Here are 100 books that Sex, Drugs, and Cocoa Puffs fans have personally recommended if you like
Sex, Drugs, and Cocoa Puffs.
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My name is Tim O’Leary and two of my books, Dick Cheney Shot Me in the Face–And Other Tales of Men in Pain and Men Behaving Badly, emanate from the minds of protagonists trying to do the right thing the wrong way or evil characters doing the wrong thing they believe to be right. I’m particularly drawn to those wonderful literary psychopaths that draw you in with compelling personalities, while reviling the reader with their heinous actions.
I found this book in college, and at the time, I thought it was the most unique book I had ever read.
Thompson’s “Gonzo Journalism” was fresh, funny, and thought-provoking, with a subtext of modern poetry, political activism, and a sense of humor I have never seen replicated.
'We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, "I feel a bit lightheaded; maybe you should drive ..."'
Hunter S. Thompson is roaring down the desert highway to Las Vegas with his attorney, the Samoan, to find the dark side of the American Dream. Armed with a drug arsenal of stupendous proportions, the duo engage in a surreal succession of chemically enhanced confrontations with casino operators, police officers and assorted Middle Americans.
This stylish reissue of Hunter S. Thompson's iconic masterpiece, a controversial bestseller when…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
That’s a terrible question that gives
me spiritual anxiety. But to get right down to it, I’m just someone who loves
culture. I’m fascinated by why people do the things they do, from ethics to
aesthetics. As a music journalist, I have interviewed everyone from local bands
to Grammy award-winning artists for publications like Alternative Press,
Kerrang!, Revolver, and Loudwire. My work as a freelance
entertainment writer carried me to other types of lifestyle writing, including
food and travel. I am a regular contributor for Reader’s Digest.
American Hardcore is like the more aggressive cousin to Please
Kill Me. While the latter is more of a narrative, American Hardcore
is an audiophile’s masterpiece. It catalogs the evolution of hardcore music
from coast to coast: its code of ethics, bloody brawls, and unrelenting spirit.
It is as much a compilation of photographs and shows flyers as it is in interviews,
providing a bird’s-eye view of the subculture. I appreciate this book for its
scope and its commitment to documentation.
"American Hardcore sets the record straight about the last great American subculture"—Paper magazine
Steven Blush's "definitive treatment of Hardcore Punk" (Los Angeles Times) changed the way we look at Punk Rock. The Sony Picture Classics–distributed documentary American Hardcore premiered at the 2006 Sundance Film Festival. This revised and expanded second edition contains hundreds of new bands, thirty new interviews, flyers, a new chapter ("Destroy Babylon"), and a new art gallery with over 125 rare photos and images.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Ever since childhood, I’ve been interested in dark stories, and this led me to writing dark fantasy. To this day, my main inspirations as a writer are Robert E. Howard and Michael Moorcock, both dark fantasists. I think it is only through understanding evil that we can appreciate goodness. As such, I strive to explore the darker parts of my characters’ psyches. I also write a fair deal about racism, which is a socially accepted, even celebrated form of evil. Fiction, because it has so few limits as far as subject matter, is, in my opinion, the best medium to have these conversations. Thank you for reading my list!
I’m reluctant to recommend it because these guys don’t need the money. Four raging narcissists/rapists/drug addicts create a band and proceed to destroy themselves and everything around them. I remember reading it and thinking, “This is the stuff they admit to.”
This book is the very definition of “If they were black, they’d be locked up.” By the point I was reading Vince Neil whine about not being able to tour Japan because he was on probation for drunkenly killing his friend, I realized I was witnessing pure evil. However, evil can be fascinating.
This book is so singularly revolting that it completely spoiled my already low interest in stories about entitled people growing more entitled. It was adapted into a very whitewashed Netflix movie.
