Here are 100 books that Oil and Marble fans have personally recommended if you like
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I’ve read more than a hundred biographies over the years, mostly because I want to know what makes great people great. In doing so, I have sifted through some real crap along the way. I don’t typically read many stories about losers. Sad to say, and most people don’t want to hear it, but losers are a dime a dozen and unmotivating downers. My book list gives others the benefits of my 40-plus years of work in identifying books about brilliant, accomplished people written by first-rate historians and narrated by the ”cream of the crop.”
I loved this book first and foremost for the completeness of the research done including supplemental materials such as sketches, artwork, etc.
How he was able to gather so much information about the roamings, seemingly on a daily basis, of a man that lived 500 years ago is beyond me. I also thought the choice of Alfred Molina to narrate was brilliant as his Italian phrasing and enunciation made all the difference in the world.
In the end, I felt I knew da Vinci on a personal level, which surprised me.
The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is "a study in creativity: how to define it, how to achieve it...Most important, it is a powerful story of an exhilarating mind and life" (The New Yorker).
Based on thousands of pages from Leonardo da Vinci's astonishing notebooks and new discoveries about his life and work, Walter Isaacson "deftly reveals an intimate Leonardo" (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
After a trip to Florence to see Michelangelo’s earlier works and then David, I struggled to understand the genius, his intense pursuit of excellence, and how his surroundings influenced his art.
The author set me in one of the most fascinating eras of history and made me feel as if I were an apprentice in Michelangelo’s shop. I wept to comprehend the artist and realized that perfection was not a choice for Michelangelo, but a non-negotiable burden.
As I now observe genius in a musician, a scientist, or a mother caring for an autistic child, I give credence to what I learned from Oliver Stone’s portrayal of Michelangelo.
Irving Stone's classic biographical novel of Michelangelo-the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life.
His time-the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family...
His loves-the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love-the beautiful, unhappy Vittoria Colonna...
His genius-a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium...
His name-Michelangelo Buonarroti. Creator of the David, painter of the ceiling…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I loved the detail of the craft of gilding in this book, a craft that is little known today. I was interested, too, in the effect that the plague had on the city of Venice. Another plus for me was that Maria’s love interest was a Moor, Cristiano, and this added to the slow-burn tension of the relationship.
For me, this was the sort of historical fiction I don’t read often–immaculately researched with plenty of insider details that could only be known by an expert. Though the story doesn’t move particularly fast, it did make me think and immersed me in the period.
Would you rather sacrifice your livelihood, your lover, or your life?
When the Black Death comes knocking on your door, you'd better decide quickly.
ERIC HOFFER GRAND PRIZE FINALIST
EDITOR'S CHOICE, HISTORICAL NOVELS REVIEW
Venice, 1510. Maria Bartolini wants nothing more than to carry on her father’s legacy as a master gilder. Instead, her father has sent her away from the only home she’s ever known to train as an apprentice to Master Trevisan, a renowned painter.
Maria arranges to leave the painter’s workshop to return to her family workshop and to a secret lover waiting for her back home.…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a Virginia author who loves everything Italian! Artists like Michelangelo and Leonardo da Vinci have always inspired me with their genius. I’m very involved with the Virginia Museum of Fine Arts (VMFA) where I was a tour guide for many years. Now I’m on the VMFA’s Canvas Advisory Committee which helps guide programming and events. In addition, my articles for the Canvas newsletter give a robust behind-the-scenes look at the museum’s amazing exhibitions. In my books my main character schoolteacher Rose Maning fulfills her dream of buying an apartment in Florence and becoming an artist. It is a true joy to write about Rose’s adventures abroad.
Many art historians consider this book sacred and the best first-hand account of the wondrous artists of the Renaissance. I found the stories extremely interesting about the character of these artists. Vasari was the biographer who gave the original account of how Michelangelo and Leonardo da Vinci hated each other. It also told the story of how both Michelangelo and Leonardo were hired to paint significant battle scenes on the same wall inside the Palazzo Vecchio. It was considered the greatest painting competition of all time as both men completed massive cartoons (preliminary drawings) on The Battle of Cascina and the Battle of Anghiari respectively.
A painter and architect in his own right, Giorgio Vasari (1511-74) achieved immortality for this book on the lives of his fellow Renaissance artists, first published in Florence in 1550. Although he based his work on a long tradition of biographical writing, Vasari infused these literary portraits with a decidedly modern form of critical judgment. The result is a work that remains to this day the cornerstone of art historical scholarship. Spanning the period from the thirteenth century to Vasari’s own time, the Lives opens a window on the greatest personalities of the period, including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael,…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
This was the first Anthony Doerr book I read—the literary equivalent of eating dessert first. I’ve since savored his novels, but this irresistible feast of delicious morsels of Italian life lingers in my mind. Doerr doesn’t show you Rome. He invites you to live in it with him—during his sleepless nights, in the company of his twin babies, as a beloved Pope lies dying and the seasons bring new enchantments.
