Here are 63 books that Lancelot fans have personally recommended if you like
Lancelot.
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From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
A male author describing the adulterous passions of an unhappy woman, Flaubert tears into Madame Bovary as superficial and ridiculously narcissistic. Yet Flaubert was a terrific writer and also shows how empty and purposeless the restricted life of a middle-class woman was in his time–not poor enough to be preoccupied with surviving, but not rich enough to lead a glamorous life. It’s not like Emma Bovary can go to law school!
Flaubert’s dissection of Emma’s forbidden love life is brilliant. It’s downright painful to see Emma’s hopes and fantasies when the men in her life take what they want from her, and she pours all she has into them. I can relate.
Flaubert's erotically charged and psychologically acute portrayal of a married woman's affair caused a moral outcry on its publication in 1857. Its heroine, Emma Bovary, is stifled by provincial life as the wife of a doctor. An ardent devourer of sentimental novels, she seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and when real life continues to fail to live up to her romantic expectations, the consequences are devastating. It was deemed so lifelike that many women claimed they were the model for…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
Lady Chatterley is a young woman who marries into the upper class and is just as bored as Emma Bovary. But unlike Madame Bovary, she takes up with a guy who values her equally, and a lot of great sex commences, explicit enough to get the book banned as obscene until 1960 in Britain.
The twist here is that Lady Chatterley’s lover is the gamekeeper on their estate, who teaches Lady Chatterley how to value nature and love. The emphasis is not on romance so much as fabulous sex, which Lawrence pretty much equates with love.
I like that Lady Chatterley is a modern, independent woman who finds what she needs and breaks with her former life, as Emma Bovary could not. I must say I envy Lady Chatterley, as I never found my own devoted gamekeeper.
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LADY CHATTERLEY'S LOVER was banned on its publication in 1928, creating a storm of controversy. Lawrence tells the story of Constance Chatterley's marriage to Sir Clifford, an aristocratic and an intellectual who is paralyzed from the waist down after the First World War. Desperate for an heir and embarrassed by his inability to satisfy his wife, Clifford suggests that she have an affair. Constance, troubled by her husband's words, finds herself involved in a passionate relationship with their gamekeeper, Oliver Mellors. Lawrence's vitriolic denunciations of industrialism and class…
From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
Emily Bronte wrote one novel in her short life, but what an amazing novel it is. The anti-heroes Heathcliff (rough, bitter, and rude from early mistreatment) and his childhood beloved, Catherine (spoiled and willful), are unique in fiction, and when they go head-to-head, there’s no stopping them. But Bronte doesn’t make it easy to understand them.
Heathcliff obsessively pursues Catherine after she’s married, but what she feels for him has been debated by many scholars, such as myself–some say it’s not sexual, but I disagree. The scene where they finally kiss and cling to each other while she is eight months pregnant with her husband’s child, right before her death, was extremely shocking to the Victorian public. It was so powerful that it scared me when I first read it at age 14.
One of the great novels of the nineteenth century, Emily Bronte's haunting tale of passion and greed remains unsurpassed in its depiction of destructive love. Her tragically short life is brilliantly imagined in the major new movie, Emily, starring Emma Mackey in the title role.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Wuthering Heights features an afterword by David Pinching.
One wild, snowy night on the Yorkshire moors, a gentleman asks…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
This novel of unrequited (or is it?) mad love for a married woman was so popular that many young men of the time took to wearing the yellow waistcoat that our hero Werther sports in the novel. Werther’s sensitivity and passionate nature were the essence of Romantic-era values.
Unlike Lancelot, Werther is not a hyper-masculine, aggressive guy pursuing love; instead, he moons around talking with Lotte, his beloved, about life, love, and poetry. I must say I’d take Werther over Lancelot any day, but as with the Werthers in my life, it doesn’t turn out well.
Lotte becomes his entire world, but she is a virtuous wife to her dull husband, so she tries to friend-zone him. He isn’t having it, but she holds fast. This more than disappoints poor Werther, as you will see.
