Books like Don Quixote de la Mancha

This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.

The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.

This book will appeal not only to fans of dark humor and satire but also to… show more.

This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.

He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book. 

One of the rare successful tragicomedies. Starting as a witty sendup of the decadent British upper classes, it turns deadly serious in the middle, when John, the young son of Brenda, has an accident while fox-hunting. Because her lover is also called John, she imagines, on being told, that it is her lover who is hurt—and thanks God when she discovers that it is her son. Brenda’s distraught husband Tony, the one noble character, mounts an expedition to South America, but instead of finding meaning and redemption, as the reader hopes, a nightmarish fate awaits him. With this novel, Waugh proved himself the greatest British novelist of the inter-war years—and inspired me, showing me how to mix elements of gravity and tragedy with comedy. 

A complex magic realist novel. Two Muslim Indians are on a highjacked plane that explodes over the English Channel. As they fall into the sea, Bollywood superstar Gibreel Farishta, turns into the Archangel Gabriel, while Saladin Chamcha, a voiceover artist, metamorphoses into the Devil. They struggle with their new identities, with rivalry, with life in Britain, and in Gibreel’s case, with mental illness. Like all Rushdie’s work, it is a post-colonial perspective on the metropolis and the identity crises of the ex-colonised. There are long dream sequences about an Arabian prophet called Mahmoud—who resembles the founder of Islam. The Ayatollah Khomeini sentenced Rushdie to death for blasphemy for this. This all sounds deep and portentous—and it is—but it’s also unfailingly funny and original. And brave. An inspiration. 

If you’ve ever dreamed of the proverbial knight in shining armor who will protect and save you (and who hasn’t?), this epic medieval tale shows where the idea came from. Lancelot is the perfect knight who must rescue his kidnapped beloved, Queen Guinevere, and off to battle he goes. But Queen Guinevere is married to King Arthur, an inconvenient fact that isn’t a problem in this story. Being crazy in love with your majesty’s wife was not a big moral problem in the twelfth century, apparently. In fact, they ate it up.

When he finds her, he overcomes the villain and is rewarded by having hot sex all night with her, which both lovers desire. I love that Guinevere is an equally passionate lover, not an idealized pure-minded maiden.

Avril Borthiry is one of those writers who captivate you, hijack you and absorb you into the tale she tells. You can tell she feels the Historical Romance she writes, and she has the rare talent of imparting what she feels to her reader. This is a powerful tale. As with all of life, there is light and dark in this story, a battle between good and evil. You will love her characters. You will weep, suffer, bleed, and rejoice with them. Even after you finish reading, you will never really leave this book behind.

No "best of" medieval romance list would be complete without a title by Kathryn Le Veque.

I’ve read and enjoyed many of her medieval titles. One of the best things about this author’s novels is that she writes series, so many of the characters reappear. I enjoy reconnecting with them.

The Wolfe is set in 1231 AD, and the Scottish heroine, Lady Jordan, saves an English knight from certain death. She’s aware that he’s English but is completely unaware that he’s the knight her kinsmen fear the most. Later, they meet again, and the romance develops.

I’ve chosen this title as not only did I enjoy the story, but the writing made me feel as though I was right there in medieval England and Scotland. The characters were also very "real."

Cameron’s Chivalry series of which this is the first, takes the reader on a thrilling journey across Europe during the Hundred Years War, chronicling the life of a mercenary who comes to serve the great Sir John Hawkwood and eventually is knighted himself.

Cameron is a master of prose description, scene-setting, and dialogue that rings true to the ear. His historical research is impeccable and like me, he has for many years donned full armour in reenactments and tournaments and so truly understands the challenges of medieval combat. A great read.

Are you fascinated by knights in shining armor? This is the illustrated book for you.

Yes, it’s a book essentially for kids, but I found it incredibly useful for my research on everything from jousting to armory, from swords to riding armed on horseback. It also has a useful timeline in the back that gives useful dates from Charlemagne’s use of mounted warriors to the use of squires, crusades, tournaments, and the end of the era in the 1600s.

I’m going to stick my neck out and say that, in my opinion, this book is the greatest ever retelling of the Arthurian story. Why do I love it? Primarily I think because his characters are so well-defined and crafted—they have feelings and families, emotions and frustrations—and are frequently not at all heroic. 

I love the elements of the book that play out within the animal kingdom—the rigid, controlled society of the Ants, the free and liberal existence of the Wild Geese—all brought to life by an author who was a renowned natural historian and who is using the power of his fantastical imagination to provide insight into the broad spectrum of political models and options for ruling. 

I first read this book when I was studying Politics and Philosophy as an undergraduate, and I was blown away by White’s insight, humanity, and the choices he… show more.