Books like In the Hand of the Goddess — picked by fans

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

Diana Wynne Jones understands fundamentally that cats rule and they are also little jerks. Throgmorten is a sacred cat from a temple in another world, which is a very cat lifestyle, and he spends the whole book spitting and scratching and biting people, which is the singularity of focus that I strive for in my life. Diana Wynne Jones is also not afraid to directly transcribe cat noises, by which I mean Throgmorten says “WONG” a lot, which is such an objectively weird way to describe a cat’s yowl until you actually hear a cat make that sound and realize, “Oh wow, yeah, it does sound like he’s saying ‘WONG.’” I’m not saying authors who exclusively say that cats “meow” are cowards, but. I’m not not saying that.

Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away. 

Niffy is a beautiful smoky grey cat, just the right colour to hide in dim and dark places. Niffy guides a young prince through the perils of ruling and loving in this award-winning author’s enchanting and sophisticated fairy tale for adults and intelligent children alike. I first read this book twenty years ago and have reread it several times. I love it. It’s a great story to read with your children.

I confess, I was a bit nervous when I began this book because the main character was not very sympathetic. But Hette’s situation is so heart-wrenching (literally, because a sorcerer has stolen her heart) I kept reading to see what happened. Her journey to recover her heart is much more than a physical adventure, though I could taste the grit and mud, shivered with cold, and sweated from the unbearable heat she struggled through. It was a joy watching this young queen learn important life lessons in totally unexpected places. I felt as if I was learning and growing along with Hette, making the reading of this book a completely satisfying experience.

This was my first experience with Jonathan Auxier and it made me into an instant and always fan of his books. Its fairytale-like feel and enthralling story of Peter Nimble, a blind orphan and master thief, was so wonderful to read, I experienced some serious book withdrawal when I reached the end. (Luckily, we get to spend more time in Peter’s world in Sophie Quire and the Last Storyguard!) This book’s story and characters are so beautifully crafted, you’ll probably want to read this one more than once—like I did!

Are you fascinated by knights in shining armor? This is the illustrated book for you.

Yes, it’s a book essentially for kids, but I found it incredibly useful for my research on everything from jousting to armory, from swords to riding armed on horseback. It also has a useful timeline in the back that gives useful dates from Charlemagne’s use of mounted warriors to the use of squires, crusades, tournaments, and the end of the era in the 1600s.

Gillian Bradshaw is one of the best historical fiction writers I know of, and everyone else should know of her too. The Wolf Hunt is based on Bisclavret, one of the Lais of Marie de France, and fairly drips with historical detail (please use a coaster). The fantasy element is the major plot point, but the magic that allows for it is so subtle and low-key that I nearly forgot to classify the book as historical fantasy. This is a grown-up Catherine, Called Birdy in its ability to evoke a medieval mind and setting, minus the humor, plus more romance. And while there's no floor-scrubbing, it has big floor-scrubbing energy.

Cameron’s Chivalry series of which this is the first, takes the reader on a thrilling journey across Europe during the Hundred Years War, chronicling the life of a mercenary who comes to serve the great Sir John Hawkwood and eventually is knighted himself.

Cameron is a master of prose description, scene-setting, and dialogue that rings true to the ear. His historical research is impeccable and like me, he has for many years donned full armour in reenactments and tournaments and so truly understands the challenges of medieval combat. A great read.

I was on an extended trip to Eastern Europe, back when Eastern Europe was not such a dandy place to visit, and I found myself with nothing to read. In a used bookstore in Prague, I found a tattered paperback, translated into English, of this next pick. It was falling apart, the pages stained by coffee and God knows what else. I bought it anyway.

And over the next few weeks, I was, for the third time, blown away by words on a page, by an author’s imagination. It’s been said that Don Quixote, written around 1600, was the first novel ever written. It may also be the greatest novel ever written. Adventure. Humor. Pathos. Crazy amounts of imagination. The Whole Damn Human Condition.

Make sure to find a first-class translation!