Here are 71 books that Deathbird Stories fans have personally recommended if you like
Deathbird Stories.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
This book blew my mind! It changed my life and gave me food poisoning; well, maybe it was some lousy shrimp that did that, but it came around the same time anyhow.
I loved the initial point of revenge, how the main character was abandoned to die in a broken spaceship in the middle of nowhere. I, too, would be pissed if a ship flew by me without stopping to save my butt.
I was happy that the book also played with metaphysical notions and cranked up the ending to a glorious finish that broke from the standard good-guy wins trope.
Gully Foyle, Mechanic's Mate 3rd Class, is the only survivor on his drifting, wrecked spaceship. When another space vessel, the Vorga, ignores his distress flares and sails by, Gully Foyle becomes a man obsessed with revenge. He endures 170 days alone in deep space before finding refuge on the Sargasso Asteroid and then returning to Earth to track down the crew and owners of the Vorga. But, as he works out his murderous grudge, Gully Foyle also uncovers a secret of momentous proportions...
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I am passionate about this topic because it dates back to my childhood. I have been interested in this subject for as long as I can remember and, as far as I can tell, gravitated towards it naturally, probably due to those unknown vectors within us all that gear us towards our loves, interests, and passions. I have written many novels in this field, and countless short stories, some published, others lying around my house. For me, this genre defines the best aspects of the imagination and is full of color, fantasy, and the entire broad spectrum of human emotions, including the most potent: fear.
This novel's structure inspired me to write my book, at least in part. I read it in one sitting while working as a security guard at a nature park on Christmas night years ago. It deals with an unholy presence by the name of Jakerbok, imprisoned in the pages of the book, who perpetually pleads with the reader to “Burn this book!” or else. It is wholly unique, original, and decidedly unsettling.
The long-awaited return of the great master of horror. Mister B. Gone is Barker's shockingly bone-chilling discovery of a never-before-published demonic 'memoir' penned in the year 1438, when it was printed - one copy only - and then buried until now by an assistant who worked for the inventor of the printing press, Johannes Gutenberg.
This bone-chilling novel, in which a medieval devil speaks directly to his reader-his tone murderous one moment, seductive the next-is a never-before-published memoir allegedly penned in the year 1438.
The demon has embedded himself in the very words of this tale of terror, turning the…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I love this book because, like all of the Parker novels, it starts in the middle of the action, with Parker and his associates spilling out of a car, on the run. Parker hides in an off-season theme park and what follows is a story that is better than Die Hard (and pre-dates it by a decade).
I love the Parker novels for this sort of action and the way that Parker adheres to his particular code. It is not one most heroes abide by but you have to admire this tough thief who lives by the words he speaks – there’s something honorable in that.
By the time Richard Stark sat down to write "Deadly Edge" in 1971, he'd been chronicling the adventures of his antihero, Parker, for nearly a decade. But it turns out he was just warming up: the next three "Parker" novels would see Stark crank everything up a notch - tightening the writing, heightening the violence, and, most of all, hardening the deadly heister at the books' heart. "Deadly Edge" kicks things off by bidding a brutal adieu to the 1960s: Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire -…
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I’m a writer, editor, and publisher. As a child in the 1970s, I first discovered a taste for adventure stories in the pages of Marvel comics. This lead to a wider interest in fiction, particularly sci-fi, horror, and adventure tales. I believe one of the basic tenets to becoming a good writer is to read…a lot. I gravitate toward well-known but also lesser-known stories. My main criteria: is the writing engaging, does it inspire me to keep reading? As a writer, I ask myself these same questions about my work. The titles in this list are among the benchmarks I aim for when writing and editing.
Published a year after his infamous novel Psycho, Bloch’s The Dead Beat is an offbeat short novel about a piano player named Larry Fox.
Larry’s a bad seed with a criminal record who worms his way into a suburban American family’s house after they discover him unconscious in the back of their car and learn that he’d been attacked. Larry keeps a lot of secrets and has a lot of big dreams, most of them around seducing teenage girls and extorting his former crime partner.
The story has some sections that read as dated, which isn’t surprising for a title published in 1960, but Bloch’s undeniably crisp writing and play on words will keep you turning the page. I’m not much of a night owl these days but I stayed up until 4:00 a.m. to finish this one.
The ending is satisfying, and you may find yourself thinking about…
I’m the author of two novels, both of which explore the impact of the digital age on my characters’ lives. I’m old enough to have experienced being a teenager before the Internet but young enough to have used it all my adult life. I can’t forget the before-times! While I’ve benefitted a lot from what the tech industry calls Web 2.0, I’m also really alive to the losses: social, economic, personal, and existential. From our work lives to our communities to our health and sex lives–nowhere is free from technology’s influence. We are living in fascinating and dangerous times.
This is such a gripping novel with brilliant characters, a fascinating premise, and a great setting.
I’m really interested in the digital revolution and how tech has impacted our lives, and this book is both a powerful love story and a compelling exploration of the tech industry. In the novel, three friends found a startup and create an app that creates rituals for people.
It’s clever, witty and provocative. Real food for thought!
Selected as a Best Book of 2021 by the Observer, Stylist, Cosmopolitan, Red and the Daily Mail
Halfway through her PhD and already dreaming of running her own lab, computer scientist Asha has her future all mapped out. Then a chance meeting and whirlwind romance with her old high-school crush, Cyrus, changes everything.
Dreaming big, together with their friend Jules they come up with a revolutionary idea: to build a social networking app that could bring meaning to millions of lives. While Asha creates an ingenious algorithm, Cyrus' charismatic appeal throws him into the spotlight.
