Books like In the Hand of the Goddess

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

Diana Wynne Jones understands fundamentally that cats rule and they are also little jerks. Throgmorten is a sacred cat from a temple in another world, which is a very cat lifestyle, and he spends the whole book spitting and scratching and biting people, which is the singularity of focus that I strive for in my life. Diana Wynne Jones is also not afraid to directly transcribe cat noises, by which I mean Throgmorten says “WONG” a lot, which is such an objectively weird way to describe a cat’s yowl until you actually hear a cat make that sound and realize, “Oh wow, yeah, it does sound like he’s saying ‘WONG.’” I’m not saying authors who exclusively say that cats “meow” are cowards, but. I’m not not saying that.

Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away. 

Niffy is a beautiful smoky grey cat, just the right colour to hide in dim and dark places. Niffy guides a young prince through the perils of ruling and loving in this award-winning author’s enchanting and sophisticated fairy tale for adults and intelligent children alike. I first read this book twenty years ago and have reread it several times. I love it. It’s a great story to read with your children.

I confess, I was a bit nervous when I began this book because the main character was not very sympathetic. But Hette’s situation is so heart-wrenching (literally, because a sorcerer has stolen her heart) I kept reading to see what happened. Her journey to recover her heart is much more than a physical adventure, though I could taste the grit and mud, shivered with cold, and sweated from the unbearable heat she struggled through. It was a joy watching this young queen learn important life lessons in totally unexpected places. I felt as if I was learning and growing along with Hette, making the reading of this book a completely satisfying experience.

This was my first experience with Jonathan Auxier and it made me into an instant and always fan of his books. Its fairytale-like feel and enthralling story of Peter Nimble, a blind orphan and master thief, was so wonderful to read, I experienced some serious book withdrawal when I reached the end. (Luckily, we get to spend more time in Peter’s world in Sophie Quire and the Last Storyguard!) This book’s story and characters are so beautifully crafted, you’ll probably want to read this one more than once—like I did!

Are you fascinated by knights in shining armor? This is the illustrated book for you.

Yes, it’s a book essentially for kids, but I found it incredibly useful for my research on everything from jousting to armory, from swords to riding armed on horseback. It also has a useful timeline in the back that gives useful dates from Charlemagne’s use of mounted warriors to the use of squires, crusades, tournaments, and the end of the era in the 1600s.

Gillian Bradshaw is one of the best historical fiction writers I know of, and everyone else should know of her too. The Wolf Hunt is based on Bisclavret, one of the Lais of Marie de France, and fairly drips with historical detail (please use a coaster). The fantasy element is the major plot point, but the magic that allows for it is so subtle and low-key that I nearly forgot to classify the book as historical fantasy. This is a grown-up Catherine, Called Birdy in its ability to evoke a medieval mind and setting, minus the humor, plus more romance. And while there's no floor-scrubbing, it has big floor-scrubbing energy.

This is a vivid, dramatic and well-paced version of the story of King Arthur and the Knights of the Round Table. It is set in a legendary time full of castles such as Tintagel, or as here: "Meanwhile Sir Lancelot had lain six days and six nights prisoned in the vault below Sir Meliagraunce’s castle, and every day there came a maiden who opened the trap and let food and drink down to him on the end of a silken cord. And every day she whispered to him, sweet and tempting…" I love the resonance of Sutcliff’s writing; rereading it just now, I couldn’t resist reading it out loud just for the beauty of the sound of the language—something I’m very conscious of because I write poetry.

Hilari Bell’s Knight and Rogue series is about Michael, a nobleman turned knight-errant, and his reluctant squire Fisk.

In Lady’s Pursuit, they work together one last time to save a damsel in distress, but it’s the relationship between the two men, with their different backgrounds and worldviews, that really make the book stand out.

Lady’s Pursuit is a satisfying conclusion to a fun and thoughtful series, and can be read alone (although I do recommend the whole series if you want more backstory).

Hilari Bell is my go-to author for mid-story twists—bad guys aren’t necessarily bad, they have strong reasons for their actions. Makes for a satisfying, thought-provoking read.