Here are 100 books that Codex Seraphinianus fans have personally recommended if you like
Codex Seraphinianus.
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When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is the most profoundly absorbing experimental art-comic the world has ever produced.
It’s a fun book to sit with someone else and page through, backward or forward, or just ambling around, discovering things. The very simple conceit is that it’s a book that spans millions of years in time, but all happens in exactly one single space. It grew out of a six-page short story that blew people’s minds in the 80’s comics anthology Raw.
I remember hearing that the author had decided, two decades later, to expand it to book form, and wondered if that was really necessary. The short version had been such a perfect jewel of a piece. Turns out he had very good reason.
From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision. Richard McGuire’s Here is the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.
"In Here McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as transtemporal windows into the larger frame that stands for the provisional now. Here is the comic-book equivalent of a scientific breakthrough. It is also a lovely evocation…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
One of the most meditative books I’ve ever experienced. I read this for the first time on an airplane and it felt like having a lucid dream. It’s an entirely wordless graphic novel documenting all the details and experienced moments of a train ride, from finding a seat, to the patterns of rain on the windows and the passing landscapes, all rendered in highly stylized but clear line work. This book left me wanting to notice and appreciate my own movement through the physical spaces of my daily life. I recommend anything you can find by Yokoyama, but this one feels especially important to me.
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
I consider this to be one of the great wordless graphic novels. It’s a hyper-colored meditation on the creative power and potential of human hands, full of movement, energy, and effort. It’s amazing to see a work like this that’s so full of power, like a raw force of nature, yet there’s no violence or destruction. Sit in a quiet corner and give every page of this book your full attention and tell me how your brain feels afterward.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
I own a number of books on Adolf Wolfli, but this one feels the most extensive and valuable to me. Wolfli spent most of his life in an isolated cell in a mental hospital in Switzerland. During that time he created a hyper-detailed graphic work that’s thousands of pages long. His dense drawings contain writings that chronicle an epic personal fantasy along with musical notation, lists of inventions, giant equations, and maps. This kind of creative output from a single person is both stunning and frightening. Spending time with this book really makes me contemplate the complexity and importance of human creativity, the nature of madness, trauma, and true originality.
Adolf Wölfli is the original outsider artist. Before Darger, Rizzoli and Rodia, there was Wölfli: orphan, laborer, criminal, artist and the subject of a 1921 monograph titled A Psychiatric Patient as Artist, authored by his doctor--the first publication on an outsider artist--which won him the admiration of André Breton and Jean Dubuffet, and gave birth to the outsider phenomenon. “Wölfli’s creations treat the eye to a roller-coaster ride through a terrain bounded by Piranesi, biblical myth, illuminated manuscripts, tantric mandalas and Swiss cuckoo clocks,” New York Times critic Roberta Smith once wrote--“in other words, a dizzying multi-cultural universe.” Adolf Wölfli:…
I’ve been making web pages since the World Wide Web began in the mid-1990s. Back then, the web was visually quite sparse. It wasn’t until the late 2000s that new browser capabilities let the web getvisually interestingand an exciting place for interactive graphics. Graphics are great: they can be informational (like charts and maps) or purely aesthetic. My personal journey of learning to code interactive graphics has been so rewarding that I’ve shared the love with others through teaching creative coding workshops and undergraduate courses. If you’re new to coding or computer graphics, I hope you’ll give one of these books a try!
Okay, hear me out. Yes, this book was published in 2007. Yes, it’s ostensibly about ActionScript, the coding language in Flash, which no one uses anymore. But you won’t use this book to learn ActionScript or Flash: You’ll use it to learn how to make things move with code, in any language. You’ll skip over the ActionScript-specific parts in favor of the lucid explanations and helpful illustrations. Your visual brain will appreciate seeinghow sines, cosines, and tangents are relevant—and necessary!—to make digital things move. (Your heart will wish your brain had paid better attention in trigonometry class years earlier, but hey, no regrets!) The chapters “Trigonometry for Animation” and “Velocity and Acceleration” alone are worth the purchase price.
This is the first definitive and authoritative book available on ActionScript 3 animation techniques. ActionScript animation is a very popular discipline for Flash developers to learn. The essential skill set has been learned by many Flash developers through the first edition of this book. This has now been updated to ActionScript 3, Adobe's new and improved scripting language. All of the code has been updated, and some new techniques have been added to take advantage of ActionScript 3's new features, including the display list and new event architecture. The code can be used with the Flash 9 IDE, Flex Builder…
Since I was a kid, I’ve been passionate about technology and had a clear vocation to work with computers. I’ve been a developer for more than 20 years now, spending half of them mainly in the Python environment, and I’ve always been interested in improving my skills. While it’s true that software development is a field that changes constantly and technology evolves at great speed, there are some elements that remain relatively unchanged and can be used to compound knowledge and ability. In particular, the elements that are closer to the human element, teamwork, coordination, etc. are quite stable over time.
Michael Lopp, or Rands, as he is commonly known online, has been sharing his knowledge as a software manager for years, mainly through his blog. He is one of the most insightful voices about the art of management in a software environment, and even if you are not a manager yourself (and don’t want to become one), will make you understand and better collaborate with your own manager, and be ready when you need to lead a team or understand how it is to work with other humans.
