Here are 100 books that The Snake Pit fans have personally recommended if you like
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Ever had anyone say something about you with utter conviction that isn’t true? Have you ever looked at someone famous and thought their life looked perfect? Ever felt not enough because of the way you look? As a former Miss Universe, international model, fashion editor, and entertainment journalist with a degree in psychology, I’ve lived these truths vicariously. I’m fascinated with image, perception, and truth. What’s behind the smile? What happens when the lights dim? Who are you when no one is watching? What secrets do you hide, how do they damage you, and what will you do to keep them hidden? I’ve been the target. I know the cost.
Illusion. Women’s framing. Adrift in a world everyone thinks is perfect. Living the glamorous life others want. Being the thing men desire to have, to own, as long as the veneer holds. Dealing with mental illness that people explain away because all the tinsel is just dressing and sparkles, but if you lean on it, it parts, and you find yourself falling through the space.
Although ‘they’ say they care, they don’t, and no one wants to hear the truth, they only want pretend. Within the first five pages, we understand what’s going on inside her, that she has something to hide, and that she’s willing to lie about who she really is. In chapter one, we discover that her best friend, Doreen, doesn’t really know her name. We see the world through her eyes, interspaced with an actual conversation that calls the world a lie and her own framing…
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
In addition to being an author, I’m a literature professor and a psychoanalyst; I have worked in prisons and psychiatric hospitals. I have also been a psychiatric patient. I’m fascinated by narrative, and by the way we use language to make sense of our own experiences and to connect with other people.
This is a recent reissue of a book first published in 1974 and long out of print. Bette Howland gives us a vivid and honest account of her time in Ward 3 of a Chicago psychiatric hospital after a serious suicide attempt in her late twenties. I was moved by the moments of communion, camaraderie and even comedy the narrator shares with her fellow patients. Having said that, Ward 3 is a terrible place. The “treatments” are also punishments. The narrator confronts the ward’s alienation with clear, unsentimental detachment. I was absorbed by her struggle to retain an element of dignity in the face of the hospital’s fatally indifferent bureaucracy.
An extraordinary portrait of a brilliant mind on the brink: A new edition of the 1974 memoir by the author of the acclaimed collection Calm Sea and Prosperous Voyage. With an introduction by Yiyun Li.
“For a long time it had seemed to me that life was about to begin—real life. But there was always some obstacle in the way. Something to be got through first, some unfinished business; time still to be served, a debt to be paid. Then life could begin. At last it had dawned on me that these obstacles were my life.”
In addition to being an author, I’m a literature professor and a psychoanalyst; I have worked in prisons and psychiatric hospitals. I have also been a psychiatric patient. I’m fascinated by narrative, and by the way we use language to make sense of our own experiences and to connect with other people.
Originally published in 1964 under the pen name Hannah Green,I Never Promised You a Rose Gardenis a bleak but beautifully-written book that has recently been reissued after some time out of print. It tells the story of Deborah Blau, 16, incarcerated in a psychiatric hospital after being diagnosed with schizophrenia. The book is a thinly-disguised autobiographical account; Greenberg spent years at Maryland’s Chestnut Lodge, where she was helped in her recovery by the understanding and unconventional therapy provided by Freida Fromm-Reichman (Dr. Fried in the book). Much of the time, Deborah retreats into her own world, with its own language, gods, and history. The book helped me to understand why a person might elect to live in their own mind, where their world, although dark, is at least within their control.
The multimillion-copy bestselling modern classic of autobiographical fiction about a young woman’s struggle with mental health, featuring a new foreword by Esmé Weijun Wang, the New York Times bestselling author of The Collected Schizophrenias, and a new afterword by the author
A Penguin Classic
After making an attempt on her own life, sixteen-year-old Deborah Blau is diagnosed with schizophrenia. With the reluctant and fearful consent of her parents, she enters a psychiatric hospital many hours from her home in suburban Chicago. Here she will spend the next three years, trying, with the help of a gifted psychiatrist, to find a…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
In addition to being an author, I’m a literature professor and a psychoanalyst; I have worked in prisons and psychiatric hospitals. I have also been a psychiatric patient. I’m fascinated by narrative, and by the way we use language to make sense of our own experiences and to connect with other people.
