Here are 100 books that A Handful of Dust fans have personally recommended if you like
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I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.
The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.
This book will appeal not only to fans of dark humor and satire but also to…
One of Time's 100 best novels in the English language-by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis's "London Trilogy," along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis's shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan's America and Margaret Thatcher's England.
Jimmy Whistler arrived on the tail-end of WWII and that inured him to the constant conflicts of life. By the time he was a young man, the Sixties taught him not to worry so much, though constant conflict still prevailed. After a stint in the Marines, he maintained his way…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.
He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable…
I confess I was a serious little boy and used to be an excessively serious writer. Stoning the Devil, which is about desperate Gulf Arab women, was longlisted for major prizes and hailed by the feminist press. Poignant, even heart-breaking, but hardly a barrel full of laughs—though even then I couldn’t resist some black humour. But when I became a professor of Creative Writing at an American university, I found I’d fallen into a world madder than Wonderland, and realised that the best way to tackle woke insanity was through humour—as the great comedians are doing. Nearly all the best British fiction is humorous, so I started letting out my own zany side.
A complex magic realist novel. Two Muslim Indians are on a highjacked plane that explodes over the English Channel. As they fall into the sea, Bollywood superstar Gibreel Farishta, turns into the Archangel Gabriel, while Saladin Chamcha, a voiceover artist, metamorphoses into the Devil. They struggle with their new identities, with rivalry, with life in Britain, and in Gibreel’s case, with mental illness. Like all Rushdie’s work, it is a post-colonial perspective on the metropolis and the identity crises of the ex-colonised. There are long dream sequences about an Arabian prophet called Mahmoud—who resembles the founder of Islam. The Ayatollah Khomeini sentenced Rushdie to death for blasphemy for this. This all sounds deep and portentous—and it is—but it’s also unfailingly funny and original. And brave. An inspiration.
Just before dawn one winter's morning, a aeroplane blows apart high above the English Channel and two figures tumble, clutched in an embrace, towards the sea: Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices.
Washed up, alive, on an English beach, their survival is a miracle. But there is a price to pay. Gibreel and Saladin have been chosen as opponents in the eternal wrestling match between Good and Evil. But chosen by whom? And which is which? And what will be the outcome of their final confrontation?
Hemingway's Goblet is a rollicking read about a mismatched relationship between a middle-aged commitment-phobic university professor in London and one of his female students, a Korean 15 years younger than him. He is accused of sexually harassing her, but somehow their relationship survives as they join forces to seek to…
I confess I was a serious little boy and used to be an excessively serious writer. Stoning the Devil, which is about desperate Gulf Arab women, was longlisted for major prizes and hailed by the feminist press. Poignant, even heart-breaking, but hardly a barrel full of laughs—though even then I couldn’t resist some black humour. But when I became a professor of Creative Writing at an American university, I found I’d fallen into a world madder than Wonderland, and realised that the best way to tackle woke insanity was through humour—as the great comedians are doing. Nearly all the best British fiction is humorous, so I started letting out my own zany side.
Is it a coincidence that the first great novel of Western civilisation is a satire? I think not. It began as a parody of the chivalric romances—of their disconnect from reality, their sentimentality, and dishonesty. I needn’t summarise the plot, since everyone knows the story, though usually from films, unfortunately. As with all the great satires, what appears to be a playful romp ends up being an investigation into what it means to be human—the purpose of our lives, and what makes them worthwhile. Initially, Cervantes wants us to laugh at the ridiculous old country gentleman who longs to revive chivalry, but he finds that Quixote makes his life meaningful by creating his quest. He becomes a hero—as does my protagonist. And as we all can.
'he thought it expedient and necessary that he should commence knight-errant, and wander through the world, with his horse and arms, in quest of adventures'
Don Quixote, first published in two parts in 1605 and 1615, is one of the world's greatest comic novels. Inspired by tales of chivalry, Don Quixote of La Mancha embarks on a series of adventures with his faithful servant Sancho Panza by his side. The novel has acquired mythic status and its influence on modern fiction is profound.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
How could I not love this book? It’s set in the lovely (really!) city of Pittsburgh, and it’s about a lost weekend of literary hijinks and stoned debauchery.
The protagonist, Grady Tripp, is a young male writer making something of an ass of himself, but Chabon makes him so sympathetic, I can’t help rooting for him even as he digs himself in even deeper.
The dialogue crackles, the supporting characters are vivid and colorful, and the plot sweeps the reader up into a whirlwind of incredibly fun trouble.
A deft parody of the American fame factory and a piercing portrait of young and old desire, WONDER BOYS is a modern classic from the Pulitzer Prize-winning author of THE ADVENTURES OF KAVALIER & CLAY.
Grady Tripp is an over-sexed, pot-bellied, pot-smoking, ageing wunderkind of a novelist now teaching creative writing at a Pittsburgh college while working on his 2,000-page masterpiece, WONDER BOYS. When his rumbustious editor and friend, Terry Crabtree, arrives in town, a chaotic weekend follows - involving a tuba, a dead dog, Marilyn Monroe's ermine-lined jacket and a squashed boa constrictor.