One of the world's first bestsellers, this tragic masterpiece attained an instant and lasting success upon its 1774 publication, catapulting the author to the forefront of the German literary movement known as Sturm und Drang. A burst of parodies, operas, poems, and plays based on The Sorrows of Young Werther rapidly ensued, along with the cultlike following of young romantics across Europe who affected the manner of the novel's passionate and self-destructive hero. Young Werther bares his soul to readers in the form of alternately joyful and despairing letters about his unrequited love. His story marks the initial great achievement…
Cory O’Brien, author of such books as Zeus Grants Stupid Wishes: a No-Bullshit Guide to World Mythology, grew up reading myths and legends of all sorts, and turned that passion into a career with the advent of his extremely serious mythology website. He has always had a fondness for the Arthurian Legend in particular, ever since his father read him Howard Pyle’s King Arthur books as a child, and he realized he could use them as a moral justification for hitting other kids with big sticks.
Sir Gawaine is one of the most interesting knights of the Round Table because of how imperfect he is. He’s not the strongest knight in the world -- that’s Lancelot -- and he’s definitely not the most virtuous -- that’s Galahad, who sucks -- he’s a working-class joe who routinely gets in over his head because he loves to swing swords more than he likes thinking about consequences. Sir Gawaine and the Green knight is a story of one of the knight’s most famous capers, and it does not disappoint. The original story was written in Old English, which is barely even English to be honest, so you’re going to need a translation to read it, and who better to translate such a story than J.R.R. Tolkien himself. Yes, that Tolkien. When he wasn’t making elves and humans kiss each other, he was a prolific philologist and translator, and The…
This elegant deluxe slipcased edition of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour, features a beautifully decorated text and includes as a bonus the complete text of Tolkien's acclaimed lecture on Sir Gawain.
Sir Gawain and the Green Knight and Pearl are two poems by an unknown author written in about 1400. Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Avril Borthiry is one of those writers who captivate you, hijack you and absorb you into the tale she tells. You can tell she feels the Historical Romance she writes, and she has the rare talent of imparting what she feels to her reader. This is a powerful tale. As with all of life, there is light and dark in this story, a battle between good and evil. You will love her characters. You will weep, suffer, bleed, and rejoice with them. Even after you finish reading, you will never really leave this book behind.
Alexander Mathanach is a Scottish knight; a man of noble birth haunted by a tragic event in his past. Those he loved betrayed him and almost destroyed his faith. Yet, despite his bitterness, he fulfilled the vow he made. As promised, he took the orphaned child from the abbey and raised her as his own, choosing to live a quiet life in the depths of a remote, northern forest.But Alexander is guardian to more than a young girl. He is also the keeper of a divine artifact, one that draws a terrible evil to his secluded doorstep. When his peaceful…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I confess I was a serious little boy and used to be an excessively serious writer. Stoning the Devil, which is about desperate Gulf Arab women, was longlisted for major prizes and hailed by the feminist press. Poignant, even heart-breaking, but hardly a barrel full of laughs—though even then I couldn’t resist some black humour. But when I became a professor of Creative Writing at an American university, I found I’d fallen into a world madder than Wonderland, and realised that the best way to tackle woke insanity was through humour—as the great comedians are doing. Nearly all the best British fiction is humorous, so I started letting out my own zany side.
Is it a coincidence that the first great novel of Western civilisation is a satire? I think not. It began as a parody of the chivalric romances—of their disconnect from reality, their sentimentality, and dishonesty. I needn’t summarise the plot, since everyone knows the story, though usually from films, unfortunately. As with all the great satires, what appears to be a playful romp ends up being an investigation into what it means to be human—the purpose of our lives, and what makes them worthwhile. Initially, Cervantes wants us to laugh at the ridiculous old country gentleman who longs to revive chivalry, but he finds that Quixote makes his life meaningful by creating his quest. He becomes a hero—as does my protagonist. And as we all can.