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
One of the most treasured and unusual books in my personal library. It’s an encyclopedia from another world, entirely written in a made-up language. Page after page of haunting and strange illustrations, organized into specific categories and concepts. Sitting with this book transports me back to the time before I could read, when words felt like incomprehensible symbols. Taking the time to puzzle over this book feels like such a valuable experience. It takes me right out of the familiar ways of taking in information and puts me in a state of mind that has to search and consider the juxtaposition of images and ideas in totally new ways. I can’t recommend this book enough.
An extraordinary and surreal art book, this edition has been redesigned by the author and includes new illustrations. Ever since the Codex Seraphinianus was first published in 1981, the book has been recognized as one of the strangest and most beautiful art books ever made. This visual encyclopedia of an unknown world written in an unknown language has fueled much debate over its meaning. Written for the information age and addressing the import of coding and decoding in genetics, literary criticism, and computer science, the Codex confused, fascinated, and enchanted a generation.
I’ve researched children’s digital lives since the internet first arrived in many people’s homes. Recently, I noticed parents’ concerns weren’t listened to – mostly, researchers interview parents to find out about their children rather than about parents themselves. Worse, policymakers often make decisions that affect parents without consulting them. So, in Parenting for a Digital Future we focused on parents, following my previous books on Children and the Internet and The Class: Living and Learning in the Digital Age. As a professor at the London School of Economics and Political Science, I love that moment of knocking on a family’s door, and am always curious to see what I will find!
One of the questions I am most often asked by parents and the public is – is it OK to share pictures of my children online? (Other questions, by the way, are – at what age can my child get their own mobile phone? And how much screen time is too much? See my book for my answers).
The extraordinary amount of photos of children that are shared online from before their birth and every step of the way to adulthood – is simply unprecedented. And while these photos can give a lot of pleasure to family and friends, there’s so much that can go wrong.
I find it fascinating that Stacey Steinberg approaches this topic as an attorney and she really digs into the legal issues about privacy, legal redress, and children’s rights. At the same time, she’s super practical and parents can learn a lot about how to…
Is it okay to share details about my child's life on social media? What kinds of pictures should I avoid posting? Am I taking away my kids' ownership over their future online footprint? It has never been easier to share our lives online-from meals to selfies and relationship statuses to locations, information about our daily activities flows freely. But what about our right to share our kids' lives? In today's age of "sharenting", striking the right balance between engaging in online communities and respecting a child's privacy and safety can be difficult. In Growing Up Shared, Stacey Steinberg, law professor,…
Guy Beiner specializes in the history of social remembering in the late modern era. An interest in Irish folklore and oral traditions as historical sources led him to explore folk memory, which in turn aroused an interest in forgetting. He examines the many ways in which communities recall their past, as well as how they struggle with the urge to supress troublesome memories of discomfiting episodes.
Recognising that modern digital technologies, by preserving too much information, undermine the essential role forgetting has played throughout history, this book presents a forceful argument for countering violations of privacy by upholding the ‘right to be forgotten’.
Delete looks at the surprising phenomenon of perfect remembering in the digital age, and reveals why we must reintroduce our capacity to forget. Digital technology empowers us as never before, yet it has unforeseen consequences as well. Potentially humiliating content on Facebook is enshrined in cyberspace for future employers to see. Google remembers everything we've searched for and when. The digital realm remembers what is sometimes better forgotten, and this has profound implications for us all. In Delete, Viktor Mayer-Schonberger traces the important role that forgetting has played throughout human history, from the ability to make sound decisions unencumbered by…
The future is the one thing in which we are all invested. In order to shape the future we must be able to visualise possibilities, prepare for consequences, and take action. My job is to help companies, charities, and governments to see and prepare for the future. But so many of the lessons that I find myself trying to teach to leaders have their parallels in our personal and working lives - including mine. In a time of great uncertainty about the future, we all must take time out to picture where we’re going, make choices about our direction, and invest in ourselves to achieve our dreams.
When examining the future, you’re always dealing with lots of different sources of information.
Trying to understand how they align, interact, and compete is complex. It doesn’t matter whether you’re working as a futurist, trying to plot out a new business plan, or just thinking about your personal life.
One thing that has always helped me is writing. Getting it down on paper is a powerful way to structure your thoughts, to share them, and kick off collaboration.
If you want help using writing to explore your mind and your world, then this is the book. It’s in many ways quite simple, but it’s no less powerful than that.
Everything we're learning about how we function best as humans in the digital age is pointing towards one of our oldest technologies: the pen and the page.
Exploratory writing - writing for ourselves, not for others, writing when we don't know exactly what it is we want to say - is one of the most powerful and lightweight thinking tools we have at our disposal. It's also been, until now, one of the most overlooked.
I have been fortunate to have spent the last 40 years of my professional life dealing with new networks and new technology. From the early days of cable television and mobile communications to the development of digital video and the transmission of data over cable lines and satellite. It was a career topped off with the privilege of being the Chairman of the Federal Communications Commission (FCC) with regulatory responsibly for approximately 1/6th of the American economy (on which the other 5/6s depended).
Columbia Law Professor and recently departed White House
advisor Tim Wu looks at the evolution of the information industry.
While
written in 2011, Master Switch describes the technological and corporate
developments that have brought us to today’s information age and all its
corporate and civil challenges. I love the historical stories he uses and how
they are really not that different from contemporary developments.
The Internet Age: on the face of it, an era of unprecedented freedom in both communication and culture. Yet in the past, each major new medium, from telephone to satellite television, has crested on a wave of similar idealistic optimism, before succumbing to the inevitable undertow of industrial consolidation. Every once free and open technology has, in time, become centralized and closed; as corporate power has taken control of the 'master switch.' Today a similar struggle looms over the Internet, and as it increasingly supersedes all other media the stakes have never been higher.
