100 Books Like First Love

This novel is a masterclass in unreliable narration. It follows Will, a young man estranged from his family and religion, as he attends college and falls in love with Phoebe.

As Will takes over and narrates his recollections of their relationship, Phoebe’s friendship with a man named John Leal, and her inculcation into a religious cult, he becomes increasingly untrustworthy. Will rails against John Leal, his lies, and the damage he has done to Phoebe, revealing his complicity in toxic masculinity and his own harmful actions.

Kwon renders her characters as entirely believable, frightening people, in lyrical and considered prose.

I was deeply struck by the honest depiction of domestic violence and manipulation in this novel, which is based on the author’s own experience of marriage. The novel builds up slowly, with facts of the marriage interspersed with the retrospective analysis of the author.

The writing is lovely—stark, poetic, and, given the subject, improbably funny. Even with the humor, this is not at all an easy novel to read, but the reward is a haunting, visceral understanding of how even a well-educated woman can turn unlikely victim. 

Sometimes the most toxic relationships are born out of an all-consuming desire to become friends (or more).

So is the case for the narrator of Second Place, M, who becomes obsessed with impressing an artist, L, who stays in her home during the COVID-19 pandemic. L is an awful guest, but M is cringe-worthy in her attempts to impress him, as she begins to reflect on her relationship with her daughter, her husband, and her own body.

The novel is indebted to the Mabel Dodge Luhan’s 1932 memoir Lorenzo in Taos, about DH Lawrence’s stay at her artists’ colony in New Mexico. Lawrence threatened to ‘destroy’ his hostess, as L threatens M in this novel. With every twist and turn, Second Place becomes more surreal, horrifying, and darkly humorous.

Anya and Luke like to listen to true crime podcasts together, but they refuse to share much else: Anya tries to hide her body hair, her family, how she escaped from Sarajevo, and her concern that Luke will leave her.

Luke is stoical, difficult to read, and Anya feels isolated from his wealthy, middle-class English family. When they get engaged, it seems as though Anya might finally be able to settle, but the declaration of commitment only sets off a series of events, estrangements, and secrets that will unravel Anya’s world.

With the tension and pacing of a thriller, and the introspection of a woman who has only known precarity, Sudjic’s novel is terrifying and gripping. 

Many readers knowledgeable about the Jazz Age know about F. Scott Fitzgerald’s many novels, as well as his life.

This fictionalized account gives keen insight into his wife, Zelda. Read to discover the difficulties faced by a creative woman married to a celebrated man. In many ways, Zelda was a woman of her times, yet like so many women overshadowed by her husband.

Read about their scandalous lives—hers in some ways even more so than his.

This is a powerful memoir.

As a reader, we follow Paul first as a doctor and then as a patient. He reminds us of our vulnerability when seeking medical care. He questions, “Why was I so authoritative in a surgeon’s coat but so meek in a patient’s gown?”

When Breath Becomes Air is a deep meditation on life and the dying process. Written in the first person, this is a courageous and emotionally charged read. Kalanithi is a courageous pilgrim who documents first-hand his own uncharted territory: death.

Confronted with his end of life, this 37-year-old neurosurgeon reflects on the fundamental universal questions that we will all ponder when facing mortality. Even though the reader is led graciously to death’s door, it remains an abrupt and emotionally devastating shock when, in fact, Paul Kalanithi’s breath simply becomes air.

Probably the biggest tragedy of F. Scott Fitzgerald’s life was his wife Zelda’s descent into mental illness.

This magnificent biography chronicles their tumultuous relationship as well as Zelda’s upbringing, and how she became the perfect flapper, independent and even a little wild. While the story is drenched in sadness as we all know its ending, this book reveals the struggles of creative women to be respected and seen as individuals, not just appendages to their famous husbands.

It also illuminates Scott’s enduring love for Zelda. Even as he had an affair at the end of his life, he never abandoned his wife to public institutions, insisting she have the best care, no matter the expense, at private ones.

As if relationships between siblings and spouses aren’t already complicated enough, Cunningham throws the isolation and distance of COVID into the mix.

I love this author’s ability to turn extremely authentic and simple domestic dramas occurring on one day into revelatory ideas about child-rearing and the expectations family members have of one another. A generation of young parents, their inquisitive children, the devotion of a brother and sister, and an infatuation between brothers-in-law are the subjects of this well-paced work.

The effect of the pandemic on a marriage, on family members' psyches, and the aftermath of one of their deaths is written with tenderness and insight. This is a fabulous read depicting the new age in which we live.

Anyone who reads one Peter Cameron book will read them all. In his latest novel, a married couple ends up at a grand hotel in a strange European country of fading glory, amid guests who are both eccentric and troubling. At times it’s hard to know whether what is happening is really happening; at times it’s all too acid and real. I hesitate to call this book a comedy, because it’s unsettling. But it’s also magical and memorable, and you won’t want to check out and depart its pages.

I love the way in which this fascinating group biography of the female partners of renowned male writers brings these usually ignored figures into the limelight.

Ciuraru argues that behind the careers of many acclaimed literary figures stand the important contributions of their wives. These women offered intellectual as well as practical support. 

Many of these literary wives shelved their own creative aspirations to tend to the careers of their husbands.

But after their husbands’ deaths, some of these women found they finally had space for their own literary lives to start blossoming.