Celebrate thirty years of the world's most notorious rock band with the deluxe collectors' edition of The Dirt-the outrageous, legendary, no-holds-barred autobiography of Motley Crue. Fans have gotten glimpses into the band's crazy world of backstage scandals, celebrity love affairs, rollercoaster drug addictions, and immortal music in Motley Crue books like Tommyland and The Heroin Diaries, but now the full spectrum of sin and success by Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars is an open book in The Dirt. Even fans already familiar with earlier editions of the bestselling expose will treasure this gorgeous deluxe edition. Joe…
Memory is capricious and impacts our view of the past. That’s why I do what I do! I am a twenty-year museum professional who began my career at Conner Prairie Interactive History Park, worked at the Denver Museum of Nature & Science for almost ten years, and am now part of the Arts & History department at the City and County of Broomfield. I have designed and developed programs and events, as well as managed teams in each of these stops. I seek to illuminate stories, elevate critical voices, and advocate for equity through the unique pathways of the arts, history, and museum magic.
Born in 1979, I’m part of the final gasp of Generation X. Klosterman uses pop culture trends and the rise of the internet and cellphones as framing for understanding how Generation X formed its view of the world and its place in it.
A fun musing on the profound changes to society and communication that took place over the decade of the 1990s, The Nineties reminds us that it wasn’t all that long ago that we got most of our news from the TV, magazines, or the newspaper, and that the 90s shaped my generation in a multitude of ways.
From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history.
It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a…
I’ve never felt that fiction was quite enough. Like a dream that someone tells you, it’s arbitrary and slightly meaningless to anyone but the dreamer. Nonfiction is nice, but because what is described did, in fact, actually happen, it can’t happen any other way. And where’s the fun (or art) in that? Autofiction, which tries to blur the line between the two, seems to draw attention to itself, making the author of the story more important than the actual story. So what’s the answer? There is no answer. But every now and then, a book seems not to care about the difference and, therefore, transcends it.
Sometimes, I have so many ideas happening in my mind at the same time that it’s hard to keep up with myself. And I get lost. Here’s a book by a writer with a mind that’s bursting with ideas, about how we communicate with each other, about how the culture controls how we communicate. And about how culture works.
Ideas sprout in the author’s protean mind, twirling and spinning and evolving, pushing him toward a black comedy, forcing him to the edge of madness where his thoughts, heated, become something closer to emotion until, by the end of the book the abstract ideas come home, settling, becoming quiet, and personal, and the story connects us back to ourselves.
Written originally for a special issue of The New Yorker and reissued here with a new forward by the author, Within the Context of No Context is George W. S. Trow's brilliant exposition on the state of American culture and twentieth-century life. Published to widespread acclaim, Within the Context of No Context became an immediate classic and is, to this day, a favorite work of writers and critics alike. Both a chilling commentary on the times in which it was written and an eerie premonition of the future, Trow's work locates and traces, describes and analyzes the components of change…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My name is Daniel Robert McClure, and I am an Associate Professor of History at Fort Hays State University in Hays, Kansas. I teach U.S., African diaspora, and world history, and I specialize in cultural and economic history. I was originally drawn to “information” and “knowledge” because they form the ties between culture and economics, and I have been teaching history through “information” for about a decade. In 2024, I was finally able to teach a graduate course, “The Origins of the Knowledge Society,” out of which came the “5 books.”
This is a nice primary source assessment of the vast shadow created by Gleick and Bod’s books. Read simultaneously as both an artifact of the times as well as serious scholarly material, Boorstin deftly outlines the evolution of thinking and communication against the rising onslaught of electronic media flooding the world of the 1960s and beyond: the image and performative illusion of “pseudo-events” dominating our attention.
Read as prophecy, I also pair with Alvin Toffler’s Future Shock (1970) and Paul Valéry’s The Conquest of Ubiquity essay from the 1920s.
First published in 1962, this wonderfully provocative book introduced the notion of “pseudo-events”—events such as press conferences and presidential debates, which are manufactured solely in order to be reported—and the contemporary definition of celebrity as “a person who is known for his well-knownness.” Since then Daniel J. Boorstin’s prophetic vision of an America inundated by its own illusions has become an essential resource for any reader who wants to distinguish the manifold deceptions of our culture from its few enduring truths.
I am a creature of habitat. I can’t help but connect with my environment in every possible way. It’s physical, emotional. I spent the first 23 years of my life in Mexico City. Leaving was heart-wrenching, but the promise to fulfill a dream drew me to Los Angeles. During the next four decades I became a student of Los Angeles and the Latino community that populates it. I agree with Randy Newman: I love L.A.
