100 Books Like K-punk

This book will change your idea of the place and importance of synthesizers in music history. I had the privilege to be taught by Trevor Pinch as an undergraduate and have followed his work closely since. His passing in late 2021 left a massive hole in the field of Science and Technology Studies and he is sorely missed.

The book is based on primary research on the genesis and development of the Moog synthesizer, perhaps the most important instrument in electronic music history. Unlike most texts on the instruments of electronic music, which dig into the technical details of synthesis, I love the fact that this book gives you the human stories and socio-technical processes behind how an iconic synthesizer was designed, circulated, and adopted by rock musicians from Rick Wakeman to The Beatles.

There is delight in the details, such as how salesmen packed the unwieldy Moog synth into… show more.

I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.

I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.

Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.” 

This is the book that changed my view of music and made me realise that I could write about popular music from a sociological perspective and not bore people to death!

Simon combines the punchy directness of a music critic with a thorough understanding of music as a social force that shapes our lives, loves, and identities. The book demonstrates an encyclopedic knowledge of 20th-century popular music.

I often start any research project by using the index to look up related terms and ask: “What does Simon say?” I particularly like the sections on how star persona works, and the chapter on technology is a must, too.

Is music as universally positive and life-affirming as we think?

This book made me think twice about that idea. Yes, music lubricates our identities and can generate fellow feeling and a sense of well-being, but it can just as easily drive us apart. Think about pop’s repertoire of overtly sexist and racist songs, the booing of national anthems at sports events, and music reserved for the status acquisition practices of the elite, like opera.

What I like about David Hesmondhalgh’s exploration of why music matters is that it takes a balanced view of these questions. I use it a lot in teaching as an antidote to the somewhat lazy idea that music is *always* a force for social good. I also admire David’s ability to move from the somewhat abstract realms of moral philosophy to dancing bodies without losing sight of basic but important questions like social inequality.

Thomas Sowell is underrated. How is a world-renowned thinker and commentator still underestimated? Many people think of Sowell as little more than a cultural commentator or an ideologue.

This book shatters those misconceptions by introducing you to the depth and clarity of Sowell’s thoughts. Reading and re-reading this book will impress you with the power of the economic point of view. Read it after Hazlitt’s Economics in One Lesson.

It’s a little weird that this book should find a place on my list. It’s a book about how society has become resistant to anything that is difficult and painful and the kinds of people that we have become as a result. But mathematics is difficult! To understand mathematics you have to think hard, sometimes for a long time. Moreover understanding something hard is discontinuous, it requires a leap to a new way of thinking. You have to start with a problem and this problem might be an ambiguity or a contradiction. A is true and B is true but A and B seem to contradict one another. When you sort out this problem you will have learned something.

The moral here is to embrace things that are difficult if you want to learn significant new things. “No pain, no gain.” You don’t have to worry about some super AI… show more.

This one is 359 pages and says almost nothing about the 20th century. It is quirky in terms of what it includes and what it leaves out, but reliable in its facts and judgments, and full of insights I haven’t encountered elsewhere. It does not bother with grand theories or overarching narrative, but focuses on what the author finds interesting. Cook is a specialist on the history of Islam, which gives the book an uncommon vantage point. 

I met Svetlana in the last two years of her life and was deeply impressed by her brilliance in literature and the history of ideas and cultures. She died, tragically, in her mid 50s cutting short her extraordinary career, from childhood and youth in Soviet Russia to her stellar career as a Harvard professor of comparative literature. Of her seven books, this highly original study of nostalgia has been particularly important.

A ground breaking study about longing in its positive and negative forms, focusing on post-communist cities such as St. Petersburg, Moscow and Berlin, and writers Nabokov, Brodsky, and Kabakov. Erudite, brilliant, and witty, this is a great cross-genre study of our modern condition.

The only work of fiction on this list, Motel of the Mysteries set me laughing, first at the book itself, then at historians more generally, and finally at myself.

Macaulay invites us to join a fictitious archaeological team from the future excavating a twentieth-century American motel that had been buried under a tsunami of junk mail. If this team is misunderstanding American culture so ridiculously and profoundly, how far have real historians missed the mark when writing about their subjects and their religions? If the Christians and Muslims of the fifteenth century read my Jesus book, would they be laughing at me?

This book makes me more cautious, more reflective, and more creative when I'm doing my own excavations of past religious cultures.

The British edition of this provocative book has the modest title The Scottish Enlightenment with the subheading The Scots’ Invention of the Modern World. I have the original in-your-face American edition though, which rejoices in a title that no Scot would have the brass neck to come up with: How the Scots Invented the Modern World with the subheading The True Story of How Western Europe’s Poorest Nation Created Our World & Everything in It. It was given to me by a Philipino-Californian surfing lawyer, Jesse Quinsaat, who studied with me at Edinburgh University in the early 1970s and continues his interest in Scottish culture when surf’s not up or the cases are not too demanding! He had bought the book in San Diego, loved it, and passed it on to me during a visit to Edinburgh.