Here are 100 books that K-punk fans have personally recommended if you like
K-punk.
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I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
This book will change your idea of the place and importance of synthesizers in music history. I had the privilege to be taught by Trevor Pinch as an undergraduate and have followed his work closely since. His passing in late 2021 left a massive hole in the field of Science and Technology Studies and he is sorely missed.
The book is based on primary research on the genesis and development of the Moog synthesizer, perhaps the most important instrument in electronic music history. Unlike most texts on the instruments of electronic music, which dig into the technical details of synthesis, I love the fact that this book gives you the human stories and socio-technical processes behind how an iconic synthesizer was designed, circulated, and adopted by rock musicians from Rick Wakeman to The Beatles.
There is delight in the details, such as how salesmen packed the unwieldy Moog synth into…
Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.
I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.
Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.”
How Music Works is David Byrne's buoyant celebration of a subject he has spent a lifetime thinking about.
Equal parts historian and anthropologist, raconteur and social scientist, Byrne draws on his own work over the years with Talking Heads, Brian Eno, and his myriad collaborators - along with journeys to Wagnerian opera houses, African villages, and anywhere music exists - to show that music-making is not just the act of a solitary composer in a studio, but rather a logical, populist, and beautiful result of cultural circumstance.
A brainy, irresistible adventure, How Music Works is an impassioned argument about music's…
I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
This is the book that changed my view of music and made me realise that I could write about popular music from a sociological perspective and not bore people to death!
Simon combines the punchy directness of a music critic with a thorough understanding of music as a social force that shapes our lives, loves, and identities. The book demonstrates an encyclopedic knowledge of 20th-century popular music.
I often start any research project by using the index to look up related terms and ask: “What does Simon say?” I particularly like the sections on how star persona works, and the chapter on technology is a must, too.
Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
Is music as universally positive and life-affirming as we think?
This book made me think twice about that idea. Yes, music lubricates our identities and can generate fellow feeling and a sense of well-being, but it can just as easily drive us apart. Think about pop’s repertoire of overtly sexist and racist songs, the booing of national anthems at sports events, and music reserved for the status acquisition practices of the elite, like opera.
What I like about David Hesmondhalgh’s exploration of why music matters is that it takes a balanced view of these questions. I use it a lot in teaching as an antidote to the somewhat lazy idea that music is *always* a force for social good. I also admire David’s ability to move from the somewhat abstract realms of moral philosophy to dancing bodies without losing sight of basic but important questions like social inequality.
Listen to David Hesmondhalgh discuss the arguments at the core of 'Why Music Matters' with Laurie Taylor on BBC Radio 4's Thinking Allowed here: www.bbc.co.uk/iplayer/episode/b03q9q2n/Thinking_Allowed_Why_Music_Matters_Bhangra_and_Belonging/
In what ways might music enrich the lives of people and of societies? What prevents it from doing so? Why Music Matters explores the role of music in our lives, and investigates the social and political significance of music in modern societies.
First book of its kind to explore music through a variety of theories and approaches and unite these theories using one authoritative voice Combines a broad yet theoretically sophisticated approach to music…
I’m the grandson of a coal miner from a multi-generational, Ohio family. What matters most to me is having some integrity and being morally okay with folks. I never thought of myself as an environmentalist, just as someone trying to figure out what we should be learning to be decent people in this sometimes messed-up world. From there, I was taken into our environmental situation, its planetary injustice, and then onto studying the history of colonialism. This adventure cracked open my midwestern common sense and made me rethink things. Happily, it has only reinforced my commitment to, and faith in, moral relations, giving our word, being accountable, and caring.
I love how Dipesh’s book shows a historian at the height of his powers explaining how history has become geological. Decades ago, Chakrabarty began as someone arguing for a history that made Europe “provincial”. Now he argues that all human history is relative to planetary time. His writing is infused with humanism and is up to date on Earth System Science.
For the past decade, historian Dipesh Chakrabarty has been one of the most influential scholars addressing the meaning of climate change. Climate change, he argues, upends long-standing ideas of history, modernity, and globalization. The burden of The Climate of History in a Planetary Age is to grapple with what this means and to confront humanities scholars with ideas they have been reluctant to reconsider-from the changed nature of human agency to a new acceptance of universals.
Chakrabarty argues that we must see ourselves from two perspectives at once: the planetary and the global. This distinction is central to Chakrabarty's work-the…
I have always been concerned about the happiness and well-being of other people, whether they are friends or strangers, rich or poor, young or old. To me, they are all members of one human family. I became engaged in community actions at an early age, and in addition to my work as a teacher, teacher trainer, and international educational consultant, I have been involved in many efforts to reconcile conflicts, ensure justice, and foster collaboration. My interest in civil rights, as well as my concern for the environment, led me to dedicate much of my time to developing global education and education for sustainable development.