Faces in the Water was first published in 1961, though it received far less attention and acclaim. The “story,” such as it is, is narrated by Istina Mavet, a shy, introverted young woman (again, based closely on the author) who, like the author, spends ten years in a New Zealand psychiatric hospital. Faces in the Water recounts long, dull years of cruelty and suffering. But don’t let this put you off—Frame’s style is marvelously poetic. The narrative is abstract in places and was at first difficult for me to get into, but once I began to see things from Istina’s perspective, the story came to life, and I found it brutally beautiful.
I was now an established citizen with little hope of returning across the frontier; I was in the crazy world, separated now by more than locked doors and barred windows from the people who called themselves sane.'
When Janet Frame's doctor suggested that she write about her traumatic experiences in mental institutions in order to free herself from them, the result was Faces in the Water, a powerful and poignant novel.
Istina Mavet descends through increasingly desolate wards, with the threat of leucotomy ever present. As she observes her fellow patients, long dismissed by hospital staff, with humour and compassion,…
I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
As if relationships between siblings and spouses aren’t already complicated enough, Cunningham throws the isolation and distance of COVID into the mix.
I love this author’s ability to turn extremely authentic and simple domestic dramas occurring on one day into revelatory ideas about child-rearing and the expectations family members have of one another. A generation of young parents, their inquisitive children, the devotion of a brother and sister, and an infatuation between brothers-in-law are the subjects of this well-paced work.
The effect of the pandemic on a marriage, on family members' psyches, and the aftermath of one of their deaths is written with tenderness and insight. This is a fabulous read depicting the new age in which we live.
'Unsparing and tender' Colm Toibin, author of Brooklyn
'A brilliant novel from our most brilliant of writers' Colum McCann, author of Apeirogon
'A quietly stunning achievement' Ocean Vuong, author of On Earth We're Briefly Gorgeous
As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious - and learning to go on.
April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit…
I love novels that show female characters finding their way in life, and especially women who use writing to help themselves to grow and evolve. Finding my own voice through writing has been my way of staking my claim in the world. It hasn’t always been easy for us to tell our stories, but when we do, we’re made stronger and more complete. The protagonist of my novel The Literary Undoing of Victoria Swann fights hard to tell her own story. I know something about being held back by male-dominated expectations and Victoria’s situation could easily take place today. But when women writers finally find their voices, the works they create are of great value.
This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away. The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.
This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a…
THE WIFE is the story of the long and stormy marriage between a world-famous novelist, Joe Castleman, and his wife Joan and the secret they've kept for decades. The novel opens just as Joe is about to receive a prestigious international award, The Helsinki Prize, to honour his career as one of America's preeminent novelists of the Mailer-Bellow-Updike school. But this isn't a book for writers; it's a book for readers, for people who are interested in questions such as: Is there a 'male' voice and a 'female' voice? Do men and women see the world differently, and how? THE…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I do not remember a time when I wasn’t captivated by stories about adolescence. This was the case when I myself was a teenager—when I sought in these overwrought sagas the sort of sentimental melodrama that eluded the banality of my own life—but curiously it’s no less true at thirty, for reasons that are fundamentally the same but somehow more urgent. Becoming an adult is an exercise in hardening; to grow up is to forget what it’s like to be beholden to one’s own autobiographical romance.The following titles offer a respite from the cynicism that is adulthood; as a writer and a human, I'm forever in their debt.
This is another novel written expressly for teenagers, and all the better for it.
Inflected by the author’s own autobiographical experiences—like Craig, the novel’s narrator, Vizzini spent a week in a psychiatric hospital as a teenager—It’s Kind of a Funny Story was the first work of fiction I’d read that articulated the adolescent experience through the language of mental health. It was here that I learned “depression” isn’t an abstracted emotion but the very real neurochemical imbalance that impels Craig to call the suicide hotline after abandoning his SSRIs.
There’s an uncanny familiarity to the circumstances of Craig’s breakdown—namely in how he struggles to remain above water at a famously rigorous college preparatory high school—and a fundamental earnestness to his story’s confessions that gilds even its grimmest moments with a fifteen-year-old's sense of impressionable wonder.
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan’s Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That’s when things start to get crazy.
