Here are 100 books that Exploratory Writing fans have personally recommended if you like
Exploratory Writing.
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I’m Michael Cupps, author of Time Bandit and creator of a framework that helps people take back their time through prioritization, habit building, and aligning their actions with what matters most. I’ve spent decades leading sales and operations teams in high-pressure environments, and I’ve seen how time either slips away or gets owned. I’m passionate about helping people cut through the noise, focus on what really matters, and build lives filled with purpose, not just productivity.
This book gave language to something I had long practiced intuitively: doing less, but better. McKeown’s concept of “the disciplined pursuit of less” is critical in a world where distractions are disguised as opportunities. It reminds us that focus isn’t just a tactic—it’s a strategy.
I often recommend this book to leaders and individuals who feel overwhelmed and are struggling to regain control of their time.
The life-changing international bestseller that started a global movement - now updated with the new 21-Day Essentialism Challenge and an exclusive excerpt from EFFORTLESS
Have you ever found yourself struggling with information overload?
Have you ever felt both overworked and underutilised?
Do you ever feel busy but not productive?
If you answered yes to any of these, the way out is to become an Essentialist.
In Essentialism, Greg McKeown, CEO of a Leadership and Strategy agency in Silicon Valley who has run courses at Apple, Google and Facebook, shows you how to achieve what he calls the disciplined pursuit of…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
The future is the one thing in which we are all invested. In order to shape the future we must be able to visualise possibilities, prepare for consequences, and take action. My job is to help companies, charities, and governments to see and prepare for the future. But so many of the lessons that I find myself trying to teach to leaders have their parallels in our personal and working lives - including mine. In a time of great uncertainty about the future, we all must take time out to picture where we’re going, make choices about our direction, and invest in ourselves to achieve our dreams.
This is the book that made me a futurist! And I know many other people it has inspired as well.
The Book of the Future offered a vision of life in the year 2000 and beyond, covering cities, space, robots, medicine, farming, energy, and more, with incredible illustrations and rich information. It was my favourite book from the age of three and it has stayed with me ever since.
When I became a professional futurist I wrote to Usborne to tell them how important this book was to me, and ten years later, they agreed to reissue it.
Read it for an optimistic view of the future from the 1970s.
First published in 1979, the Usborne Book of the Future is a fondly-remembered book from a time when people dreamed of the future as a place filled with wonder and amazing new technology. After more than 40 years of science fiction focussing on dystopias and doom, it's time to remind readers young and old that, in fact, the Future is STILL a place that holds hope and excitement.
The book is built in three sections. The first explores all kinds of robots, the jobs they will do on land, sea and in space, and where they will get power from.…
The future is the one thing in which we are all invested. In order to shape the future we must be able to visualise possibilities, prepare for consequences, and take action. My job is to help companies, charities, and governments to see and prepare for the future. But so many of the lessons that I find myself trying to teach to leaders have their parallels in our personal and working lives - including mine. In a time of great uncertainty about the future, we all must take time out to picture where we’re going, make choices about our direction, and invest in ourselves to achieve our dreams.
**WINNER OF THE STARTUP INSPIRATION CATEGORY OF THE 2020 BUSINESS BOOK AWARDS**
'It's impossible to read this book without being inspired and energised ... Essential reading for any start-up or entrepreneur, at any stage of the journey.' - Alison Jones, Host of The Extraordinary Business Book Club podcast and author of This Book Means Business
'Genuinely fresh and jargon-free' - Financial Times
How to Have a Happy Hustle shares the secrets of innovation experts and startup founders to help you make your ideas happen.
If you're looking for fulfilment outside the day job, have an idea but don't know where…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
The future is the one thing in which we are all invested. In order to shape the future we must be able to visualise possibilities, prepare for consequences, and take action. My job is to help companies, charities, and governments to see and prepare for the future. But so many of the lessons that I find myself trying to teach to leaders have their parallels in our personal and working lives - including mine. In a time of great uncertainty about the future, we all must take time out to picture where we’re going, make choices about our direction, and invest in ourselves to achieve our dreams.
Sometimes as a futurist, my challenge is to make people imagine a world that is very different from today. To help them look beyond the horizon.
Science Fiction is great for that but novels take us into a whole other world: we replace one set of blinkers for another, descending - however pleasurably - into a fictional universe.
It’s unlikely I can get my clients to read many novels to imagine many different futures. Which is where short and micro stories come in. Sometimes my clients commission me to write them, but sometimes it’s a pleasure to read them from other people.
I can’t pay Adrian Hon’s collection any greater compliment than to say it reminds me of reading Asimov’s short stories and opens my mind in the same ways.
I can’t pay Adrian Hon’s collection any greater compliment than to say it reminds me of reading Asimov’s short stories…
Imagining the history of the twenty-first century through its artifacts, from silent messaging systems to artificial worlds on asteroids.
In the year 2082, a curator looks back at the twenty-first century, offering a history of the era through a series of objects and artifacts. He reminisces about the power of connectivity, which was reinforced by such technologies as silent messaging—wearable computers that relay subvocal communication; recalls the Fourth Great Awakening, when a regimen of pills could make someone virtuous; and notes disapprovingly the use of locked interrogation, which delivers “enhanced interrogation” simulations via virtual reality. The unnamed curator quotes from…
As a writer, I love words and am continuously fascinated by the way they work. In terms of writing manuals, I particularly value the work of writers who combine knowledge and understanding of writing techniques while also providing inspiration and keys to freeing the imagination. I’ve found these books brilliantly complement my professional interest in story structure and how story works, and match my own approach to combining theory with practice; craft with art in my work on story. I hope you find they inspire creativity in you, too.