I can’t say whether I love this book more for the writing or for its tender portrait of Rome. Read it for the double pleasures of exquisitely crafted vignettes and a virtual visit to a city that eternally surprises and seduces visitors.
From the author of the acclaimed Pulitzer Prize-winning #1 New York Times bestseller All the Light We Cannot See and Cloud Cuckoo Land, a "dazzling" (Azar Nafisi, author of Reading Lolita in Tehran) memoir about art and adventures in Rome.
Anthony Doerr has received many awards—from the New York Public Library, the National Endowment for the Arts, and the American Library Association. Then came the Rome Prize, one of the most prestigious awards from the American Academy of Arts and Letters, and with it a stipend and a writing studio in Rome for a year. Doerr learned of the award…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I loved the descriptions of the craft of glassmaking, especially the fact that something so hard could be made out of something so hot and molten. A big part of my enjoyment of this book rested on the descriptions of glittering glass, which seemed to mirror the Venetian Lagoon.
Another thing I loved was the fact I felt a connection to Nora, who was transported from her ordinary life to a life in Venice where everything was shifting because of its watery nature. There was great attention to detail in the writing that brought the seventeenth-century past to life on the island of Murano, a closed world where no one could leave.
Venice, 1681. Glassblowing is the lifeblood of the Republic, and Venetian mirrors are more precious than gold. Jealously guarded by the murderous Council of Ten, the glassblowers of Murano are virtually imprisoned on their island in the lagoon. But the greatest of the artists, Corradino Manin, sells his methods and his soul to the Sun King, Louis XIV of France, to protect his secret daughter. In the present day his descendant, Leonora Manin, leaves an unhappy life in London to begin a new one as a glassblower in Venice. As she finds new life and love in her adoptive city,…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I loved the portrait of late 14th-century feudal England in this story of a master illuminator and his forbidden English translation of the Bible.
There are not many books set in this period, and it really immersed me in the time. Lady Kathryn of Blackingham Manor is a character that is both strong and vulnerable, and I was really rooting for her and for her relationship with Finn, the craftsman, to work out. The monastic life is excellently described, as is the craft of illumination.
This is a book that stayed with me for a long time with its rich portrayal of the past.
A glowing first novel that brings us "historical fiction in the grand epic manner, beautifully felt and written"
It is England, in the fourteenth century -- a time of plague, political unrest and the earliest stirrings of the Reformation. The printing press had yet to be invented, and books were rare and costly, painstakingly lettered by hand and illuminated with exquisite paintings. Finn is a master illuminator who works not only for the Church but also, in secret, for John Wycliffe of Oxford, who professes the radical idea that the Bible should be translated into English for everyone to read.…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I used to work as a costume designer, so I admit I have a bit of a thing for old textiles. I couldn’t resist this book, which features the silk trade and has a mystery at its heart.
The three women whose fates are linked by the Silk House in a quiet market town are all interesting characters, and their lives are linked together well by the author over the span of the 17th to 21st centuries.
The book contains two of my favourite interests, the historical silk trade and the ancient healing powers of herbal medicine. It also rattles along at a good pace and has a lovely surprise of an ending.
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Mary Hoffman has said that what she likes best when writing historical fiction is plenty of facts but a great big gap at the centre. That’s how she came to write about Gabriele, her imagined model for Michelangelo’s iconic sculpture.
Renaissance Florence is full of rivalries, intrigues, and conflicts, into which this unworldly youth is plunged, at first manipulated, later learning to find his way and decide where his loyalties lie. With a strong narrative pace and sumptuous detail of fashionable Florentine society, the story creates a believable background to one of the world’s most famous and recognisable masterpieces.
Michelangelo's statue of David is renowned all over the world. Thousands flock to Florence to admire the artistry behind this Renaissance masterpiece, and to admire the beauty of the human form captured in the marble. But the identity of the model for this statue that has been so revered for over five hundred years has been lost ...In this epic story Mary Hoffman uses her persuasive narrative skills to imagine the story of Gabriele, an eighteen-year-old who, by becoming Michelangelo's model, finds himself drawn into a world of spies, politicking, sabotage and murder. Set against the backdrop of Florence, this…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a journalist, critic, and poet who has spent a career engaging with the world. I love telling stories, and I strive to put beauty and tension into everything I write. I’ve had great editors – they’ve published my work in The Guardian, National Geographic, ARTnews, The Washington Post, The Times Literary Supplement, and Archaeology, where I am a contributing editor, and many other places – but it always comes down to me and my computer. And often a plane ticket and a suitcase.
No book exposes the tricks of the trade that smugglers and dealers use to launder looted artifacts like this one. Focusing on a wave of looting in southern Italy in the 1980s and ‘90s, the authors show how European and American millionaire collectors fueled the ransacking of ancient sites. It’s a substantive, entertaining read about crime and the contradictions of modern Italy by two brilliant writers.
The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli ,tomb raiders, who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former…
