour groups around to help them get beyond Blarney and experience the real Ireland.
Travel back in time to 18th century France, then Louisiana in this sweeping historical romance Christy Award-winning novel. This epic story will not only fill your travel void, but also touch your heart with its uplifting story of faith, survival, and redemption. This is a multi-re-read for me because of Green’s masterful writing, making me feel as though I was right there with the characters.
Sweeping Historical Fiction Set at the Edge of the Continent
After being imprisoned and branded for the death of her client, twenty-five-year-old midwife Julianne Chevalier trades her life sentence for exile to the fledgling 1720s French colony of Louisiana, where she hopes to be reunited with her brother, serving there as a soldier. To make the journey, though, women must be married, and Julianne is forced to wed a fellow convict.
When they arrive in New Orleans, there is no news of Benjamin, Julianne's brother, and searching for answers proves dangerous. What is behind the mystery, and does military officer…
I’m a fan of all things spooky! I especially love ghost stories, which is probably abundantly clear from my own novels. I’ve been known to frequent old graveyards, seek out haunted places, and sneak into abandoned buildings for inspiration—and the adrenaline rush! This fascination started when I was a young girl and my dad brought me a YA ghost mystery home from the library—every week, he would have the librarian help him pick out books for me, and I would devour the stack immediately, then re-read until the next library day! My favorite ghost stories have a mix similar to what I write—a tension-filled romance combined with a spooky, suspenseful haunting.
As the name implies, Midnight Bayou is another romantic ghost story set in New Orleans—a place I’ve now been fortunate enough to visit!
Sometimes called the “City of the Dead”, NOLA makes a perfect location for this haunting mystery. I literally could not put this book down, despite having young children when I read it! Once again, the past and present intertwine as a sassy Cajun heroine and a hunky carpenter unravel the dark secrets of Manet Hall in a passionate journey.
Ever since Declan Fitzgerald saw dilapidated Manet Hall, on the outskirts of New Orleans, he's been enchanted - and obsessed - by it. Determined to restore the rooms to their former splendour, Declan begins the daunting renovation. But spending his days in total isolation in the empty house is taking its toll. Local legend has it that the house is haunted, and Declan starts seeing visions of terrible grief and horror from long ago. With every day that passes, the house tightens its hold.
So when he meets the alluring Angelina Simone, he's glad of the distraction. But Angelina has…
There's almost nothing better than getting in a canoe, putting your paddle in the water, and pushing out into a current that will carry you away. As someone who grew up on the Mississippi River, and who has spent much of my life canoeing, I always love a good river journey. And when I can't take one myself. I love going vicariously with someone else, like with these books.
I was approached by Jerry Pushcar's brother when he first published this book, and I agreed to take a look, but was skeptical, being as it was self-published. But when I read it, I was blown away.
Not only is the writing beautiful and literary, but the journey is hard to believe: paddling 9,000 miles over three years, from New Orleans, up the Mississippi and St. Croix rivers, along the shore of Lake Superior, over the Grand Portage, across Canada and all the way to Nome, Alaska. If you're wondering what that was like, you'll have to read along.
After a 1,200 mile solo canoe trip from Grand Portage, Minnesota to Hudson Bay, Manitoba, Jerry Pushcar wanted to see more of North America’s untamed wilderness. Waters Beneath My Feet is the personal memoir of his response: a three-year solo odyssey from New Orleans, Louisiana to Nome, Alaska.His compelling journey began by paddling up the mighty Mississippi, battling barge traffic and wing dams all the while. The danger didn’t stop there. Between the Mississippi and his destination, Pushcar would spend more than two years in the bush, navigating tricky encounters, mammoth lakes, untamed rivers, and inhospitable winters. All were precursors…
When I was eight years old, I read a book titled Dar Tellum: Stranger from a Distant Planet, by James R. Berry. It told the story of a boy who communicates with an alien intelligence to save the Earth from… global warming. That was in 1973, and it was the first time I’d heard about “the greenhouse effect”. Some things haven’t changed since then: I still read (and write) sci-fi, and I still have Dar Tellum on my bookshelf. But our climate is changing, and I’ve chosen four books of science fiction and one of science facts that help us think about the future—and present—of our planet.
In the wake of super-hurricanes and the deadly pandemic that follows, New Orleans has been quarantined from the rest of the United States, and those who seek to cross the border wall are killed. Narrator Fen, a member of the clan-based culture that has developed behind the wall, tells the story of her people and her personal quest for freedom in a dialect voice that is both beautifully rendered and brutally honest.
After a string of devastating hurricanes and a severe outbreak of Delta Fever, the Gulf Coast has been quarantined. Years later, residents of the Outer States are under the assumption that life in the Delta is all but extinct…but in reality, a new primitive society has been born.
Fen de la Guerre is living with the O-Positive blood tribe in the Delta when they are ambushed. Left with her tribe leader’s newborn, Fen is determined to get the baby to a better life over the wall before her blood…
