Books like Consuming Religion

I've always been fascinated by the ways religion reconciles contradiction. Both of my parents were public school teachers in the panhandle of Florida, and I now work at a public university in Texas, yet the culture in which I was raised, of white evangelicalism, supported economic policies of neoliberalism that defunded public life. My interest in American religion is motivated by the question of why we participate in systems that harm us. This is an economic question, but sufficient answers must address the power of religion to shape what we see as morally good and bad. These books all do that.

I've always been fascinated by the ways religion reconciles contradiction. Both of my parents were public school teachers in the panhandle of Florida, and I now work at a public university in Texas, yet the culture in which I was raised, of white evangelicalism, supported economic policies of neoliberalism that defunded public life. My interest in American religion is motivated by the question of why we participate in systems that harm us. This is an economic question, but sufficient answers must address the power of religion to shape what we see as morally good and bad. These books all do that.

I have been fascinated by the relationship between Christianity and the United States for decades. Much of my work in the area of Christian nationalism is the result of my personal religious history and experiences, as well as my work as a social scientist. I’ve always been fascinated by how religion influences and is influenced by its social context. Christian nationalism in the US is a clear example of how influential religious ideologies can be in our social world.

I've always been fascinated by the ways religion reconciles contradiction. Both of my parents were public school teachers in the panhandle of Florida, and I now work at a public university in Texas, yet the culture in which I was raised, of white evangelicalism, supported economic policies of neoliberalism that defunded public life. My interest in American religion is motivated by the question of why we participate in systems that harm us. This is an economic question, but sufficient answers must address the power of religion to shape what we see as morally good and bad. These books all do that.

My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.

I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.

Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.

I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.

I was born in 1947, in the first wave of the baby boom, and was part of the first generation to grow up immersed in television, movies, and popular music. I have always felt the force of pop culture in my life.  But it was only at a certain point that it became something that I felt I could write about and be taken seriously. Writers like Pauline Kael made it possible for me because they obviously adored popular culture but they neither puffed it up nor dumbed it down. They wrote about it with intelligence, honesty, and curiosity and also as a barometer of where people were at and where society was going. That’s what I’ve aimed at in my own writing, from my books on the male and female body to those on politics and the media to my most recent exploration of the impact of television on our lives.

I love writing about food, and it appears as a motif in nearly every comic I've ever drawn. Comics are an exceptional medium for discussing food – a talented artist can render a drawing into something that looks delicious, but they can tie it into a story that gives the dish meaning or connects to a particular character's inner life. With Meal I had the opportunity to tell a story about a kind of cuisine that delights me, but that most people know very little about – and I turned to my favorite comics about food for inspiration on how to translate that joy from the plate to the page.