At his new school, Craig realizes that he isn't brilliant compared to the other kids; he’s just average, and maybe not even that. He soon sees his once-perfect future crumbling away. The stress becomes unbearable and…
The stories of investigative reporter Jerry Mitchell have helped put four Klansmen and a serial killer behind bars. His stories have also helped get two people off Death Row. The author of Race Against Time, Mitchell is a Pulitzer Prize finalist and a winner of more than 30 other national awards, including a $500,000 MacArthur “genius” grant. After working for three decades for the statewide Clarion-Ledger, Mitchell left in 2019 and founded the Mississippi Center for Investigative Reporting, a nonprofit that exposes corruption and injustices, investigates cold cases, gives voice to the voiceless, and raises up the next generation of investigative reporters.
Nellie Bly was one of the great muckraking reporters in American history. She pretends to be insane and is admitted to the “mad house.” Along the way, she exposes the horrible treatment of those suffering from mental illness, but of her treatment in a boarding home, where spoiled beef was served.
Many at the Women’s Lunatic Asylum on Roosevelt Island suffered no mental illness; they simply didn’t know how to speak English, she wrote. “I left the insane ward with pleasure and regret—pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself.”
Her reporting led to a grand jury investigation and reforms inside the asylum.
Ten Days in a Mad-House (1887) is a book by American investigative journalist Nellie Bly. For her first assignment for Joseph Pulitzer's famed New York World newspaper, Bly went undercover as a patient at a notorious insane asylum on Blackwell's Island. Spending ten days there, she recorded the abuses and neglect she witnessed, turning her research into a sensational two-part story for the New York World later published as Ten Days in a Mad-House.
Checking into a New York boardinghouse under a false identity, Bly began acting in a disturbed, unsettling manner, prompting the police to be summoned. In a…
Currently, the world seems concerned that artificial intelligence (AI) will destroy the world or at least put many of us out of jobs. Only a few years ago, a significant part of the population believed that COVID-19 was made in a Chinese laboratory and intentionally or accidentally leashed on the world, killing millions. This isn’t just a theme in tech thrillers; it’s a theme in life. Whether it’s nuclear weapons, genetic engineering, AI, or some other type of technology, there’s always a fear that it’ll do more damage than good and, at its worst, bring an end to the world.
This novel has all the makings of a science fiction novel. But is it? Quantum physicist Matt Bronik is suffering from strange, violent seizures. He doesn’t believe they are tied to his research—studying quantum interference. But when he disappears, his wife Brigid is determined to find him. Is it Matt’s research into the universe’s deepest mysteries that has endangered his life? Is it Chinese competitors, the Department of Defense, or an unscrupulous billionaire? All of the above? None of the above?
Examining these books, it’s clear now that I really like thrillers where there’s science involved (and thrillers in general). I liked how this novel set a series of scientific puzzles in place and then knocked them down one by one. Because no matter how much science is involved, it’s matters of the human heart that can be the most mysterious.
"Readers will fully engage with the well-drawn characters as Parks convincingly reveals the science that buttresses the suspenseful plot. Michael Crichton fans won't want to miss this one." -Publishers Weekly (starred review)
From international bestselling author Brad Parks comes an emotional, heart-pounding thriller that explores the scientific unknown-and one woman's efforts to save her husband from its consequences.
Quantum physicist Matt Bronik is suffering from strange, violent seizures that medical science seems powerless to explain-much to the consternation of his wife, Brigid.
Matt doesn't think these fits could be related to his research, which he has always described as benign…
I’m a historian of Southern Africa who is fascinated by questions of visibility and invisibility. I love probing beneath the surface of the past. For example, why is thisperson famous and renowned, butthatperson isn’t? To me, recognition and reputation are interesting to scrutinize as social categories in their own right, rather than as factual statements. I’ve written two books focusing on the history of religious expression in Southern Africa, and my most recent book is a biography of the forgotten South African writer and politician Regina Gelana Twala.
I love the way in which this fascinating group biography of the female partners of renowned male writers brings these usually ignored figures into the limelight.
Ciuraru argues that behind the careers of many acclaimed literary figures stand the important contributions of their wives. These women offered intellectual as well as practical support.
Many of these literary wives shelved their own creative aspirations to tend to the careers of their husbands.
But after their husbands’ deaths, some of these women found they finally had space for their own literary lives to start blossoming.
"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."-Francine Prose, author of The Vixen
A witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships.
"With an ego the size of a small nation, the literary lion is powerful on the…