Books like The London Spy — picked by fans

I first visited St Paul’s Cathedral as a schoolboy, climbing nervously through the stone corridors, then the precipitous metal gangways and staircases up, up, up to the whispering gallery and the summit of the outer dome beyond. It was a thrilling experience I have never forgotten. Little did I realise then that my dream of becoming a published novelist would come true and, beyond all my wildest dreams, I would bring St Paul’s to life in my own stories.

This book gripped me from the start, revealing the extraordinary engineering required to build the cathedral while the old structure was dismantled. I didn’t realise how many clever tricks were used to make the building look as grand as it does today. The false domes, the use of chains in the stonework, the false facades, and so much corner cutting bring the project to completion within a stringent and often begrudging… show more.

I needed to take my research from the Old Bailey archives and bring it to life, but the detail was disparate and piecemeal. I found myself struggling to get a clear window into Mother Clap’s molly house and other molly haunts.

Rictor Norton’s book was exactly what I needed. Thoroughly researched and clearly laid out, it offers the reader a chance to delve into London’s molly culture, exploring molly haunts and gaining a sense of their language and social mores.

I still had a lot of work to do, bringing the mollies to life as fully-rounded fictional characters. Norton’s book is a stickler for fact and eschews romantic supposition, but without a doubt, his book gives the Georgian London time traveler a vital key not just to the lives of the mollies but to the everyday lives of all working Londoners in all their grimy glory.

I think if we went back in time to 1700s London, we would see very little of the wealthy, privileged world so often depicted on stage and screen, and find ourselves far more excited by the filth and clatter of real London–the London of street sellers, stray dogs, pillorying, bawdy houses, and taverns. I know I would.

Without a doubt, all echelons of society took an interest in bawdy houses back then, particularly those in and around Covent Garden, where sex workers milled around the hummums and various shops, pamphleteers, and stalls, selling their wares.

In Hallie Rubenhold’s brilliant book, we get a glimpse into a surprising world, where (mainly) women found misery but also–in some cases–agency and wealth by selling themselves to well-to-do ‘gents’. This book is thrilling and heartbreaking in equal measure, and it proved to be an essential companion as I wandered through the backstreets of old… show more.

I hate reading historical fiction when it seems perfectly obvious that the author has no idea where they are. They don’t know the place names, they don’t know the roads, and they haven’t the foggiest sense of how people actually got from one part of the city to another. It is surprisingly common for novels set in London to take the reader on absurdly circuitous routes, simply because the author hasn’t bothered to look at a map.

This is particularly irksome and unforgivable in London’s case because so many of the streets and alleyways are still in existence. For my part, writing Thomas True was an excuse to wander around London with my John Rocque map tucked under my arm, timing various routes and working out precisely how Gabriel and Thomas would have journeyed through the bewilderingly busy city to Mother Clap’s Alsatia Old London Bridge, the Exchange, and Whitechapel.… show more.

I’m a fan of history. A storyline that revolves around such a long-term contract intrigued me. This one is set back in the 1960s, with scenes that jump back to World War II and then the fifties.

Griffin’s style was smooth. She brought me along in the story, giving me little hints as to what was really going on. There are secrets galore here and plenty of surprises. The characters are well-drawn. The timeframe of the story works perfectly with some of the twists.

This novel represents a sharp turn for me. Until I snapped up Zero History in an airport bookstore many years ago, the science fiction I’d read seemed like dry, intellectual exercises. The characters didn’t have depth. They never made me laugh (or cry). But Zero History unleashed a passion in me for speculative fiction, and eventually, it turned my own writing in that direction as well. To this day, it’s one of my all-time favorite novels. While it’s the third book in a William Gibson trilogy, it is entirely complete on its own. There’s a pop culture, cool vibe about it as the story taps into the lives of three people with unusual gifts – which a global marketing magnate dearly wants to use in various ways.

Although many critical thinking texts include some analysis of bits from popular culture, I wanted to include this book on my list because, as its title indicates, it focuses on popular culture­—which is good because most of us immerse ourselves in popular culture and so it influences our thinking in a huge way. There's a whole chapter. There's a whole chapter dedicated to "Analyzing American Television," another dedicated to "American Advertising and the Subtle Art of Manipulation," and one dedicated to "Popular Culture in Speeches."  

Iton’s book isn’t restricted to popular music but ranges more widely across Black popular cultures.

However, in the ways he understands the historical intersection of popular music and institutional politics (especially in a magisterial chapter on soul music), Iton gave me a way of conceptualizing music as a form of political expression and organization in itself.

If you want to understand how corporations and not churches became the most powerful institutions of moral influence in America, capable of taking away an employee's personal choice outside the workplace and denying their access to healthcare based on the owners’ biblical beliefs, legally protected by the U.S. government as a religious freedom, then you need to read this book.

People either love The Moth or haven’t heard of it. If you are in the latter camp it’s a non-profit based in New York dedicated to true stories told live. The best way to experience it is in person, but there’s a podcast and a series of books.

50 True Stories is the first book they published and draws from thousands of stories told on Moth stages around the world. If you’re looking for dynamic ways to tell a specific story from your life, this is a great place to get inspired. I’ve been involved with it for over a decade as a storyteller and host and it’s helped me tell and even identify my own stories immensely.