I picked up this book as the title sounded interesting, but it sat on my bookshelves for over five years before I delved into it. Since then, it’s become one of my favourite guides to writing. It’s described as ‘probably the most unusual guidebook for creative writing in the world.’ It’s full of insights such as ‘grammar is a mapping of the human soul,’ or ‘the social word… is serious play.’ The play takes place in a field with the four ‘great human virtues’ at its corners: beauty, good will, truth, and openness. It’s a ‘sourcebook of spells’ that have the power to ‘carry you into that place of the heart from which true language comes.’
This is an inspirational workbook of creative writing exercises for poets and teachers, and for all who wish to develop the life of the imagination. Paul Mathews gives us permission to indulge our fantasy, and then, when that life is flowing, provides the tools to craft it into poetry and song. There are over 300 exercises for improving writing skills, for self study. They are also ideally suited for group work with adults. Teachers will find these exercises popular with students.
Dinty W. Moore is the author of the writing guides The Story Cure,Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s, The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
Gutkind founded the journal Creative Nonfiction and has been a tireless advocate of the CNF genre for decades, as a writer, teacher, public speaker, and publisher. His nuts and bolts guidebook, You Can't Make This Stuff Up, offers a wide-ranging examination of the craft of writing true stories – dialogue, description, beginnings, endings, intimate detail, reflection, point-of-view, framing – as well as clear and helpful chapters about forming a writing habit and learning to live one’s life as a writer. Gutkind has generously packed decades of wisdom and knowledge into perhaps the most comprehensive nonfiction guide available.
From rags-to-riches-to-rags tell-alls to personal health sagas to literary journalism everyone seems to want to try their hand at creative nonfiction. Now, Lee Gutkind, the go-to expert for all things creative nonfiction, taps into one of the fastest-growing genres with this new writing guide. Frank and to-the-point, with depth and clarity, Gutkind describes and illustrates each and every aspect of the genre, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding genre and invaluable tools for writers to learn and experiment with, You Can't Make This Stuff Up allows writers of…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Ask successful authors how they started writing, and many will tell you that they always wanted to write. Not me! In fact, through most of my first 35 years, I resisted engaging with anything even remotely creative. I wouldn’t have called it “writer’s block” back then because, having no consciousdesire to be a writer, how I could I be blocked? Yet writer’s block is what it was. That I was ultimately able to recognize it as such and get past it has given me a unique perspective on others’ writing challenges, as well as the skill and compassion to help them free up their innate creative potential.
As with Madeleine L’Engle, everything I’ve read by Ursula K. Le Guin—fiction as well as nonfiction—has radically influenced my writing and my teaching of writing. In fact, her impact on my creative awakening was so profound that I sent her a copy of my first book as a thank you! Steering the Craft is filled with wisdom and exercises for both new and seasoned writers, but perhaps the most liberating for blocked writers is her controversial view that “story” is defined by “change” not “conflict.” That’s especially welcoming for writers who feel hemmed in (and, perhaps, blocked) by the traditional definition.
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
No Other Life combines three of Gary Young’s books into one volume. There is such unique style and quiet beauty to Young’s work. I am truly inspired by it. He has a knack for capturing the extraordinary in the mundane in brief but deep prose poems that grip the soul.
Young was one of my professors in college and was a driving force for why I pursued a creative writing degree and chose to continue to write after graduating. His work will always hold a special place in my nature-loving creative heart.
No Other Life gathers in a single volume two earlier books by Gary Young, Days and the award-winning Braver Deeds, with the final book in his trilogy, If He Had. Utilizing a radically brief prose poem that in its spare lucidity leaves after images burned into the readers imagination, Young weaves a pattern of compelling and often harrowing correspondences that Ethan Paquin described in Quarterly West as an exploration of thresholds, of levels of human endurance. Although every poem stands as an independent utterance, each book suggests a discrete poetic unit, and the entire trilogy can be read as a…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
This title is unique among books on writing in that Prose devotes a full chapter to eight critical elements of writing: words, sentences, paragraphs, narration, character, dialog, details, and gesture. For example, she explores concepts such as first sentences and their impact on the narrative. Prose suggests that “close reading” is the key to understanding and learning about literature, for the reader and writer. She takes her readers on a guided tour of the tools and the tricks of the masters―Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov―and discusses why these writers have endured. Throughout, she cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. One of the most important books on writing I have ever read.
In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured. Written with passion, humour and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart - to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carre for a lesson in how to advance plot through…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve always been fascinated by books since a young age. Not just reading the stories but also how they’re written, the cover design, literary agents, and the publishing industry in general. I’ve written five novels (four of which are USA Today bestsellers) and my work has been translated into twenty-five languages worldwide. My second novel, Rise & Shine, Benedict Stone, was made into a Hallmark movie in 2021. I still get excited about generating ideas for characters to take on unusual and joyous journeys of discovery. I’m a huge fan of reading books about the craft of writing, and I especially love novels about bookshops and libraries.
Story Trumps Fiction is a non-fiction book that encourages you to tear up the rule book when it comes to plotting and planning a novel. I’m a plotter at heart, but this book offers some thought-provoking arguments for writing organically, to craft exciting and surprising plots. It’s written by an award-winning novelist, so he’s ideally placed to offer great advice on how to make a story more powerful, emotional, and gripping. I recommend it for both novice writers and more experienced ones, too.
All too often, following the "rules" of writing can constrict rather than inspire you. With Story Trumps Structure, you can shed those rules - about three-act structure, rising action, outlining, and more - to craft your most powerful, emotional, and gripping stories.
Award-winning novelist Steven James explains how to trust the narrative process to make your story believable, compelling, and engaging, and debunks the common myths that hold writers back from creating their best work.
• Ditch your outline and learn to write organically. • Set up promises for readers - and deliver…
