100 Books Like Exploratory Writing

This book gave language to something I had long practiced intuitively: doing less, but better. McKeown’s concept of “the disciplined pursuit of less” is critical in a world where distractions are disguised as opportunities. It reminds us that focus isn’t just a tactic—it’s a strategy.

I often recommend this book to leaders and individuals who feel overwhelmed and are struggling to regain control of their time.

This is the book that made me a futurist! And I know many other people it has inspired as well.

The Book of the Future offered a vision of life in the year 2000 and beyond, covering cities, space, robots, medicine, farming, energy, and more, with incredible illustrations and rich information. It was my favourite book from the age of three and it has stayed with me ever since. 

When I became a professional futurist I wrote to Usborne to tell them how important this book was to me, and ten years later, they agreed to reissue it.

Read it for an optimistic view of the future from the 1970s.

People are re-evaluating work right now, and looking for something beyond the salary.

This book is one of the best guides to help you find something that might both make you money and make you happy.

It’s clear and helpful, upbeat but also very honest about what is required to turn a passion into a business.

Sometimes as a futurist, my challenge is to make people imagine a world that is very different from today. To help them look beyond the horizon. Science Fiction is great for that but novels take us into a whole other world: we replace one set of blinkers for another, descending - however pleasurably - into a fictional universe. It’s unlikely I can get my clients to read many novels to imagine many different futures. Which is where short and micro stories come in. Sometimes my clients commission me to write them, but sometimes it’s a pleasure to read them from other people. I can’t pay Adrian Hon’s collection any greater compliment than to say it reminds me of reading Asimov’s short stories and opens my mind in the same ways.

I can’t pay Adrian Hon’s collection any greater compliment than to say it reminds me of reading Asimov’s short stories… show more.

This title is unique among books on writing in that Prose devotes a full chapter to eight critical elements of writing: words, sentences, paragraphs, narration, character, dialog, details, and gesture. For example, she explores concepts such as first sentences and their impact on the narrative. Prose suggests that “close reading” is the key to understanding and learning about literature, for the reader and writer. She takes her readers on a guided tour of the tools and the tricks of the masters―Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov―and discusses why these writers have endured. Throughout, she cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. One of the most important books on writing I have ever read.

Now in its tenth edition, this book is for committed writers only. A highly valuable textbook on the writing process, Burroway covers story form, plot, structure, building character, place, and setting, and takes a detailed look at point of view. Each section comes with examples of how things do and do not work, as well as providing a list of suggested readings and writing prompts for further study. This book is a master class in creative writing that also calls on us to renew our love of storytelling and to celebrate the skill of writing well.

I picked up this book as the title sounded interesting, but it sat on my bookshelves for over five years before I delved into it. Since then, it’s become one of my favourite guides to writing. It’s described as ‘probably the most unusual guidebook for creative writing in the world.’ It’s full of insights such as ‘grammar is a mapping of the human soul,’ or ‘the social word… is serious play.’ The play takes place in a field with the four ‘great human virtues’ at its corners: beauty, good will, truth, and openness. It’s a ‘sourcebook of spells’ that have the power to ‘carry you into that place of the heart from which true language comes.’

I came across Dani Shapiro’s Still Writing at a time when I believed writing to be an impossible, nay, mythical career. Like the imaginary friends from my childhood, I saw it as something I must snap out of if I was ever to find the real thing.

I loved Shapiro’s part-memoir, part-guidebook because she spoke to the true mystery and unknowingness of writing. Clarity, as she puts it, may be the main aim of our game, but it seems to fall further and further away the more we try to grasp it.

The deceptively simple language and tone of Still Writing was a timely reminder for me that, despite the difficulty, risk, vulnerability, and tumult of this discipline, writing is an indelible part of my life, which is not only possible but within my reach. 

Gutkind founded the journal Creative Nonfiction and has been a tireless advocate of the CNF genre for decades, as a writer, teacher, public speaker, and publisher. His nuts and bolts guidebook, You Can't Make This Stuff Up, offers a wide-ranging examination of the craft of writing true stories – dialogue, description, beginnings, endings, intimate detail, reflection, point-of-view, framing – as well as clear and helpful chapters about forming a writing habit and learning to live one’s life as a writer. Gutkind has generously packed decades of wisdom and knowledge into perhaps the most comprehensive nonfiction guide available.

Story Trumps Fiction is a non-fiction book that encourages you to tear up the rule book when it comes to plotting and planning a novel. I’m a plotter at heart, but this book offers some thought-provoking arguments for writing organically, to craft exciting and surprising plots. It’s written by an award-winning novelist, so he’s ideally placed to offer great advice on how to make a story more powerful, emotional, and gripping. I recommend it for both novice writers and more experienced ones, too.