Books like First Love — picked by fans

This novel is a masterclass in unreliable narration. It follows Will, a young man estranged from his family and religion, as he attends college and falls in love with Phoebe.

As Will takes over and narrates his recollections of their relationship, Phoebe’s friendship with a man named John Leal, and her inculcation into a religious cult, he becomes increasingly untrustworthy. Will rails against John Leal, his lies, and the damage he has done to Phoebe, revealing his complicity in toxic masculinity and his own harmful actions.

Kwon renders her characters as entirely believable, frightening people, in lyrical and considered prose.

I was deeply struck by the honest depiction of domestic violence and manipulation in this novel, which is based on the author’s own experience of marriage. The novel builds up slowly, with facts of the marriage interspersed with the retrospective analysis of the author.

The writing is lovely—stark, poetic, and, given the subject, improbably funny. Even with the humor, this is not at all an easy novel to read, but the reward is a haunting, visceral understanding of how even a well-educated woman can turn unlikely victim. 

Sometimes the most toxic relationships are born out of an all-consuming desire to become friends (or more).

So is the case for the narrator of Second Place, M, who becomes obsessed with impressing an artist, L, who stays in her home during the COVID-19 pandemic. L is an awful guest, but M is cringe-worthy in her attempts to impress him, as she begins to reflect on her relationship with her daughter, her husband, and her own body.

The novel is indebted to the Mabel Dodge Luhan’s 1932 memoir Lorenzo in Taos, about DH Lawrence’s stay at her artists’ colony in New Mexico. Lawrence threatened to ‘destroy’ his hostess, as L threatens M in this novel. With every twist and turn, Second Place becomes more surreal, horrifying, and darkly humorous.

Anya and Luke like to listen to true crime podcasts together, but they refuse to share much else: Anya tries to hide her body hair, her family, how she escaped from Sarajevo, and her concern that Luke will leave her.

Luke is stoical, difficult to read, and Anya feels isolated from his wealthy, middle-class English family. When they get engaged, it seems as though Anya might finally be able to settle, but the declaration of commitment only sets off a series of events, estrangements, and secrets that will unravel Anya’s world.

With the tension and pacing of a thriller, and the introspection of a woman who has only known precarity, Sudjic’s novel is terrifying and gripping. 

Anyone who reads one Peter Cameron book will read them all. In his latest novel, a married couple ends up at a grand hotel in a strange European country of fading glory, amid guests who are both eccentric and troubling. At times it’s hard to know whether what is happening is really happening; at times it’s all too acid and real. I hesitate to call this book a comedy, because it’s unsettling. But it’s also magical and memorable, and you won’t want to check out and depart its pages.

The subtitle of the book helps you understand Gary Thomas’s purpose: he wants to help his readers see that marriage is not primarily for our happiness.

Although it is a gift and frequently fills us with joy, marriage is also very sanctifying, which is to say it makes us holy. Few things in life help us grow spiritually as much as marriage. When we get married we learn to be patient, gentle, and we frequently have to find ourselves being forgiving. And these are all wonderful graces.

Probably the biggest tragedy of F. Scott Fitzgerald’s life was his wife Zelda’s descent into mental illness.

This magnificent biography chronicles their tumultuous relationship as well as Zelda’s upbringing, and how she became the perfect flapper, independent and even a little wild. While the story is drenched in sadness as we all know its ending, this book reveals the struggles of creative women to be respected and seen as individuals, not just appendages to their famous husbands.

It also illuminates Scott’s enduring love for Zelda. Even as he had an affair at the end of his life, he never abandoned his wife to public institutions, insisting she have the best care, no matter the expense, at private ones.

This is one of those books that you never want to end. I was hooked from the very beginning when I was introduced to Regina and Larry. They had what outsiders would call the perfect marriage until Larry started getting his needs satisfied elsewhere.

I loved how Regina ultimately pulled herself together, took control of her life, and accepted her new normal. I thought the author’s way of describing Regina’s best friend Karen’s character and her husband John was one that left no room for confusion regarding their struggles of dealing with addiction and the demands of a spouse who just wasn't having it.

I finished this book in record-breaking time because it left me wanting more each time I closed it. My bookmark never stayed tucked in the creases of this book for too long! 

Stacy Schiff is a master biographer. Any subject she chooses (Cleopatra, Benjamin Franklin, Antoine de St. Exupéry, the accused witches of Salem) is elevated by the passion and persistence she brings to research and writing. Her Pulitzer Prize-winning biography of Véra Nabokov, the wife of Vladimir, is another pioneering work that proves you don’t have to be at center stage to be worthy of a book. What did Véra do for Vladimir, and he for her? This is no take-down, not the kind of exposé that reveals the great man’s wife as the true genius, exploited and forgotten. It’s a love story of equals, two against (and for) the world.

I love the way in which this fascinating group biography of the female partners of renowned male writers brings these usually ignored figures into the limelight.

Ciuraru argues that behind the careers of many acclaimed literary figures stand the important contributions of their wives. These women offered intellectual as well as practical support. 

Many of these literary wives shelved their own creative aspirations to tend to the careers of their husbands.

But after their husbands’ deaths, some of these women found they finally had space for their own literary lives to start blossoming.