Books like Lancelot — picked by fans

A male author describing the adulterous passions of an unhappy woman, Flaubert tears into Madame Bovary as superficial and ridiculously narcissistic. Yet Flaubert was a terrific writer and also shows how empty and purposeless the restricted life of a middle-class woman was in his time–not poor enough to be preoccupied with surviving, but not rich enough to lead a glamorous life. It’s not like Emma Bovary can go to law school!

Flaubert’s dissection of Emma’s forbidden love life is brilliant. It’s downright painful to see Emma’s hopes and fantasies when the men in her life take what they want from her, and she pours all she has into them. I can relate.

Lady Chatterley is a young woman who marries into the upper class and is just as bored as Emma Bovary. But unlike Madame Bovary, she takes up with a guy who values her equally, and a lot of great sex commences, explicit enough to get the book banned as obscene until 1960 in Britain.

The twist here is that Lady Chatterley’s lover is the gamekeeper on their estate, who teaches Lady Chatterley how to value nature and love. The emphasis is not on romance so much as fabulous sex, which Lawrence pretty much equates with love.

I like that Lady Chatterley is a modern, independent woman who finds what she needs and breaks with her former life, as Emma Bovary could not. I must say I envy Lady Chatterley, as I never found my own devoted gamekeeper.

I made the mistake of reading Wuthering Heights right after I finished my favorite romance of all time (Jane Eyre).

I suppose I’d hoped the Brontë sisters, as siblings, would somehow create similar main characters with intense chemistry. But Charlotte’s love story was built on mutual respect and affection; Emily, on the other hand, created the selfish and shameless saga of Heathcliff and Catherine.

Honestly? I had to read a few chapters before I could even begin to appreciate the raw intensity of a connection matched only by the novel’s stormy and violent landscape. Yet I don’t believe there’s ever been a romance novel with more compelling chemistry.

Wuthering Heights is indeed a beautifully – if brutally – written tale about twin flames, and how that type of obsessive craving is a thirst that can never be quenched.

This novel of unrequited (or is it?) mad love for a married woman was so popular that many young men of the time took to wearing the yellow waistcoat that our hero Werther sports in the novel. Werther’s sensitivity and passionate nature were the essence of Romantic-era values.

Unlike Lancelot, Werther is not a hyper-masculine, aggressive guy pursuing love; instead, he moons around talking with Lotte, his beloved, about life, love, and poetry. I must say I’d take Werther over Lancelot any day, but as with the Werthers in my life, it doesn’t turn out well.

Lotte becomes his entire world, but she is a virtuous wife to her dull husband, so she tries to friend-zone him. He isn’t having it, but she holds fast. This more than disappoints poor Werther, as you will see.

Sir Gawaine is one of the most interesting knights of the Round Table because of how imperfect he is. He’s not the strongest knight in the world -- that’s Lancelot -- and he’s definitely not the most virtuous -- that’s Galahad, who sucks -- he’s a working-class joe who routinely gets in over his head because he loves to swing swords more than he likes thinking about consequences. Sir Gawaine and the Green knight is a story of one of the knight’s most famous capers, and it does not disappoint. The original story was written in Old English, which is barely even English to be honest, so you’re going to need a translation to read it, and who better to translate such a story than J.R.R. Tolkien himself. Yes, that Tolkien. When he wasn’t making elves and humans kiss each other, he was a prolific philologist and translator, and The… show more.

Avril Borthiry is one of those writers who captivate you, hijack you and absorb you into the tale she tells. You can tell she feels the Historical Romance she writes, and she has the rare talent of imparting what she feels to her reader. This is a powerful tale. As with all of life, there is light and dark in this story, a battle between good and evil. You will love her characters. You will weep, suffer, bleed, and rejoice with them. Even after you finish reading, you will never really leave this book behind.

No "best of" medieval romance list would be complete without a title by Kathryn Le Veque.

I’ve read and enjoyed many of her medieval titles. One of the best things about this author’s novels is that she writes series, so many of the characters reappear. I enjoy reconnecting with them.

The Wolfe is set in 1231 AD, and the Scottish heroine, Lady Jordan, saves an English knight from certain death. She’s aware that he’s English but is completely unaware that he’s the knight her kinsmen fear the most. Later, they meet again, and the romance develops.

I’ve chosen this title as not only did I enjoy the story, but the writing made me feel as though I was right there in medieval England and Scotland. The characters were also very "real."

Is it a coincidence that the first great novel of Western civilisation is a satire? I think not. It began as a parody of the chivalric romances—of their disconnect from reality, their sentimentality, and dishonesty. I needn’t summarise the plot, since everyone knows the story, though usually from films, unfortunately. As with all the great satires, what appears to be a playful romp ends up being an investigation into what it means to be human—the purpose of our lives, and what makes them worthwhile. Initially, Cervantes wants us to laugh at the ridiculous old country gentleman who longs to revive chivalry, but he finds that Quixote makes his life meaningful by creating his quest. He becomes a hero—as does my protagonist. And as we all can.  

This is a vivid, dramatic and well-paced version of the story of King Arthur and the Knights of the Round Table. It is set in a legendary time full of castles such as Tintagel, or as here: "Meanwhile Sir Lancelot had lain six days and six nights prisoned in the vault below Sir Meliagraunce’s castle, and every day there came a maiden who opened the trap and let food and drink down to him on the end of a silken cord. And every day she whispered to him, sweet and tempting…" I love the resonance of Sutcliff’s writing; rereading it just now, I couldn’t resist reading it out loud just for the beauty of the sound of the language—something I’m very conscious of because I write poetry.

This book is the go-to for nearly everything you need to know about Arthurian legend. I use it and return to it time and time again to explore different elements of the Arthurian story. Not to mention, the history of Malory and the book itself are just as fascinating to me.

Writing at the end of the fifteenth century, Malory’s work was really the starting point for anything Arthurian–and even though I find the earlier works on Arthur’s history are just as enthralling. Any translation is fine, and many editions (I have about eight) have notes on different elements of Arthurian history and legend and where they may have originated. I have followed many such notes down multiple captivating paths.