'he thought it expedient and necessary that he should commence knight-errant, and wander through the world, with his horse and arms, in quest of adventures'
Don Quixote, first published in two parts in 1605 and 1615, is one of the world's greatest comic novels. Inspired by tales of chivalry, Don Quixote of La Mancha embarks on a series of adventures with his faithful servant Sancho Panza by his side. The novel has acquired mythic status and its influence on modern fiction is profound.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of…
I’m a writer of historical novels and primary literacy books, and a poet. I was born in Trinidad and live in London. So why am I writing about the magic of castles? I’ve loved visiting them since I was a child, when I’d run round them and imagine what had happened there. Back home, I’d immerse myself in reading legends and fairy stories—at bedtime, lying in my top bunk, I'd make up stories to entertain my sister in her bottom bunk. So it was natural to move on to writing fiction—the novel I’ve just completed is about King Canute. I’ve written primary literacy books for Collins, Oxford, and Ransom.
This is a vivid, dramatic and well-paced version of the story of King Arthur and the Knights of the Round Table. It is set in a legendary time full of castles such as Tintagel, or as here: "Meanwhile Sir Lancelot had lain six days and six nights prisoned in the vault below Sir Meliagraunce’s castle, and every day there came a maiden who opened the trap and let food and drink down to him on the end of a silken cord. And every day she whispered to him, sweet and tempting…" I love the resonance of Sutcliff’s writing; rereading it just now, I couldn’t resist reading it out loud just for the beauty of the sound of the language—something I’m very conscious of because I write poetry.
Rooted in folklore, medieval ideals of chivalry, and the last gallant strugglesof the British against the Saxon invaders, the legends of King Arthur have been told in song and story since the middle ages.
The Sword and the Circle tells of the birth of Arthur, the gift of Excalibur, the forming of the Round Table and the first noble quests of its knights until the arrival of Percival . . .
I write because I want to tell stories–and I also want to share great stories with others. An avid reader and writer of fantasy and speculative fiction, I have a love of the fantastic, the remarkable and the supernatural, which I have managed to sustain and develop alongside a successful working life in government and social administration. If you want to know about power–and what you need to wield it and control it, just give me a call. Great fantasy should tell universal truths, and sometimes, more difficult messages can be told more effectively using a supernatural metaphor. Telling those stories is what I do.
I’m going to stick my neck out and say that, in my opinion, this book is the greatest ever retelling of the Arthurian story. Why do I love it? Primarily I think because his characters are so well-defined and crafted—they have feelings and families, emotions and frustrations—and are frequently not at all heroic.
I love the elements of the book that play out within the animal kingdom—the rigid, controlled society of the Ants, the free and liberal existence of the Wild Geese—all brought to life by an author who was a renowned natural historian and who is using the power of his fantastical imagination to provide insight into the broad spectrum of political models and options for ruling.
I first read this book when I was studying Politics and Philosophy as an undergraduate, and I was blown away by White’s insight, humanity, and the choices he…
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of The Once and Future King, White's masterful retelling of the Arthurian legend.
T.H. White's masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published together in a single volume, as White himself always wished.
Here is King Arthur and his shining Camelot, beasts who talk and men who fly; knights, wizardry and war. It is the book of all things lost and wonderful and sad; the masterpiece of fantasy by which all others are…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I have always loved stories about King Arthur–what’s not to love–Arthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other things–including an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
This book is the go-to for nearly everything you need to know about Arthurian legend. I use it and return to it time and time again to explore different elements of the Arthurian story. Not to mention, the history of Malory and the book itself are just as fascinating to me.
Writing at the end of the fifteenth century, Malory’s work was really the starting point for anything Arthurian–and even though I find the earlier works on Arthur’s history are just as enthralling. Any translation is fine, and many editions (I have about eight) have notes on different elements of Arthurian history and legend and where they may have originated. I have followed many such notes down multiple captivating paths.
Fiction. Folk Tales. Medieval Studies. Dorsey Armstrong provides a new, Modern English translation of the MORTE DARTHUR that portrays the holistic and comprehensive unity of the text as a whole, as suggested by the structure of Caxton's print, but that is based primarily on the Winchester Manuscript, which offers the most complete and accurate version of Malory's narrative. This translation makes one of the most compelling and important texts in the Arthurian tradition easily accessible to everyone--from high school students to Arthurian scholars. In addition to the complete text, Armstrong includes an introduction that discusses Malory's sources and the long-running…