I’m a former independent publisher and current writer of memoir and fiction. My degree was in zoology (animal biology), which got me my first job in educational publishing. After a solid career in textbooks, I switched over to trade publishing and finally writing. I may have left the "hard science" behind, but I continue to be fascinated by human and animal behavior, which shows up in my reading and writing.
The animal is a number of racehorses. The human is a collection of owners, trainers, jockeys, and more, yielding a comprehensive look at human and animal behavior in the horse racing industry. A strong, intimate novel. I used to ride but never very well, and I’ve always wondered what a horse’s “thoughts” involved. Author Smiley gave me a feel for that as she applied her own assumptions to one horse in particular.
#1 NATIONAL BESTSELLER A NEW YORK TIMES NOTABLE BOOK
"A WISE, SPIRITED NOVEL . . . [IN WHICH] SMILEY PLUMBS THE WONDROUSLY STRANGE WORLD OF HORSE RACING." --People
"ONE OF THE PREMIER NOVELISTS OF HER GENERATION, possessed of a mastery of craft and an uncompromising vision that grow more powerful with each book . . . Racing's eclectic mix of classes and personalities provides Smiley with fertile soil . . . Expertly juggling storylines, she investigates the sexual, social, psychological, and spiritual problems of wealthy owners, working-class bettors, trainers on the edge of financial ruin, and, in a typically bold…
I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I loved this book because it combines the gothic tradition with politics. Written during the Soviet era, it deals with the Devil and his entourage who visit Soviet-era Moscow and reveal Soviet society.
While not truly a gothic novel, it is an imaginative work and kept me mesmerized as an undergraduate student so much that I have gone back to read it again as an adult.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
I’ve been an actor and a writer all my life. After many years performing in theatre and television in both Australia and the UK, I turned my hand to prose and revelled in the creative freedom. Thirty years and sixteen novels later I’m still revelling. As both actor and writer, the mix of fact and fiction has always intrigued me and I love travelling my characters through historical times of great impact, particularly upon Australia. In 2015 I was honoured to be made a Member of the Order of Australia for my service to the performing arts as an actor and to literature as an author.
Identity Crisis is the most delicious satire! It is so much a send-up of modern times it will unfortunately date, and all too quickly become tomorrow’s history. But I don’t care. I will always find this one of the funniest books I have ever had the pleasure to read - indeed a wickedly witty laugh-out-loud on every page. Anyone who chooses to find the political incorrectness that abounds in Identity Crisis offensive really will need to delve deep in order to discover their obviously lost or sadly under-developed sense of humour.
Why are we all so hostile? So quick to take offence? Truly we are living in the age of outrage.
A series of apparently random murders draws amiable, old-school Detective Mick Matlock into a world of sex, politics, reality TV and a bewildering kaleidoscope of opposing identity groups. Lost in a blizzard of hashtags, his already complex investigation is further impeded by the fact that he simply doesn't 'get' a single thing about anything anymore.
Meanwhile, each day another public figure confesses to having 'misspoken' and prostrates themselves before the judgement of Twitter. Begging for forgiveness, assuring the public "that…
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
Vonnegut has been one of my favorite authors for a long time, and this might be the first collection I read that wasn’t specifically for young readers. Some of the future-set stories like “Harrison Bergeron” and “Tomorrow and Tomorrow and Tomorrow” changed how I saw science fiction.
Welcome to the Monkey House introduced me to Vonnegut and to a love of short-story collections as a form, and it holds up remarkably well.
A MASTERFUL COLLECTION OF TWENTY-FIVE SHORT STORIES FROM THE INIMITABLE AUTHOR OF SLAUGHTERHOUSE 5, KURT VONNEGUT
'Vonnegut is George Orwell, Dr Caligari and Flash Gordon compounded into one writer...a zany but moral mad scientist' Time
A diabolical government asserts control by eliminating orgasms. A scientist discovers the secret to unlocking instant happiness, with unexpected consequences. In an America where everyone is equal every which way, a tennage boy plans to overthrow the system.
Welcome to the Monkey House gathers together twenty-five of Kurt Vonnegut's short stories from the 1950s and 1960s. Shot through with Vonnegut's singular humour, wit and bewilderment…
When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.
Francis Plug is a drunken fictional author crashing literary festivals, manufacturing chaos in whichever space he steps into, collecting autographs of “real writers,” and offering absurd wisdom on how to behave like a proper prize-winning novelist.
It’s satire for writers and readers who love the literary world... and love to roast it, too.
How To Be A Public Author is a novel all about the Man Booker, using the prize as a springboard to explore what it means to be an author - and a human being - in the 21st century. It documents a series of fictitious happenings at real author events, as visited by the wonderful anti-hero Francis Plug - a troubled and often drunk misfit who causes chaos and confusion wherever he goes. Inventive, funny and moving, How To Be A Public Author is both a brilliant slapstick comedy and a surprising and touching meditation on loneliness.