I fell in love with Los Angeles in 1983 when I immigrated from Mexico, young, penniless, and ignorant, to start an ad agency for the Latinx community. As the years went by, I succeeded in the business, raised a family, and wrote three novels. It is after you read a book like Peter Lunenfeld’s that you understand why such an improbable story like mine could ever materialize. As in the movies, L.A. is not what it seems. Go behind the scenes with City at the Edge of Forever, Los Angeles Reimagined and debunk some myths.
An engaging account of the uniquely creative spirit and bustling cultural ecology of contemporary Los Angeles
How did Los Angeles start the 20th century as a dusty frontier town and end up a century later as one of the globe's supercities - with unparalleled cultural, economic, and technological reach? In City at the Edge of Forever, Peter Lunenfeld constructs an urban portrait, layer by layer, from serendipitous affinities, historical anomalies, and uncanny correspondences. In its pages, modernist architecture and lifestyle capitalism come together via a surfer girl named Gidget; Joan Didion's yellow Corvette is the brainchild of a car-crazy Japanese-American…
I chose these books because a theme in my writing is standing up, and being a champion for things that get forgotten – books, music, events, people. Also, for anyone who has done investigative reporting, the sense is always like you’re going down a rabbit hole and penetrating a dark, undiscovered country. Also – and I don’t think many people know this – I was an English Lit major in college at the University of Toronto. In my early days I did a lot of reading, on a disparate field of interests.
You’re probably picking up a theme here - I love an underdog, books that go largely unnoticed. Ron Rosenbaum spent most of his career writing for The Village Voice, Esquire, Vanity Fair, and many others. The Secret Parts of Fortune is a collection of some of his best stuff. Someone described Rosenbaum as “one part intellectual and one part private eye,” and these essays will definitely lead you down a rabbit hole, taking you places you’ve never even considered to venture. My point of entry was A Killing in Camelot, about the unsolved murder of Mary Meyer, an artist and Washington socialite who turned up murdered on a D.C. canal towpath in 1964. As the title suggests, there is a Kennedy connection – isn’t there always.
One part intellectual and one part private eye, Ron Rosenbaum takes readers into "the secret parts" of the great mysteries, controversies, and enigmas of our time, including:
the occult rituals of Skull and Bones, the legendary Yale secret society that has produced spies and presidents, including George Bush and George W. Bush.
the Secrets of the Little Blue Box, the classic story of "Captain Crunch" and the birth of hacker culture.
the "unorthodox" cancer-cure clinics of Tijuana.
the Great Ivy League Nude Posture Photo Scandal.
the unsolved murder of JFK's mistress.
Also including sharp, funny cultural critiques that range from…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I started worrying about populism in 2008, when vice-presidential candidate Sarah Palin chastised the elitists, whom she defined as “people who think they’re better than anyone else.” Meanwhile, she thought she was so much better than anyone else that she could serve as backup leader of the world despite the fact that she believed that the political leader of the United Kingdom is the queen. After she lost she vowed, “I’m never going to pretend like I know more than the next person. I’m not going to pretend to be an elitist. In fact, I’m going to fight the elitist.” She was unaware that there is a third option: to study so that you know more than the next person.
The co-creator of SPY magazine, Kurt Andersen was my hero in high school. He’s been an NPR radio host, a novelist, a magazine editor, and a co-author with Alec Baldwin on their Trump book. But this book feels like all the thinking he’s done in those places put in one place. It’s a textbook of American history from the Puritans until today, through the lens of our special predilection for conspiracy, con artists, and fabulists, both on the left and the right, and how it all culminates in the 1960s. So smart, so funny, so jealous.
You're entitled to your own opinion but not your own facts
Fantasy is the USA's primary product. From the Pilgrim Fathers onward America has been a place where renegades and freaks came in search of freedom to create their own realities with little objectively regulated truth standing in their way. The freedom to invent and believe whatever the hell you like is, in some ways, an unwritten constitutional right. But, this do-your-own-thing freedom also is the driving credo of America's current transformation where the difference between opinion and fact is rapidly crumbling.
