100 Books Like Exploratory Writing

This book gave language to something I had long practiced intuitively: doing less, but better. McKeown’s concept of “the disciplined pursuit of less” is critical in a world where distractions are disguised as opportunities. It reminds us that focus isn’t just a tactic—it’s a strategy.

I often recommend this book to leaders and individuals who feel overwhelmed and are struggling to regain control of their time.

This is the book that made me a futurist! And I know many other people it has inspired as well.

The Book of the Future offered a vision of life in the year 2000 and beyond, covering cities, space, robots, medicine, farming, energy, and more, with incredible illustrations and rich information. It was my favourite book from the age of three and it has stayed with me ever since. 

When I became a professional futurist I wrote to Usborne to tell them how important this book was to me, and ten years later, they agreed to reissue it.

Read it for an optimistic view of the future from the 1970s.

People are re-evaluating work right now, and looking for something beyond the salary.

This book is one of the best guides to help you find something that might both make you money and make you happy.

It’s clear and helpful, upbeat but also very honest about what is required to turn a passion into a business.

Sometimes as a futurist, my challenge is to make people imagine a world that is very different from today. To help them look beyond the horizon. Science Fiction is great for that but novels take us into a whole other world: we replace one set of blinkers for another, descending - however pleasurably - into a fictional universe. It’s unlikely I can get my clients to read many novels to imagine many different futures. Which is where short and micro stories come in. Sometimes my clients commission me to write them, but sometimes it’s a pleasure to read them from other people. I can’t pay Adrian Hon’s collection any greater compliment than to say it reminds me of reading Asimov’s short stories and opens my mind in the same ways.

I can’t pay Adrian Hon’s collection any greater compliment than to say it reminds me of reading Asimov’s short stories… show more.

Now in its tenth edition, this book is for committed writers only. A highly valuable textbook on the writing process, Burroway covers story form, plot, structure, building character, place, and setting, and takes a detailed look at point of view. Each section comes with examples of how things do and do not work, as well as providing a list of suggested readings and writing prompts for further study. This book is a master class in creative writing that also calls on us to renew our love of storytelling and to celebrate the skill of writing well.

No Other Life combines three of Gary Young’s books into one volume. There is such unique style and quiet beauty to Young’s work. I am truly inspired by it. He has a knack for capturing the extraordinary in the mundane in brief but deep prose poems that grip the soul. 

Young was one of my professors in college and was a driving force for why I pursued a creative writing degree and chose to continue to write after graduating. His work will always hold a special place in my nature-loving creative heart.

Master teacher David Mura’s A Stranger's Journey addresses long-overlooked issues of race and identity in publishing and in the standard teaching of creative writing and he brilliantly advocates for a more inclusive and expansive definition of writing craft. Though this book is partly aimed at educators, he offers incredibly useful craft lessons as well, primarily through his deft analysis of work done by writers ranging from James Baldwin to Mary Karr to ZZ Packer. In a world that no longer accepts the notion that our greatest authors have to be “dead white men,” Mura offers a necessary window into the intersection of race, literature, and culture.

As with Madeleine L’Engle, everything I’ve read by Ursula K. Le Guin—fiction as well as nonfiction—has radically influenced my writing and my teaching of writing. In fact, her impact on my creative awakening was so profound that I sent her a copy of my first book as a thank you! Steering the Craft is filled with wisdom and exercises for both new and seasoned writers, but perhaps the most liberating for blocked writers is her controversial view that “story” is defined by “change” not “conflict.” That’s especially welcoming for writers who feel hemmed in (and, perhaps, blocked) by the traditional definition.

The original Save the Cat by Blake Snyder was written for screenplays but captured the imagination of all kinds of writers, myself included. But often it was difficult to translate to novel format. Jessica Brody’s book is an excellent adaptation of Snyder’s foundation for book people. 

The story structure methodology uses the same 15 beats (plot points) as the screenplay version. I love that Brody uses book examples as even most books about writing books tend to use movie examples. I think some authors worry about following story structure too closely, but I have always felt thinking analytically about story can only improve your writing. It’s only formulaic if you write it that way.

The houses on your block probably all have walls, roofs, foundations, floors, and plumbing…but they don’t all look the same, even on the outside. Once you get inside—all bets are off, right? But they all need… show more.

This title is unique among books on writing in that Prose devotes a full chapter to eight critical elements of writing: words, sentences, paragraphs, narration, character, dialog, details, and gesture. For example, she explores concepts such as first sentences and their impact on the narrative. Prose suggests that “close reading” is the key to understanding and learning about literature, for the reader and writer. She takes her readers on a guided tour of the tools and the tricks of the masters―Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov―and discusses why these writers have endured. Throughout, she cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. One of the most important books on writing I have ever read.