Books like Day

The opening of this book knocked me out, and I was hooked.

I usually veer toward literary, slower, familial dramas, but this book combined what I love in literary family dynamics with the frightening premise of an inexplicable disaster occurring in the outside world. The suspicion we were quick to possess about others during the early days of the pandemic is heightened to a new level with two couples pitted against each other, one preoccupied with the welfare and antics of their children.

I loved the construct that had even spouses second-guessing each other. The intensity of the situation brought out the worst and eventually the better sides of all the characters, a phenomenon that resonated as I read this book during the first year of the pandemic, at the same time rioters invaded our nation’s capital.  

Elizabeth Strout is perfecting a practice I’m sold on–the literary recasting of characters from one novel to the next.

In this book, I got to return to Lucy Barton and her ex-husband, William, who were thrown together in a cabin in Maine due to the pandemic. Writing the novel from the first-person perspective of the protagonist, Strout includes this pragmatic character’s interior musings, specifically the things we increasingly noticed as time slowed down during COVID.

I could so relate to Lucy’s quirky character: give me ornery, critical, and desperate any day! Weren’t we all?  

Want to spend 10 glorious hours with Meryl Streep?

I loved her audiobook performance of Tom Lake. Her intonation mirrors the exact qualities that the main characters, who are actors, strive for: neither underacted nor overacted. Just genuine. 

Ann Patchett is a treasure, and in Tom Lake, she effortlessly navigates two timelines: one in which Lara tells her daughters about meeting famous actor Peter Duke in a long-ago play. These scenes are just as compelling as the flashbacks in which we learn about her time with Duke before he became a famous movie star.

It's a talent, the ability to tell a mostly ordinary life in a page-turning way. Her imagery is magnificent. Every scene is wondrous. Touching. So real.

This YA novel was the first I read set during COVID times, and it hit me with the urgency of The Hate U Give by Angie Thomas.

I loved the author’s unwavering courage in tackling the racial subject matter head-on. Heartbreaking and whip-smart, it taught me what teens were going through with regard to virtual friendship, classrooms, and pop stardom. Farley’s novel captures a moment in time during the pandemic while others were still processing it.

Like a photo album, I wasn’t quite ready to revisit, it portrays the importance of a difficult time in our nation’s history coupled with that uneasy age of adolescence. Entertaining, yes, but a historical artifact, definitely.  

This is the 75th anniversary edition of a book first published in 1946, a best-seller at the time, and the impetus for changes in the treatment of psychiatric patients. The narrator, novelist Victoria Cunningham, finds herself incarcerated in a corrupt and badly-run hospital with little memory of how she got there; I was disturbed by the way she had to navigate through an obscure, nonsensical bureaucracy that seems more insane than any of the hospital’s patients. Virginia is supported by her loving and loyal husband, but at times she loses track of her memories and forgets who he is. The book is frightening—especially given that it’s based on the author’s own experiences at Bellevue Hospital in New York—but also intimate and moving.

This was my first Freida McFadden book, and I was drawn in from the start and though I wasn’t sure how I felt about the narrator (the maid) or the husband and wife who hired her; I love a main character who makes me cringe and that she was the housekeeper privy to the owners’ secrets kept me guessing.

The prologue set me up for an ending that I never saw coming. Is she a housemaid or something else? I read this in one sitting!

Anyone who reads one Peter Cameron book will read them all. In his latest novel, a married couple ends up at a grand hotel in a strange European country of fading glory, amid guests who are both eccentric and troubling. At times it’s hard to know whether what is happening is really happening; at times it’s all too acid and real. I hesitate to call this book a comedy, because it’s unsettling. But it’s also magical and memorable, and you won’t want to check out and depart its pages.

I love the way in which this fascinating group biography of the female partners of renowned male writers brings these usually ignored figures into the limelight.

Ciuraru argues that behind the careers of many acclaimed literary figures stand the important contributions of their wives. These women offered intellectual as well as practical support. 

Many of these literary wives shelved their own creative aspirations to tend to the careers of their husbands.

But after their husbands’ deaths, some of these women found they finally had space for their own literary lives to start blossoming. 

This novel does the very scary thing of looking postpartum directly in the eye.

It follows new mom Liz Bennet along her increasingly unhinged search for clues about her husband’s suspected infidelity. Most moms (hopefully!) won’t relate to Liz’s specific situation, but Justine Sullivan paints a terrifyingly realistic portrait of the madness of those first years of new motherhood.

Dr. Emerson Eggerichs has been helping couples have happier, healthier marriages by teaching husbands how to love their wives as Ephesians 5:25 commands, and by teaching wives how to respect their husbands as Ephesians 5:33 commands.

Despite what the world says today, men and women are different and they have different, not just desires, but needs. The book also contains testimonies of transformed marriages. Husbands and wives will learn principles for talking to, thinking about, and treating each other biblically.