I have always doubted the claim that people are predominantly violent and egotistical and can never change. Jeremy Rifkin, in this well-researched book, shows that despite humanity’s history of conflicts and misery, human beings have the potential, and have already begun, to create an empathic, global society.
A book such as this is needed to help us understand history as a process of humanity’s gradual maturing.
In this sweeping new interpretation of the history of civilization, bestselling author Jeremy Rifkin looks at the evolution of empathy and the profound ways that it has shaped our development-and is likely to determine our fate as a species.
Today we face unparalleled challenges in an energy-intensive and interconnected world that will demand an unprecedented level of mutual understanding among diverse peoples and nations. Do we have the capacity and collective will to come together in a way that will enable us to cope with the great challenges of our time?
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
The British edition of this provocative book has the modest title The Scottish Enlightenment with the subheadingThe Scots’ Invention of theModern World. I have the original in-your-face American edition though, which rejoices in a title that no Scot would have the brass neck to come up with: How the Scots Invented the Modern World with the subheadingThe True Story of How Western Europe’s Poorest Nation Created Our World & Everything in It.It was given to me by a Philipino-Californian surfing lawyer, Jesse Quinsaat, who studied with me at Edinburgh University in the early 1970s and continues his interest in Scottish culture when surf’s not up or the cases are not too demanding! He had bought the book in San Diego, loved it, and passed it on to me during a visit to Edinburgh.
'Every Scot should read it. Scotland now has the lively, provocative and positive history it deserves.' Irvine Welsh, Guardian
A dramatic and intriguing history of how Scotland produced the institutions, beliefs and human character that have made the West into the most powerful culture in the world.
Arthur Herman argues that Scotland's turbulent history, from William Wallace to the Presbyterian Lords of the Covenant, laid the foundations for 'the Scottish miracle'. Within one hundred years, the nation that began the eighteenth century dominated by the harsh and repressive Scottish Kirk had evolved into Europe's most literate society, producing…
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Yuri Slezkine’s classic book on the history of Russian Jewry is not a work of migration history strictly speaking. But there is no Jewish history without migration, and Slezkine shows us, among many other things, how Russian Jews ended up in the US, Israel, and the Soviet Union, representing three ideological choices—liberalism, nationalism, and communism.
I read this book back in university, and few works, if any, have had such a profound impact on my historical thinking.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping…
I have been a professor of politics and law for decades, first at Harvard and then Oxford, and so on; I spent these decades trying to understand what makes democracy work. I think we’ve been focusing on the wrong things, and as a political and legal theorist, I want to help us think about a better way forward—one we can carve for ourselves every day of our lives.
I find Sam’s book imperative: love it or hate it, praise it or criticize it; Sam gets us to think seriously about culture and identity as he opens an important debate for our complex democracies to engage with. I taught with Sam at Harvard and never ceased to be amazed by his profound understanding of the world. We may disagree with him, but he certainly gets us talking.
As people increasingly define themselves by ethnicity or religion, the West will find itself more and more at odds with non-western civilizations that reject its ideals of democracy, human rights, liberty, the rule of law, and the separation of the church and the state. Huntington feels that the fundamental source of conflict in the post-Cold War period will not be primarily ideological or economic, but cultural. Picturing a future of accelerated conflict and increasingly "de-westernized" international relations, he argues for greater understanding of non-western civilizations and offers strategies for maximizing western influence, by promoting co-operative relations with Russia and Japan,…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
In this book, Pankaj Mishraj describes how the failures of secular modernity led to the rise of revanchist movements seeking to provide those left behind with a common sense of purpose.
I greatly appreciated the international scope of Mishraj’s analysis, with which he reveals how the growth of reactionary, theocratic, and xenophobic populist politics across the globe are manifestations of the same sense of malaise.
He convincingly argues that these tensions are as old as modernity itself. Rather than engaging strictly with the same old historical and sociological sources to make his case, the author refreshingly engages the poets and novelists of the era he describes.
'The kind of vision the world needs right now...Pankaj Mishra shouldn't stop thinking' Christopher de Bellaigue, Financial Times
'This is the most astonishing, convincing, and disturbing book I've read in years' Joe Sacco
'Urgent, profound and extraordinarily timely' John Banville
How can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world - from American 'shooters' and ISIS to Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of…