Managing Humans is a selection of the best essays from Michael Lopp's popular website Rands in Repose(www.randsinrepose.com). Lopp is one of the most sought-after IT managers in Silicon Valley, and draws on his experiences at Apple, Netscape, Symantec, and Borland. This book reveals a variety of different approaches for creating innovative, happy development teams. It covers handling conflict, managing wildly differing personality types, infusing innovation into insane product schedules, and figuring out how to build lasting and useful engineering culture. The essays are biting, hilarious, and always informative.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I'm drawn to books that uncover hidden systems because I've lived with the consequences of not understanding them. For the past nine years, I’ve wanted to build my business, but I've also been challenged to give up and go back to a regular job because I earned little income and lost money in scams, theft, and crypto exchange bankruptcies. Those losses strained my relationship with my family. They forced me to see how little I actually knew about money. But I kept going. I host podcasts and write books. These books about systems helped me turn those losses into clarity and kept me building anyway.
I didn’t read this book about a hacker who broke into the phone number system just for a fun read. I read it as a chance to try something similar with artificial intelligence to protect myself. I get tons of spam and phishing emails.
I get fifty robocalls a day. At first, I just ignored them. But then they became impossible to continuously ignore because some seemed so real. I needed a way to understand the current landscape and how this stuff spreads.
I became a lot more curious and looked beneath the surface. The book forced me to stop just looking at face value. I stopped watching systems and started learning them. I can now spot the fraud attempts. I also discovered how much I care about ethics, values, and morals.
John “Captain Crunch” Draper, legendary phone-phreaker and hacker, helped inspire Apple and a generation of technologists with his groundbreaking exploits. This biography-adventure traces his life through invention, mischief, and chaos, combining the outrageous stories he told with the wild escapades of his later years. Told with humor and irreverence, it captures a brilliant and eccentric figure whose impact on technology and hacker culture is still felt today.
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Before personal computers and the Internet, John “Captain Crunch” Draper explored the extraordinary possibilities hidden in the phone system with wit, intelligence, and relentless curiosity. A pioneer of the hacker movement, his…
I’ve been playing with computers and electronics since childhood. I even supported the people in my village with their computer issues back then. During my studies in electrical engineering, I learned how to solve technical challenges with structured approaches. At this time, I became fascinated by topics like cryptography and embedded system security. The books on this list helped me understand important concepts and practical real-world obstacles. I hope they are also of value to you!
When I first heard about cryptography at university, it sounded like mathematical magic. After looking into some randomly chosen crypto books, I was discouraged from digging deeper because they were full of math details.
Understanding Cryptography was different. It was aimed at engineering students like me, and it provided me with the most relevant facts necessary for designing secure devices. Since then, it has always been a great reference book for me.
Cryptography is now ubiquitous - moving beyond the traditional environments, such as government communications and banking systems, we see cryptographic techniques realized in Web browsers, e-mail programs, cell phones, manufacturing systems, embedded software, smart buildings, cars, and even medical implants. Today's designers need a comprehensive understanding of applied cryptography.
After an introduction to cryptography and data security, the authors explain the main techniques in modern cryptography, with chapters addressing stream ciphers, the Data Encryption Standard (DES) and 3DES, the Advanced Encryption Standard (AES), block ciphers, the RSA cryptosystem, public-key cryptosystems based on the discrete logarithm problem, elliptic-curve cryptography (ECC), digital…
I have been working with computers for decades now – having started with programmable handheld calculators and working my way up and down through mainframes, mini- and micro-computers. I always thought there is an art to writing software, and that good software can be read and admired. Maintainability, readability, and testability are some core needs for software, and after going through many programming paradigms, I feel that functional programming (FP) is the way to go – and several modern web frameworks agree. JavaScript (and now, TypeScript) are essential to web development, and I wanted to show how FP could be successfully used with those languages, and thus my book.
This book is essential in that it follows a systematic and scientific approach to software development, advocating for clarity in expressing algorithms, providing a rigorous framework for designing and reasoning about programs, and, fundamentally, always focusing on formal methods and mathematical techniques to ensure correctness and efficiency in programming code.
Most importantly, the book doesn’t just show you how to prove programs correct, but also teaches how to arrive from a definition to an efficient and correct solution, so I would recommend this to every developer.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I started programming in high school and wrote software in many domains for 30 years, from the early ARPA-net to massive credit card software. I wrote a FORTRAN compiler with one assistant in a year. I got hassled to do proper project management. Nightmare. It was all about inflated expectations instead of moving fast and winning. Then in 25 years of venture capital investing, I learned from many young companies how the little startups built quickly and well things that giants like Google literally could not get done. This book and my others spell out what I learned from the little guys who beat the giants.
Attending Harvard College gave me the opportunity to collaborate with great programmers in creating the early ARPA-net. But the best course I took was on compiler theory and construction, using an early draft of the material in this book.
Of course I learned how to build a compiler, which I did as my first job after graduating. But more important, I learned that a well-built compiler is a small amount of language-independent code with two major parts.
First the input part that realizes the content of the lexical and grammatical metadata, like today’s LEX and YACC, to turn the program being compiled into a semantic model.
Second the code generator that reads the semantic model and, based on generative model metadata, turns the semantics of the program being compiled to whatever form you want, whether executable code, assembler language, byte code or whatever.
This approach, while indispensable for compilers and…